“LOOKIN’ FOR THE OLD BLUE OX…”

You know who I envy in this life? Let me tell you. The Songwriters. And yes, I just capitalized the word Songwriters because I hold them in such high esteem. But at the same time, who I don’t envy so much are the so-called ‘songwriters’ (lower case ‘s‘). I’m talkin’ those ‘songwriters’ who are in it solely (and often soullessly) for the money and quick fame. See, I sorta need to feel the signature of the writers’ souls along with their unique talents in their offerings. Not that I can blame anybody for just wanting to earn a living. You know, live and let live. I just don’t find myself envying anybody who writes crap, even crap that sells big. That’s all.

Take the Beatles. The Beatles began as songwriters (small ‘s‘), not Songwriters. In my humble opinion. Oh, and I’m the first to admit, they became Songwriters Extraordinaire. “Eleanor Rigby.” “Lucy in the Sky with Diamonds.” “A Day in the Life.” “Being for the Benefit of Mister Kite.” “In My Life.” Because hey, please know I grew to love the Beatles.

But what an overwhelming disappointment it was when the very the first song I heard by them in November of ’63 was “I Want to Hod Your Hand.” I mean, really, just how creative are these lyrics?

Oh yeah, I’ll tell you something,
I think you’ll understand,
Then I’ll say that something,
I wanna hold your hand,
I wanna hold your hand,
I wanna hold your hand.

Oh please say to me
You’ll let me be your man,
And please say to me,
You’ll let me hold your hand,
Now let me hold your hand,
I wanna hold your hand.

And when I touch you
I feel happy inside,
It’s such a feeling
That my love I can’t hide,
I can’t hide, I can’t hide.

Yeah, you got that something,
I think you’ll understand,
When I feel that something,
I wanna hold your hand,
I wanna hold your hand,
I wanna hold your hand.

And when I touch you
I feel happy inside,
It’s such a feeling
That my love I can’t hide,
I can’t hide, I can’t hide.

Yeah, you got that something,
I think you’ll understand,
When I feel that something,
I wanna hold your hand,
I wanna hold your hand,
I wanna hold your hand.

“Nuff said.

In my life, (now there’s a real Beatles’ song) I’ve tried my hand at poetry. I was inspired by the so many poets and poems I’d fallen in love with. But, to become a poet, you pretty much have to start out at the bottom, don’t you.

So I was clerking at the local library, when this sweet little old lady began pestering me every other week to join her poetry writers group. And yeah, sure, I’d been struggling with… ‘my poetry’ for a long while, but only privately. I had no self-confidence. I had never shared any of it. The thought of sharing felt… risky.

But one day I just threw in the towel, gave in to her persistence, and said “OK, OK OK!” I showed up with a very humble poem. But a safe (for me) poem. And by safe, I mean I felt it was a somewhat fairly clever little thing I’d concocted… but mostly because it rhymed. Because I just for some reason assumed that all these oldsters would exclusively be into the rhyming poems. OK me, I’d moved pretty much exclusively into free verse by then, but… I mean,hey, I didn’t know who the hell these old buzzards were, circled around the library table like a séance. And I definitely didn’t want to risk having one I really cared about getting shot down.

And then, finally: it was my turn to read. So OK, I cleared my throat three or four times; took, and held, the required deep breath; and then nervously proceded headlong to read what I’d brought.

When done, I looked up. Everyone was silently looking at me, and some were nodding, which made me sigh in relief. But then that little old poetry mistress who ran the group locked onto me with her suddenly mischievous, beady little eyes and said, “Why, that’s… doggerel,” followed by “and doggerel is poetry written by dogs!“

To my chagrin and terror, everybody burst out laughing!

Turned out, this lady had pulled the same stunt on everybody who ever joined the group. It was sort of a first-day initiation of hers. And (who woulda thunk it?) after a little period of adjustment, it turned out that this lady and I were destined to become a great lifelong friends. I even dedicated my first full-length memoir to Anne Kucera.

But she was right, wasn’t she. So much so-called ‘poetry’ really is doggerel. And if I had known this poetry-written-by-dogs expression back in 1963, that’s exactly how I would’ve assessed the Beatles’ “I Wanna Hold Your Hand.” And yes, sure, I got it that that particular little ditty sounded pretty lively and all, and I noted that sure, all the girls were doing the Elvis thing, screaming and fainting, so they were definitely a phenom, but… I mean, just look at those pathetic lyrics. I’m sorry, but the Beatles began as doggerel songwriters (lower case s). Case closed.

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Now… here we go. And OK… I admit it. I’m still on my juke box kick. So here comes a song. Hey, I can’t help it. I’m really just very passionate about the special singer/songwriter music I’ve meticulously collected over my lifetime because… well, because of the effects that music has had, and still has, on me. So I’m not going to apologize for wanting, actually needing, to share some of the best of it.

