Category: Playing the Guitar

GAS PUMP JOCKEY WITH THE SPOOKY

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And now for something completely different.” –Monty Python’s Flying Circus

(Please click below and follow along with the lyrics)

GAS PUMP JOCKEY WITH THE SPOOKY SMILE©

I’m the gas pump jockey with the spooky smile

Pull in for fuel if it’s been a while

Come on in, you’ve traveled many a mile

I’m the gas pump jockey with the spooky smile

I promise you I won’t bite your dog

Or expect very much dialogue

I’ll wave at your kids, smile at your wife

I’ll probably be here for the rest of my life

I’m the gas pump jockey with the spooky smile

Pull in for fuel if it’s been a while

Come on in, you’ve traveled many a mile

I’m the gas pump jockey with the spooky smile

I’ll check your oil if you want me to

I’ll wash your windshield till it looks like new

Pay by credit, pay by cash

Yes I’ll even throw out your trash

I’m into ???? and my hair is long

I like a country and western song

I still take tips occasionally

I’m the best pump attendant I could ever be

I’m not all that handy but I’ll fix your flar

I wear the company logo hat

Wind, sleet, rain or snow

The customer’s always right you know

Regular, mid-grade, or supreme

I am here to fulfill your dream

Tire’s flat, needs some air

I got a gauge and I’ll be right there

I’m the gas pump jockey with the spooky smile

Pull in for fuel if it’s been a while

Come on in, you’ve traveled many a mile

I’m the gas pump jockey with the spooky smile

I’m the gas pump jockey with the spooky smile

Pull in for fuel if it’s been a while

Come on in, you’ve traveled many a mile

I’m the gas pump jockey with the spooky smile

(This song was composed and performed by an actual gas station attendant, albeit one with a creative and humbly self-deprecating sense of humor at times. One who lived with a big monkey of a MUSEon his back that relentlessly compelled him to compose and record songs all about 75% of whatever might come down the pike of his experience. And what had come down the pike in the case of the goofy smile was a trip to a dentist and, consequently, an embarrassing gap-toothed grin.)

All my life I’ve been an observer, discoverer, and sharer of what appears (to me) as the interestingly unusual. Such finds entertain me, teach me a little more about the world I live in, and make for intriguing conversation with others. I’m a storyteller after all, so interesting and unusual tidbits are my bread and butter. But see, in this blog it’s my job to share with you a motley variety of “roadside attractions” I’ve picked up along the turnpike of my own journey. Basically I suppose that makes me kind of a local yokel version of one of those washed-up History Channel celebrities, like William Shatner hosting The Unexplained.

And this particular singer/songwriter is just one more subject of my many episodes of Tom Lyford’s The Interestingly Unusual.

Joel was nothing if not an amazingly indefatigable songwriter. The good, the bad, and the ugly? All of it was fodder for the imaginings that would inlay their way into his various rock and roll, blues, folk, patriotic and/or protest songs, country and western ballads, and tributes. And this guy conjured up hundreds of songs. Literally. I would know, because I was the friend who voluntarily recorded a library of most of his output. On CDs.

Not the complete discography

I’m talking CDs you’ve never seen nor even heard of though, CDs featuring a singer/songwriter who’s “as unknown as they get” (to use the artist’s own words). How’s this for odd: pouring a lifetime of effort into productions destined to be sampled by exactly no one! Well, except for the same old baker’s dozen of his very few close friends (which you could count with the fingers of one hand) and family.

Despite the fact that Joel’s output was industrious, he viewed much of his talent and work with humility.

(Please click on the link below, and follow along)

SONGWRITER©

There’s cats and hacks and geniuses

Takes all kinds in the music biz

Some will make the Hall of Fame

Or become a forgotten name

Some will last on radio

Their popularity will grow

Some fade to obscurity

Playin’ clubs for a modest fee

I am a songwriter who ain’t

made the Big Time yet

I’m as unknown as they get

I am a songwriter who would

love to write a hit…

This one isn’t it.

Some develop fans for life

Other than their mom and wife

Some draw numbers quite obscene

Rolling Stones or Bruce Springsteen

Some attract a college crowd

Mellow, rockin’, soft or loud

Music that is hot and hip

Makes’em all wanna dance and strip

I am a songwriter who would

love to sell a song,

but they all come out wrong

I am a songwriter who could use a

brand new car

Please make me a star

I’ve never written anything

that’s revolutionary

I won’t set a music trend

I’m very ordinary

If a wrote an awesome tune

then maybe I could score

a platinum selling number one

and take it out on tour

There are those who have the gift

They’ve got talent, get the drift

Others, they could write all day

Still have nothing good to play

Some write songs spontaneously

Others craft them carefully

Some write stuff that really sucks

And still it makes them megabucks

I am a songwriter who has never

made a dime

Singing his own rhyme

I am a songwriter with a

guitar in his lap

Who made up this crap

Someday I might write the one

that turns a million ears

If it takes a hundred years

Joel, the singer/songwriter. I was his biggest fan. I’ve selected here a variety of what I consider to be among Joel’s best. I realize his music may not be for everyone. But I’ve always felt it was a shame that his stuff never really got to see more of the light of day. So… I’m just here to give him his due. Posthumously.

Some Odds and Ends About Joel’s Life

The Beginning

Hanging out in the band room (at the expense of his English, math, science, and social studies) was the only thing that motivated Joel in school. In the music department’s classrooms he took piano and guitar lessons, and this led to music becoming an integral part of his life. The idea of becoming a lifelong musician was suddenly all he could think and dream about.

At some point in high school, he made the rash decision to drop out. He was going to put together a band. And he did. More than one. But the very idea of a rocker’s exciting lifestyle, even in middle school back in the 70’s and 80’s, invited rock musicians to take certain risks.

Click on the link below to follow along:

CRISPY FRIED©

First time I ever got high was behind the school

I laughed my fool head off and thought I was cool

I sold my record collection just for dope and cash

Must have cost a new car into smoke and ash

Crispy fried to a crackly crunch

So damn wasted so out to lunch

Crispy fried to a crackly crunch

It’s too much

First time I ever got drunk was on a bottle of wine

It cost me 99 cents and almost made me blind

Next mornin’ I had a head felt like a medicine ball

That’s been bounced up and down and around the hall

Crispy fried to a crackly crunch

So damn wasted so out to lunch

Crispy fried to a crackly crunch

It’s too much

At fifteen I thought I was hip

Dancin’ around in my very first acid trip

First time I tried cocaine I got a wicked good buzz

It became one of my favorite loves

More than once I was snorting to a pile

Spillin’ it all over the bathroom tile

Crispy fried to a crackly crunch

So damn wasted so out to lunch

Crispy fried to a crackly crunch

It’s too much

I did a lot for a long time to my brain

Now it looks like I might never be the same

Crispy fried to a crackly crunch

So damn wasted so out to lunch

Crispy fried to a crackly crunch

It’s too much

Crispy fried to a crackly crunch

So damn wasted so out to lunch

Crispy fried to a crackly crunch

It’s too much

And consequently Joel ended up having a dark and wildly adventurous past. He got drafted into the Army. But of course the fact that he’d never had any patience with authority figures didn’t bode too well for him militarily. So duh, that didn’t end well.

He went A.W.O.L.

He took off on one of those rite-of-passage cross-country odysseys with little but his guitar and backpack, all by his lonesome. And when his bus fare cash ran out, he hitch-hiked and took up some odd jobs along the way. He made it a good three quarters of the way to the Pacific Ocean before some grifters who’d offered him a ride just drove off with both his guitar and backpack while he was in a convenience store.

He turned himself in at a nearby Air Force base. Was arrested and returned to the Army. Where he convinced his superiors that he was never going to be a soldier, and was (I imagine dishonorably) discharged. And then he was right back in his little old hometown of Dexter, Maine where there were few prospects, and even fewer for a hopeful musician. He got a job at a shoe factory and made enough dough to eke out a life. Got a new guitar and joined a band or two. And composed songs.

Click the link below to follow along:

IF THE MILL SHUTS DOWN©

I punch in at seven and I’m out by five

I don’t make much money but I do survive

I was homegrown here in this factory town

But there’ll be no work if the mill shuts down

No, there’ll be no work if the mill shuts down

Imports are hurting the economy

Our standard of living is in jeopardy

The working man pays for the rich man’s crown

But there’ll be no work if the mill shuts down

No, there’ll be no work if the mill shuts down

The foreman is asking for volunteers

take the lay-off slip, first time in years

And the supervisor wears a crown

”Cause there’ll be no work if the mill shuts down

No, there’ll be no work if the mill shuts down

We’ve been cut back to thirty-two hours a week

The industry’s future looks mighty bleak

And this is the only job left around

So there’ll be no work if the mill shuts down

No, there’ll be no work if the mill shuts down

I punch in at seven and I’m out by five

I don’t make much money but I do survive

I was homegrown here in this factory town

But there’ll be no work if the mill shuts down

No, there’ll be no work if the mill shuts down

I punch in at seven and I’m out by five

I don’t make much money but I do survive

I was homegrown here in this factory town

But there’ll be no work if the mill shuts down

No, there’ll be no work if the mill shuts down

Imports are hurting the economy

Our standard of living is in jeopardy

The working man pays for the rich man’s crown

But there’ll be no work if the mill shuts down

No, there’ll be no work if the mill shuts down

The foreman is asking for volunteers

take the lay-off slip, first time in years

And the supervisor wears a crown

But there’ll be no work if the mill shuts down

No, there’ll be no work if the mill shuts down

We’ve been cut back to thirty-two hours a week

The industry’s future looks mighty bleak

And this is the only job left around

So there’ll be no work if the mill shuts down

No, there’ll be no work if the mill shuts down

I punch in at seven and I’m out by five

I don’t make much money but I do survive

I was homegrown here in this factory town

But there’ll be no work if the mill shuts down

No, there’ll be no work if the mill shuts down

Joel married, had a daughter he loved dearly, and got divorced. And time passed

I met him back in the early 90s. Turned out he and I both had one friend in common. Ever hear of him? Some old guy named Bill W. We didn’t hit it off right away. We were from different worlds. I was the high school English teacher, and 50+% of America’s population ends up not liking English teachers. Joel was one of those in the negative 50. He had a kind of gaunt, scruffy look about him, always showing up in an old beat-up Army field jacket. He never spoke much. Kept to himself a lot. His appearance (to me) cried outlaw. And I made him out to be a stoner. And I was right.

We were two different kinds of cat. We had little in common. At least not until I discovered his favorite musicians were exactly the same as mine! Bob Dylan, The Stones, Neil Young, The Beatles, Tom Waits, Bruce Springsteen, Steve Earle, John Hiatt, Tom Petty, Eric Clapton, Warren Zevon, Townes Van Zandt, and Willie Nelson. And then lo and behold, it turned out that he was into poetry too, especially the Beat Poets and Outlaw Poetry. Hey, so was I. And then on top of that I discovered he was literate! Not just literate. Very literate. Sure, he was a drop out, but over the years since high school he’d gone on to become a life-long reader, an aficionado of the great classics, the poets, the histories, and the philosophers. He had a library card and used it. He’d become a knowledgeable, self-educated soul. I mean, he was only one of two guys I ever knew who’d actually read War and Peace cover to cover. And no, I wasn’t the other one.