And right now, please trust me– I have a songwriter, and a song of his, in mind that I want to share with you, hoping you’ll be willing to give it a shot. But first, allow me to refer you back to the song, “Christmas in the Trenches,” featured in one of my recent posts titled “A Single Song for All Humanity.” The lyrics of that song tell of something big and important, something unusual and truthful and heartfelt… something well worth experiencing. Which is what I look for in the music I collect. And I’d be willing to bet real money that those of you who did listen to “Christmas in the Trenches” were also pretty powerfully moved. As I was. Because lyrics like those in that piece are a humane and generous gift… to you, to all of us, from a real bona fide (capital ‘S‘) Songwriter. A rare gift.

However, today’s gift isn’t about some big and important 3-day event that has established its place in the annals of world history. Rather it’s about a seemingly small five-minute encounter. And it’s not really about the encounter per se as much as it is about what this little, universal encounter reveals.

Today’s gift is a unique, poignant piece, composed by one of the more talented singer/songwriters catalogued in my vast juke box: the international singer/songwriter David Mallett from Sebec, Maine. Dave’s compositions have been recorded by a number of famous recording artists from John Denver, Kathy Mattea, Emmylou Harris, to Arlo Guthrie. You’ll likely know him from his signature song, “The Garden Song,” (a.k.a. “Inch by Inch”) popularized and sung (in a number of languages) throughout the world.

But he’s composed so many other long-time perrenial favorites as well, such as “Fire,” commemorating the Mallett family’s long ago loss of their homestead in a calamitous conflagration; and then of course “The Ballad of the Saint Anne’s Reel,” which has been happily adopted as the official folk anthem of Prince Edward Island and the surrounding Maritimes provinces of Canada.

Now, I gotta admit this one comes with a title that’s a little bit unexpected, one that might raise the eyebrows of someone scanning the playlist of songs on Dave’s The Artist in Me CD for the first time. It’s titled “The Old Blue Ox.” However (much needed spoiler alert here) the title is definitely not referencing the famous, fictional tall tale of Paul Bunyan and Babe, the Big Blue Ox, which is more than likely the only “blue ox” most Americans would be familiar with. And like me, you may never have realized that there really is such a thing as a ‘blue ox.’ I mean, I had to look it up for myself: “Blue Ox: a blue brindle cow or ox which is usually the result of a roan Shorthorn which is bred to a black and white Holstein.”

OK. Yeah. I mean, Who knew?

Well, the apparent answer to that is… farmers (and alas, no farmer, me). But yes, farmers are very likely to know of this breed.

OK: time to relax. So breathe… and now lean back to get comfy in your chair and try to imagine you’ve just been puttering about your house for the afternoon, a house situated in a rural part of Maine’s farmlands, when suddenly there comes a knock at your door. You open it to find… on your doorstep… one sad, confused, little old gentleman leaning on his cane…

"THE OLD BLUE OX"

"Good afternoon, I'm lookin' for
the old blue ox," he said,

And he said, "I don't believe it,
but I heard my father's dead.

And just where is the Curtis place?
My God how things have changed!"

He was a little ol' man, he was almost blind,
and he was walkin' with a cane.
 
"Now I know this is the place,
because I climbed the Severance Hill,

I'd know that hill in a hundred years,
and how her rule and will."

"Earl Parkman moved away," I said, 
"Will Green, he died you know,

And Willis Pratt has grown a man,
and gone on years ago."
 
Now our conversation was quite short,
five minutes at the most,

But he stood before me like a boy,
and conjured up the ghosts

Of friends and kin folk from an older,
and a slower time,

How fifty years, disappeared 
like minutes in his mind.
 
"The blue ox was gone the day I left,
been gone a week or so,

And I've come around to fetch him home,
cause I always did you know.

Pa will be glad." He started off,
and I stood and watched him go,

Down the way to yesterday 
lookin' hard and lookin' slow.
 
Now apple trees just wither,
and barns grow old and fall,

And ancient lady's sit in rockin'
chairs, wrapped in their shawls.

But this old fella does the things,
the things he has to do,

He's lookin' for his past,
he might stop and talk to you.

"Good afternoon, I'm lookin' for
the old blue ox," he said,

He said, "I don't believe it,
but I heard my father's dead.

And just where is the Curtis place?
My God how things have changed."

He was a little ol' man he was almost blind
and he was walkin' with a cane.

What this song does is deliver a bittersweet little punch to my heart, leaving me with a warm and kind of teary-eyed smile every time I listen to it. So no, it’s not exactly a happy song, although the vocals and the jaunty instrumental accompaniment combine to nearly disguise it as such. But yeah… I really love this one.

I love the artful way it’s written. Because in no more than a handful of lyrics, it hands us such an easy-to-grasp foreshadowing of a reality that very likely awaits us, but one we seldom consciously imagine will ever touch us: that some time in the near or far future, maybe right in the middle of us just happily going about our lives, with everything moving pretty much right along all hunky-dory… it’ll eventually come. Very much like a sudden and unexpected knock at the door:

Somebody we know and probably care about, and maybe even love and depend on, will have just been diagnosed with the reality of dementia. Because shit happens…

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Our extended family has owned a lake-front cottage since the 1940’s, the ownership of which has been passed down within the family from generation to generation. One sunny, blue-sky, summer afternoon back fifteen years or so, a number of us were lounging out on the cottage’s porch that overlooks the lake. And all of a sudden my mom said something that didn’t seem very logical at all. “What a beautiful lake this is. It must have a name. So, what’s the name of this lake?”