I found myself wondering, Who IS this guy?

Well for one thing, he was this counter-culture freak deep into Jack Kerouac. And when I heard him perform his “Jack Kerouac” at an open-mic one night, I had to sit up and take notice.

Click the link below to follow along:

JACK KEROUAC©

Jack was rad, Jack was mad.

Kerouac was the most beautiful we had

Jack would rage, Jack he gave

The very best he had to give

to Burma Shave

Jack and Neal were the deal.

Jack would hitch hike

Neal drove everything he’d steal

Smoking tea on benzedrine

They would rap all night

With Neal behind the wheel

Where was Jack Kerouac at?

Did he have beatific vision?

Would he come back with a rap

For all of us?

Where was Jack Kerouac at?

It could have been a good decision

If he’d plugged his deadly jug

And join the bus.

Doctor Sax hit the facts

Layin’ down the beat refrain

With railroad tracks

And he showed through his code

That he had the most gone rhythm

On the road

Where was Jack Kerouac at?

Did he have beatific vision?

Would he come back with a rap

For all of us?

Where was Jack Kerouac at?

It could have been a good decision

If he’d plugged his deadly jug

And join the bus.

Kesey begged him, “Come along

And find a brand new trip.”

But with Jack that tired song

Was sunken like a ship.

He’d become the Dharma bum

Who would drink his Toquay wine

to get all numb

Off he’d go on his floe

From his Massachusetts home

to Mexico

Where was Jack Kerouac at?

Did he have beatific vision?

Would he come back with a rap

For all of us?

Where was Jack Kerouac at?

It could have been a good decision

If he’d plugged his deadly jug

And join the bus.

Where was Jack Kerouac at?

And then? And THEN…? Well, it turned out that like me, he was also a big fan of the sleaze bag novelist and poet, Charles “Hank” Bukowski! I couldn’t believe it. One of my underground favorites. And when I heard him sing his very own “Bukowski” at an open-mic, I was knocked for a loop for a loop.

BUKOWSKI©

Screenshot

Click the link below to follow along:

Charles Bukowski lived a life of drunken, squalid raunch

With pitted face and tiny hands and alcoholic paunch

Writing the tales of a dirty old man was Charlie’s bread and butter

Lived on whiskey, wine, and beer– his mind was in the gutter

Hot damn, Bukowski, I woulda had a drink with you

A literate kind of scoundrel who wouldn’t turn down a screw

Hot damn Bukowski, a novelist and a cad

You sit upon my book shelf spillin’ the best of what you had

About the lowlife laureate of American literature

So worthy and jaded his poetry was pure

Screenshot

He wrote a screenplay called Barfly, based upon his youth

Drinkin’ and fightin’ in alley ways, man, he tells the truth

Hot damn, Bukowski, I woulda had a drink with you

A literate kind of scoundrel who wouldn’t turn down a screw

Hot damn Bukowski, a novelist and a cad

You sit upon my book shelf spillin’ the best of what you had

And they called him Hank

And he always drank

Loved many a skank

Took it to the bank!

He worked for a while sorting mail, post office in LA

Hanging out with whores and gambling all his blues away

He became the darling of the LA underground

And ended up in Hollywood, the Toast of Tinsel Town

Hot damn, Bukowski, I woulda had a drink with you

A literate kind of scoundrel who wouldn’t turn down a screw

Hot damn Bukowski, a novelist and a cad

You sit upon my book shelf spillin’ the best of what you had

And they called him Hank

And he always drank

Loved many a skank

Took it to the bank!

Well, hot damn, Bukowski, I woulda had a drink with you

A literate kind of scoundrel who wouldn’t turn down a screw

Hot damn Bukowski, a novelist and a cad

You sit upon my book shelf spillin’ the best of what you had

You sit upon my book shelf spillin’ the best of what you had

So we started visiting each other. And then we did it. We became frends. Good friends, though strange bedfellows for sure. We spilled our guts to each other about our long, often unhappy lives.

Joel was many things. A member of a pretty sketchy looking rock band, The Breakers. He was an admitted alcoholic. Plus he’d experimented and gotten hooked on and off every drug known to man, plus a few others. Even acid. I was way out of his league. Overall he’d striven to live a life as raunchy as his patron saint himself and, like Bukowski, he was no stranger to the occasional jail cell or two. Plus from what I learned, his life had also been one long, dangerous, sexually permissive adventure. Half the songs he wrote were rife with wild women who’d populated his life.

I don’t know how successful he actually was at the dating game, but he’d outgrown that part of his life by the time I met him. He still missed it of course. Because Joel had been, and still was, a Don Juan wannabe. His songlist was laden with a prurient and randy nostagia.

Click to follow along:

HEY LITTLE WOMAN©

You’ve got an innocence that’s real appealin’

But it’s not just your heart that I’d be stealin’

You ain’t that pretty and you got no leg

But I’d be willin’ to sit up and beg

Hey little woman, where you goin’ tonight?

How’d your daddy ever let you out of his sight?

Hey little woman where you goin’ to roam?

Don’t you have a daddy waitin’ for you at home?

You make an older boy feel much younger

Somethin’ about you makes me ache with hunger

I’m the big bad wolf wishin’ that he could

Pull up with little Red Ridin’ Hood

Hey little woman, where you goin’ tonight?

How’d your daddy ever let you out of his sight?

Hey little woman where you goin’ to roam?

Don’t you have a daddy waitin’ for you at home?

I got to tell you it’s a rare occasion

I wish I had the powers of persuasion

I’d cast a spell to last a week or two

So I could get a little taste of you

Hey little woman, where you goin’ tonight?

How’d your daddy ever let you out of his sight?

Hey little woman where you goin’ to roam?

Don’t you have a daddy waitin’ for you at home?

Hey hey little woman, where you goin’ tonight?

How’d your daddy ever let you out of his sight?

Hey hey little woman where you goin’ to roam?

Don’t you have a daddy waitin’ for you at home?

Waitin’ for you at home?

I know Joel was feeling betrayed by the aging process.

When I’d gotten to know him, he was a loner who kept himself squirreled away in his little rented apartment with his pencils and notebooks, his guitar, his stereo, his cassette tape recorder, and a cat named Crash. There he worked his craft like a monk in a monastery, writing day after day. Rewriting. Recording his rough drafts. Listening to the playbacks booming out on that megawatt stereo (and how the apartment dwellers in that building didn’t call the cops with noise complaints I’ll never know). And then going back to the drawing board all over again. For more.

The solitary life took its toll. I know he preferred to be alone, but at the same time missed company.

He was constantly taking inventory of himself in is songs. He was good at that, stepping outside of himself and doing self-exams. His lifestyle may’ve been unhealthy, but his habits inspired his dark, razor sharp lyrics. Joel was nothing, if not a lyricist.

Cli4ck the link to follow along

HAUNTED MANSION©

Screenshot

There are shadows in the corners

Of all my memories

Crumbling moral failings

Have often haunted me

Phantasms of perversions

Have moaned their sorry wail

Within the walls of conscience

So prickly and pale

I’m like a haunted mansion

Ramshackled and run down

That seems a little creepy

No one comes around

And like a haunted mansion

There are ghosts to find

On every languid level

Loom within my mind

Indulgence demonized me

I’ve been so damn depraved

I even spooked my own self

To think how very grave

And wanton was my evil

The spectres stalk me still

In every room and hallway

On every floor until

I’m like a haunted mansion

Ramshackled and run down

That seems a little creepy

No one comes around

And like a haunted mansion

There are ghosts to find

On every languid level

Loom within my mind

I’m sitting right in plain view

Of any who live near

And ‘cause they may not know me

Their hearts may fill with fear

Should they hear the rumors

That surely can be spread

About this mansion’s history

And all its awful dread

I’m like a haunted mansion

Where children dare not play

And forces would destroy you

If they could have their way

This poor old battered building

Is in need of repair

It needs the light of reason

To shine on it with care

I’m like a haunted mansion

Ramshackled and run down

That seems a little creepy

No one comes around

And like a haunted mansion

There are ghosts to find

On every languid level

Loom within my mind

Loom within my mind

Like a haunted mansion

The man wrote and wrote and wrote. And I feel privileged to have been welcomed to spend so many hours, days, weeks, and months of his life– me, sitting at his kitchen table while he, sitting across from me with guitar in lap, played me some brand new one he’d just started working on maybe, or one he felt and hoped was a done deal. And he allowed me to be a tiny part of his process, using me as a soundboard now and then.

I’ll tell you what I love about Joel’s songwriting. His lyrics. In so many of his songs it’s the imagery, and the way he’d string well-chosen words together for the greatest effect. I would loved to have had him as a student in one of my English classes.

I’ll also tell you what I love about Joel. His honesty, his humility and his courage. He was one of the most honest men I’ve ever met.

He was a best friend. And yes, our relationship was one of opposites, The “strange bed fellows” thing. Butit was a soul adventure for me. And our friendship spanned more than a couple of decades.

THIS SONG MAY NOT BE WORTH MUCH©

Click the link to follow along:

This song can’t change the weather

This song can’t brush your teeth

This song does not wear leather

This song won’t cause you grief

This song is not too heavy

This song can’t read the news

This song may not be worth much

But to tell you I love you

This song won’t win a Grammy

This song won’t make a pass

This song won’t paint your fanny

This song won’t give you gas

This song won’t make you lonesome

This song won’t make you blue

This song may not be worth much

But to tell you I love you

This song ain’t hard to follow

It speaks a simple language

This song is getting hungry,

Won’t you feed this song a sandwich

This song won’t wash your dishes

This song won’t clean your clothes

This song won’t grant your wishes

This song won’t blow your nose

This song may not do nothing

That you would like it to

This song may not be worth much

But to tell you I love you

This song is kind of clumsy

This song is quite a clod

This song may have two left feet

This song is rather odd

This song can’t change your tire

This song is always broke

This song can’t start a fire

This song can’t tell a joke

This song can’t put your pants on

This song can’t tie your shoe

This song may not be worth much

But to tell you I love you

This song is not self-righteous

It doesn’t preach or judge

This song can love all of mankind

This song can’t hold a grudge

This song can’t change the station

On you big HG TV

This song is on vacation

More or less permanently

This song has no opinions

No agenda to push through

This song may not be worth much

But to tell you I love you

JOEL (1958-2022)

Missing you, old friend

(Wait a moment for encore)

Seated on our front porch

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THIS OLD GUITAR Part II: Hello. I’m Johnny Cash

The subject of my most recent post was my mother’s old acoustic, six-string, arch-top guitar that had been lying around and gathering dust in our house since Ma’s 1940s country and western band heydays. That, and even more so, the almost fairy tale effect it ended up having on a couple of young boys during the early ’60s. Because that’s when I toted it all the way out to the Mallett homestead in Sebec, where it fell into the hands and creative imaginations of high school sophomore Neil and his sixth-grade brother, David Mallett. And then…

Ta-DAH! The Mallett Brothers duo was born!

And over the next few years, I was so very fortunate to be in a position to witness, and often even accompany, those troubadours as they entertained their growing fans with their many live performances; not to mention often catching their records playing on the radio or watching their television broadcasts. It was amazing. And I don’t care who, or how many others, would claim the same thing, I knew that I was their greatest, and longest lasting, fan.