Suddenly that had us all sitting up a little straighter in our chairs. And after a short pause, someone said the obvious. “Why… Sebec Lake, of course. You know that, Violet. Sebec Lake.”

My mom thought about that and then simply said, “Oh.” But then, after a lengthy pause, she spoke again. “And this is such a nice camp.”

“Yes. It is,” we all agreed.

“So… whose camp is this? Who owns it?”

That question brought a much longer and more uncomfortable silence to the porch gathering, as we all looked to one another in… well, astonishment. Then Dad, flummoxed and nervous, looked her right in the eye and said sternly, “Why, you do, Violet. This is your camp. You own it!”

“What… me?” she laughed in disbelief. “Me? I own it…? Oh no, I don’t think so. How could that be?”

And that was that. Our ‘knock at the door.’ And it was unnerving. Frightful. Oh I mean, sure, looking back, there’d been signs. Of course there had. Road bumps had been coming up in conversations quite a lot with her actually, which we’d find frustrating, but... still… we’d just pooh-pooh them into the background, log them under the category of ‘just natural aging,’ just a little forgetfulness here and there which can be expected.

But… that was our knock at the door. The end of any more hopeful denial.

It took years for her dementia to play out in our lives. Years to go from that first cottage-porch incident to the point of her often confusing our dad, her husband, with her long-dead father. To the point of her packing up her little suitcase at home most nights, parking it right by the front door, and continually asking us when was somebody, anybody, ever going to get around to taking her home, to ‘her house’ so she could go to bed? But once in a while there’d be little periods of time when the old, real Violet would just pop right back in among us. Of course this was all devastating, long past the time we finally had to move her into the local nursing home and right up until the day passed.

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Now I swear I certainly did not decide to write about this topic to depress anybody, and I sincerely hope I haven’t done that. It’s simply that I treasure my collection of unique and creative singer/songwriter recordings so much that I’m kinda driven to share them, because to me they’ve always been such an important lifeline to my inner peace, comfort, sanity, and even knowledge. Because my God, they cover just about all genres. Humor and comedy. Tragedy. Romance. Novelty. Philosophy. Nostalgia. Politics. Protest. Spoken word. History. You name it. And I can’t help feeling that the experience of them is just way too valuable a commodity for me alone to greedily keep, them just languishing here on the dusty CD shelves in my little apartment and in my PC’s digital ‘jukebox vaults.’ They need to be shared. And I feel a real need to put them out there for you, too, to discover.

Yeah. I know. How very Don Quixote of me, right?

But I find the talent and craft of these songwriters irresistable. I mean, just take another look at this one, “The Old Blue Ox.” Look at the dialogue between the little old man and the narrator:

“Now our conversation was quite short,
five minutes at the most,
But he stood before me like a boy,
and conjured up the ghosts
Of friends and kin folk from an older,
and a slower time,
How fifty years, disappeared
like minutes in his mind.”

Yes, clinically it’s just one man conversing with some unfortunate old fella locked in the grip of his dementia, but the tiny encounter is painted within these lyrics with an almost paranormal feel about it. Like one of them is a ghost… or… like they’re both two time-travelers, each ensconsed in his own time-period-‘reality,’ but somehow briefly communicating with one another straight through a… wormhole maybe that has suddenly pierced the nexus of their two worlds?

How spooky is that! And how intriguing…

But that’s what it was like sometimes, talking to my mom. I soon came to understand very well that she was speaking to me from a long-dead world of sepia-toned, black-and-white photographs and the living ghosts of her brothers and sister. And I was speaking to her from a magical science-ficton world of cell phones, iPads, and remote controls lying around all over the living room furniture. How amazing.

But hey, I’m guess beginning to sound like the cursed old seafarer in “The Rime of the Ancient Mariner,” aren’t I. (Can’t shut up.) So let me just sum up with a single statement regarding not only all of the (in my opinion) crème de la crème lyricists I keep in my collection, but especially this particular Dave Mallett’s song, “The Old Blue Ox”:

This song transcends the simple term ‘song’; what it is, actually, is a slice of pure Literature suitable for inclusion in any American literary anthology.

So that’s my story, and I’m stickin’ to it!

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And now I’ll end with some scribbling I penned years ago, having been inspired by “The Old Blue Ox.” Thanks for reading.

“Goodbye Yellow Brick Road”

You took it for granted…

just assumed Memory Lane

would forever remain

your Yellow Brick Road…

overlooking, way back then,

those sleepy seeds borne

on the winds of time

sewing themselves

between the cobblestones, and then

all those little spearheads–

the crabgrass, unsheathing itself

underfoot… choking the undergrowth of

Memory Lane in an overgrowth primeval–

and now you’ve gone missing in the outback

of your own hardening cerebral arteries…  

all your Hansel and Gretel breadcrumbs

disappearing like hourglass-sand

down the little rabbit holes,

leaving you needing a damn macheté

to hack your way in circles

through the foliage of

your own life’s back pages…

unable to find the forest

hiding in your trees