By that time, I’d started flirting with freshman Phyllis Raymond. And the heavens knew that I was wishing for something extra to boost my image in her eyes. And then (abra cadabra!) an unexpected divine gift just seemed to fall right into my lap!

I’d met Neil in the school lobby one morning as usual just before school started.

“You’re not gonna believe this!” he told me with an excited grin.

“What?“

“Johnny Cash is coming to the Bangor Auditorium!“

“Whoa! No shit!?” That was news! “I mean, Wow!”

“Not only that! Red and I are gonna be opening for him!” (‘Red’ being the family nickname for David. They all had nicknames, all the brothers. Bub, Mose, and believe it or not, Neil’s was ‘Ike.’)

“What!? You are not! NO WAY!” That was the most unbelievable thing I’d ever heard.

“We really are!”

“That’s just crazy! But… how!?“

“Well, it’s not gonna be just us. A bunch of local musicians have been invited to play too.”

“Wow!“

And sure enough, there it was. That very day, right there in the Bangor Daily News that morning!

At that time, I had no idea then who George Jones, June Carter, or the others were, nor did I care. All I could think of was… this was a potential Date Made in Heaven! I couldn’t wait to pass Phyllis my note reading, “How would you like me to take you to see Johnny Cash in person??? I can make that happen!”

Can you imagine how cocky I felt, writing that? How manful I was feeling? How… lucky? Me thinking the only dates Phyllis had ever been on were (A) meeting up with somebody at the Rec Center or (B) being walked to some crummy high school play with me. Because like me, she was living in Nowheres-ville. But… come on! I mean, Johnny Cash! She’d have to be looking at me now as somebody interesting, you know? Somebody with connections. Somebody so… upperclassman. Like, maybe she was thinking, Who knows? Maybe Tommy will be getting us tickets to see… ELVIS next??? You never knew.

It was cold and raining hammers and nails on the night of the concert (I just stole a Tom Waits’ phrase there– I didn’t make that up). I’d only had my license for a couple of weeks, and I’d logged practically zero hours of night-time driving, so my driving was a little iffy, but still I was pushing it as fast as the speed limit allowed because we’d gotten off to a late start. We rolled into the auditorium parking lot, threw open the car doors, and ran (holding hands) through the rain to the main entrance!

Inside, I quickly pushed my three hard-earned dollar bills in through the ticket-lady’s window (and I mean, can you believe only a buck-fifty for a major concert???!!!). Already we were catching the faraway-upstairs-strains of David and Neil belting out “Tear After Tear,” so we flew up three flights like a couple of Hollywood lovers while the final movie credits were rolling through the happy ending of some big romantic movie!

We popped out into a gigantic balcony packed with Johnny Cash fans and, sure enough, way down there on the main floor, far away and looking tiny, were David and Neil harmonizing, picking, strumming, and just sounding so damn good.

They got to perform more numbers than I ever would have expected they’d be allowed, considering the size of the line-up slated to play after them. Probably it was because the audience was so into them, judging by the wild applause and whistling. They had fans from all over the state of Maine by that time. I felt so proud of them. And so blessed to have them as my friends.

It was a night to remember for them of course, but also for me. A handful of incidents, some of which I saw for myself and some which I learned from the Malletts who witnessed them first-hand backstage, remain logged in the memory-album of my brain.

A cute, though insignificant, one occurred while Neil and David were performing on stage. I was keeping my eyes glued right on them, so I didn’t miss it. I think it was David, but it could have just as well been Neil (David, I think). (Whichever.) Both of them were down there singing, picking, and strumming their hearts out when (bink!) like a glitch in the matrix, someone’s guitar pick launched from the strings like a tiddlywink. Sparkling in the spotlight’s beam over the heads of the audience, it arced out and way like an indoor micro-meteor! It was cool to see the performers do their double double-take the instant that happened, but then soldier right on like the troopers they were.

But there were things that weren’t so cool that evening, too.

There were a lot of other locals lined up to play before The Man in Black. They started off with a yokel named (wait for it) Yodeling Slim Clark (A.K.A., “Maine’s Great Yodeler”). Three guesses as to what he mostly did. And there were other locals too. Hal Lone Pine. (Sure. Somehow I too tend to doubt that that was Hal’s actual last name.) Big Slim? What? Two Slims on the same card? Terri Lynn? Jeanne Ward? I didn’t know them, nor do I remember their performances at all. It was getting to be a long night.

It was Yodeling Slim Clark who led off after The Mallett Brothers. And in between the numbers, some emcee from somewhere out of sight down on that stage babbled on at us from time to time like some carnival barker: “Hey folks. It won’t be long now for the main event!” Or “You just wait! Johnny’s champin’ on the bit to get on out here on stage with his Ring of Fire!” But George Jones was up and the audience went wild. I didn’t know who the hell he was at the time, but it was easy to gather from all the roars and the applause that he was of The Grand Ol’ Oprey Big Time. As was June Carter. I’d never heard of her either.

They night was growing long, everybody waiting and longing for The Man in Black. And then something ominous happened. “You know what, Ladies and Gentlemen? We’ve had lots of requests to hear old Yodeling Slim Clark one more time! Come on out, Slim!” And you could feel it rippling through the audience. What? Yodeling Slim, again? Why?! Good Lord, wasn’t once enough?! And then, “Don’t you worry, folks! Johnny’s here! And he’s gettin’ ready to come out here in just a few, and give you the show of a life time! He’s here!“

I immediately looked around at the fans seated around me, who were also immediately looking around at all the fans seated around them. Puzzled frowns all around! I heard a whisper behind me that took the whisper right out of my mouth. “Damn! I don’t think Johnny’s HERE!” And suddenly that was the writing on the wall. For all of us. There was a bad taste in everyone’s mouth. The emcee didn’t say he wasn’t here, but something about the way he insisted that he was here knocked the wind right out of your sails, I can tell you that. And then… damned if we weren’t listening to old Yodeling Slim all over again. Talk about adding insult to injury…

And guess what. Johnny really wasn’t there!

According to Neil, later on, the people responsible for the show were going nuts backstage. Pulling their hair out! Where the hell was he!? Nobody knew!

They’d been stalling for too long, which helps to explain the long night. I mean, can you imagine the bedlam there would be with everybody angry as hell… and demanding their money back?! After stringing us along seemigly forever, and then torturing us with Yodeling Slim a second time.

A coupla days later, Neil described Johnny’s actual arrival this way: All of a sudden a backstage double door was kicked open, letting the wind and rain gust in. And there he was! In a long, black coat, possibly a rain coat, and a cigarette poking out of the corner of his mouth. Behind him stood the band with their guitar cases and amps. Dripping wet, he stepped inside and flicked his cigarette butt across the floor! And Neil? He chased that butt down and scooped it up! And yes. He had himself a genuine, bona-fide Johnny Cash souvenir!

I know that he kept this memento for a long time in his billfold because he showed it to me. More than once.

However, once when I related this story to some people over at David’s home a few years ago, Neil pooh-poohed my account by saying, “I think you’re using quite a bit of poetic license there, Tommy,” to which David spoke up in my defense, “The hell he is.”

(Sorry, Neil)

Anyway, it turned out that Johnny and his good ol’ boys in the band were quite inebriated. That much was obvious by the way we watched Johnny swagger up to June Carter out there on the stage, toss his guitar over his back to hang off his shoulder by the guitar strap, grab June around the waist, tip her over a few degrees below the horizontal, and plant the longest kiss I’d ever seen planted on anybody’s lips. And the crowd erupted with whistles and catcalls! I was shocked!

I didn’t know it then because I knew nothing about June and very little about Johnny except his wonderful music, but both of them were married. And not to each other.

But not for long, after that.

A few days after the concert, word got around that Johnny and the band had demolished a couple of motel rooms where they’d spent their night. Probably in a drunken blackout. I don’t know.

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

But what I do know is… hell, that was one unforgettable date! Very heady stuff. Especially for a couple of small-town, never-been-anywheres like Phyllis and I. But as far as I was concerned, I’d totally done it. Because after a date like that, what girl was ever gonna drop me? I drove her home thinking, Oh yeah, chick’s gonna stick with me. (OK, I admit it. Actually I was thinking that with a big ‘I hope‘ tacked on.) But it was pretty good plus yardage for me.

I mean, hey, I was in with the Mallet Brothers, right? So, like, from her point of view, maybe anything was possible. Maybe I really would end up taking her to see Elvis next, for all she knew. Or… Ricky Nelson. Or…

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

But you know what blows my mind? That none of this might have (wouldn’t have), happened had it not been for one musical instrument that my Aunt Elva had purchased for my mom, Violet Lyford back in the early 1940’s.

Because in 1963, it just so happens that one antique guitar was shown to two young boys, along with a tiny bit of brainless instruction about how to play four simple guitar chords. And a duo who called themselves The Mallett Brothers hit the stage shortly after.

Later the youngest one, David, went off to college with his guitar, and over time blossomed into this amazing national and international singer-songwriter who to this day has seventeen albums to his credit. And today, two of his sons are setting the world, or at least America for now, on fire as The Mallett Brothers 2.0.

You want some irony though? Some twenty-five years later, after the original Mallett Brothers began, I’m still fooling around with those same stinkin’ four chords. Yeah. How do you like them apples?

But whatta say… LET’S HEAR IT FOR MA’S GUITAR…!!!

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THIS OLD GUITAR

I grew up in a home that had an old acoustic guitar just lying around in it. It was my mom’s.

Way back in the early 1940’s, she and some of her wild siblings and friends formed a locally popular country-western band that played at the area Grange halls. According to a 1999 article in Paper Talks: as dirt-poor as they were, Ma’s (Violet’s) older sister Elva earned enough cash by “cutting potato seed” to purchase a guitar for herself and one for her. They named themselves The Bar-K Buckaroos. Mom’s brother Chester, a born con man, acted as the band’s “manager” under the imaginative name Ace Dixon.

(A cherished Lyford family story is that our dad, Raymond, was smitten and became a big fan of mom’s during one of their concerts. Reportedly performing a popular song of the day called “Winking at You,” she came strolling down through the audience, coming to a stop right in front of him, and then personally serenading him with a few lines. {And winked at him!} And the rest is history.)

So anyway, the guitar. When I was in junior high, Ma taught me three basic chords, all in the key of C: C, F, and G7. I discovered that with those three, I could navigate my wannabe singer’s voice through most of the popular songs at that time. Eventually, however, I found that if I ever wanted to be able to handle The Animals’ “House of the Rising Sun,” I had to familiarize myself with the A minor chord as well. I mean, anybody and everybody who was learning guitar that I knew wanted to play that particular song, it being so dark and cool.

4 very basic chords

Back in 1960 I had a friend who owned an electric guitar and an amp. I’d spend hours with him in his bedroom taking turns blasting his neighbors. We’d crank that amp up to a 7 on the Richter scale and let’er rip. This Wayne Smith was so much more talented than I was. (And if you’re wondering how good I was, my answer is: not so much. I think I got to be… promising, but that’s as far as I ever got.)

I’d learned the do re mi scale in C though, which enabled me to pick out the melodies of popular songs in that key fairly easily. So from Wayne’s bedroom, the neighbors got treated to my loud rendition of “Apache,” an instrumental made by famous by The Shadows in 1960, or The Ventures’ popular “Walk Don’t Run.” On top of that, and being nuts over Johnny Cash, I worked hard to learn to play the chords of his hits in his signature style while picking out the melodies to boot.

But like I said, “promising, but that’s as far as I ever got.” There are a couple of reasons:

(1) I’m lazy.

I’d already learned to play practically everything I wanted to play in the key of C. Trying to master playing the necessary chords for pop songs in other keys? Well, that was difficult, wasn’t it. Smacked of effort. So why bother? C was good enough for me. And besides, if I wanted to play songs in higher or lower chords… hey, that’s what capos are for, right?

So… laziness.

(2) I suffered from terminal stage fright.

Although in the safety and privacy of my room I practiced! practiced! practiced! like I was trying to get to Carnegie Hall (and had even begun to show some definite growth), the problem was this: the moment I’d feel a few eyes bearing down on me while playing, my brain would just fly right out the window.

It’s been that way all my life. For instance, as a kid I played a lot of basketball with a number of older kids. Every weekend after Central Hall Rec Center closed down at 10:00 pm, a bunch of us would rent the floor and play ball till 1:00 am next morning. I got really good at it too. I’d honed a hook shot that was deadly. I was hell on wheels.

Now of course, you’re probably thinking, Oh sure, in HIS OWN OPINION he was hell on wheels. So… how good was I really? Answer: good enough to make the starting five on the A-squad three years running. In 7th grade. In 8th grade. And in my freshman year.

Why?

Nervous Bench-Warmer Tommy

Stage fright. Oh, I was just great during practices. And in each one of those three years, when the jump-ball tip-off signaled the start of first game of the season, I was right out there on the floor. with the rest of the starting team. But…

There’d end up being about 150 fans’ eyes gawking at us, but particularly right at me (or so I felt). Consequently, I became dazed, confused, and “frozen.” One of my teammates would shoot the ball over to me and guess what: I’d just stand there, watching the ball bounce off my chest and disappear out of bounds.

And after that happened twice, Coach would call me over to the sidelines, look deep into my eyes and ask, sincerely, “Tommy. What’s going on?!” And my answer (to each successive coach, three years running) was always the same: an embarrassed, “I… don’t know…” After which I’d spend the rest of the season warming the bench.

Sad irony: I was as bad at performing with the guitar as I was at basketball. And not only that but, yeah, up through my sophomore year in high school it was also that way when talking to pretty girls. Which sucked, but… it just was what it was.

See, this is what the ancient Greeks called a ‘tragic flaw.’

However (A) by 1962, I was still looking sort-of-hopefully toward my (possible?) musician-future-stardom with some degree of optimism, but (B) although I had no way of ever expecting the irony of it (nobody would or could have), the future-BIG-payday teased at by the windfall of Ma’s guitar wasn’t going to be about…

…me.

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

Now, I’ve mentioned in previous posts that my best friend throughout high school (and beyond) was a fella named Neil Mallett. He grew up in Sebec, Maine, located a few miles north of my hometown of Dover-Foxcroft. From kindergarten through eighth grade, Sebec kids attended school in Sebec. However, beginning with their freshman year, they joined us ‘townies by enrolling in Foxcroft Academy.

Neil and I were both enrolled in the College Prep curriculum at FA, so the two of us ended up taking all the same classes. Not only that, but Neil ended up sitting right behind me in pretty much every class due to the fact that our unimaginative teachers could think of no better way than alphabetical order to arrange our seating plans. This recurring proximity sealed our friendship. Consequently, I soon found myself becoming a frequent visitor out at his home in Sebec.

We didn’t have a lot in common at first. I lived in town in a house resting on a boring single acre of land; Neil lived in the country. Our house was boxed in by the houses of our many, many next-door neighbors. He lived in a not-at-all crowded, neighbor-filled-neighborhood. His homestead had all kinds of things mine didn’t. An old field truck that I could drive. A tractor. A huge barn. A flock of sheep. A big German Shepherd. At least four other brothers. A mom filled with spooky stories. Big country breakfasts every morning. And lots of fields with haying to be done.

It was wonderful. For me, a rural agricultural Disneyland. I wanted to live out there in Mallettville. I wanted to be a Mallett.

I stayed over often.

Dumbass me. Notice the brown rectangular roof of the very large building down below in the upper half of the photo, for a sense of scale…

All kinds of things happened out there. For one thing, I got fear-frozen up maybe 200+ feet up on the 260-foot, still-under-construction Telstar tower that was adjacent to one of their properties.

Practically all the boys from miles around felt compelled to climb that tower at one time or another. It was a rite of passage.

Another thing that happened is that I got to spend almost an entire summer haying out there. My God, it was hard, hot and sweaty work, but I loved every minute of it.

Now, harking back to the real adventure: one time out there, in the winter of ‘62, I got to talking about how much I was enjoying playing my Ma’s guitar at home. Neil’s and his younger brother David’s ears perked right up my descriptions. And so I got asked to bring Ma’s guitar out there for them to check out next time I came over.

So we made plans for that.

“It was a dark and stormy night.” Freezing, windy, and snowing. One of Neil’s older brothers pulled up in our driveway to chauffer the guitar and me off to Sebec. And since the entire rear window of the car was for some reason missing and the snowflakes were swirling around inside the interior, I wrapped the instrument up in an old blanket to keep it as dry as possible. It was about a 10-minute ride.

So anyway, the guitar arrived in one piece (and no worse for the wear), and we brought it into the warm Mallett living room. Everybody gathered around for my little demonstration. And believe it or not, even though I was among very good friends, I still got as nervous as hell while doing it.

Wow though, Neil and young David really got into the whole idea that with only three, maybe four chords, you could play “any song.”

BOYS! Grow Giant Mushrooms in YOUR Cellar!

Sounds pretty much like a pitch from one of those ads in the back of some 1950’s comic book, doesn’t it. But that is pretty much what I told them anyway. But of course…that turned out to be an unintentional untruth of course.

Anyway, it was a hands-on experience for them, each taking turns, trying out the chords, and immediately learning about the guitar-player’s painful fingertips. But I figured that, like most kids who just dream and dream of playing the guitar, that the nitty-gritty reality of the commitment involved would end up making short work of that dream. Besides, they didn’t even own a guitar.

But unbeknownst to me, the guitar I’d just handed over was like Jack’s magic beans in the story of Jack and the Beanstalk. Something immediately took root in these two guys. I mean, by placing that completely ordinary musical instrument into their sweaty little palms, I was unwittingly creating a monster. (Well, two monsters actually.) (And to be clear: I’m talking ‘monster’ in a good way… in a very good way.)

Because in a few weeks, they had a guitar of their own. And in a few more weeks, they had two guitars! And damn, they could both play them! Head and shoulders above what I was capable of. And on top of that they’d discovered they could sing as well, David assuming the lead vocalist role, and Neil backing him up with the harmony. They quickly assembled a playlist of popular folk and country songs and took them out on the road.

This article from Up North (Jan/Feb 2008) by Shelagh Talbot

Next thing you knew, they were performing a couple of numbers before the student body at Foxcroft. And were a sensation. Everybody loved their sound. Word got out. Their reputation spread. They were asked to perform gigs at Rec Center, churches, weddings, and grange halls just like my mom. And they had become… The Mallett Brothers.

(Yes, I know– right this very moment there is a nationally popular band called The Mallett Brothers [David’s two sons, Luke and Will] out there making a big, successful splash in the music world, but Neil and David were the original Mallett Brothers back in the 60’s.)

Before you knew it, they were even showing up on television— TV talent shows, performing in guest spots with other well-known local singers, and then (lo and behold!) they came out with their own television show!

The Mallett Brothers Show (1960’s)

Early in the 60’s I was fortunate in that, being such a close family friend and all, I was allowed to accompany them on their various grange hall gigs all over the area. I liked to think of myself as sort of their ‘roadie’ but, in reality, I was more of groupie, just tagging along for the adventure.

And then, in another blink of an eye it seemed, they began cutting a few 45 rpm records. And songwriting became added to the mix. That was a family affair, beginning with their mom, Pauline, who penned the song, “Solomon,” (the yellow label featured in the photo below). The Mallett Brothers were off and running.

The Recordings

These records found their way to radio stations around the state of Maine, got plenty of play time, and bolstered their growing popularity.

The 45 in the center is titled “Cole’s Express.” The story behind that one is that The Mallett Brothers got hired by a large firm in the small city of Bangor, ME, namely Cole’s Express. They were hired to sing their way north to south, east to west all over the state of Maine to promote Mr. Cole’s company. It was a lucrative deal.

Oh how I envied them, staying in motels, meeting all kinds of interesting people, and getting paid for doing something they were more than passionate about. The YouTube video below was recorded during one of their stops in Fort Fairfield, Maine.

But hey, one of the best and most memorable of the many gigs I got to accompany them on was on Monday, July 20th, 1963. This was during the total solar eclipse of that year, at the dead center of the eclipse path which lay smack-dab in Dexter, Maine. Dexter hosted an unforgettable 4-day celebration that included vendors, food, dancing, a talent show, and music.

Headlining the music on the stage that day was The Mallett Brothers. The weather was perfect. And a family of performers were so taken by David and Neil, that they invited us to come out to view the eclipse on their family’s farm. It was great. We got to watch the confused cows slowly heading in across the fields toward the barn only to stop and turn around when the sun came back out. And then we also got to hear the rooster crow an untimely cock-a-doodle-doo, announcing morning for the second time that day.

Total Eclipse Dexter, ME 7/20/63
1963 Dexter

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

So here’s my point… well, at least PART I of my point (look for one other ‘Part’ of the point in this adventure). So many things subsequently happened only because there was this old guitar, a left-over relic from the 1940’s, left leaning up against a side of our piano in the family living room back in the mid-1950s. I mean, suppose my mom never received that guitar in the first place, and that there’d never been a little country western group called the Bar-K Buckaroos. Would I have taken that amateur interest in playing a guitar anyway? I don’t see how. At least not then. Would I ever get some other opportunity to learn about those three chords? Possibly. A lot of kids did.

On the other hand, I’m pretty positive I would have met and befriended Neil anyway though, thanks to the alphabetical-seating-order-fetish of those unimaginative teachers of FA’s College Prep classes. But there wouldn’t have been that particular winter’s night gathering in the Mallett living room, listening to me playing those easy chords.

In fact, minus the cause (the guitar) and effect (David’s and Neil’s early musical career) I, Neil, and David could all very likely be living lives in some alternative reality. I mean… horror of all horrors, what if I’d (haha) gone over there and, in an enthusiastically glorified and charismatic manner, shared with them the basketball path I was futilely trying to master, and had somehow tantalized and mesmerized them with the amazing scientific precision of that deadly “hook shot” I had honed so sharply? Might then Neil and David have put their creative energies into competitive sports instead? And might David and Neil have become famous brother-athletes on a national scale, like Peyton and Eli Manning?

OK, now you’re probably wondering what it is I’m smoking. Just being facetious. But yeah. Really. What if there hadn’t been that guitar at all, eh? Did the guitar have anything to do with me finding a permanent girlfriend? Yes!

Did that guitar have anything to do with David and Neil crossing paths with The Man in Black, Johnny Cash? Yes, I believe so!

But stay tuned to find out. Look for “This Old Guitar, Part II” in the next day or two.

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