Folk Music – NEARING THE END OF THE LINE

THIS OLD GUITAR Part II: Hello. I’m Johnny Cash

The subject of my most recent post was my mother’s old acoustic, six-string, arch-top guitar that had been lying around and gathering dust in our house since Ma’s 1940s country and western band heydays. That, and even more so, the almost fairy tale effect it ended up having on a couple of young boys during the early ’60s. Because that’s when I toted it all the way out to the Mallett homestead in Sebec, where it fell into the hands and creative imaginations of high school sophomore Neil and his sixth-grade brother, David Mallett. And then…

Ta-DAH! The Mallett Brothers duo was born!

And over the next few years, I was so very fortunate to be in a position to witness, and often even accompany, those troubadours as they entertained their growing fans with their many live performances; not to mention often catching their records playing on the radio or watching their television broadcasts. It was amazing. And I don’t care who, or how many others, would claim the same thing, I knew that I was their greatest, and longest lasting, fan.

By that time, I’d started flirting with freshman Phyllis Raymond. And the heavens knew that I was wishing for something extra to boost my image in her eyes. And then (abra cadabra!) an unexpected divine gift just seemed to fall right into my lap!

I’d met Neil in the school lobby one morning as usual just before school started.

“You’re not gonna believe this!” he told me with an excited grin.

“What?“

“Johnny Cash is coming to the Bangor Auditorium!“

“Whoa! No shit!?” That was news! “I mean, Wow!”

“Not only that! Red and I are gonna be opening for him!” (‘Red’ being the family nickname for David. They all had nicknames, all the brothers. Bub, Mose, and believe it or not, Neil’s was ‘Ike.’)

“What!? You are not! NO WAY!” That was the most unbelievable thing I’d ever heard.

“We really are!”

“That’s just crazy! But… how!?“

“Well, it’s not gonna be just us. A bunch of local musicians have been invited to play too.”

“Wow!“

And sure enough, there it was. That very day, right there in the Bangor Daily News that morning!

At that time, I had no idea then who George Jones, June Carter, or the others were, nor did I care. All I could think of was… this was a potential Date Made in Heaven! I couldn’t wait to pass Phyllis my note reading, “How would you like me to take you to see Johnny Cash in person??? I can make that happen!”

Can you imagine how cocky I felt, writing that? How manful I was feeling? How… lucky? Me thinking the only dates Phyllis had ever been on were (A) meeting up with somebody at the Rec Center or (B) being walked to some crummy high school play with me. Because like me, she was living in Nowheres-ville. But… come on! I mean, Johnny Cash! She’d have to be looking at me now as somebody interesting, you know? Somebody with connections. Somebody so… upperclassman. Like, maybe she was thinking, Who knows? Maybe Tommy will be getting us tickets to see… ELVIS next??? You never knew.

It was cold and raining hammers and nails on the night of the concert (I just stole a Tom Waits’ phrase there– I didn’t make that up). I’d only had my license for a couple of weeks, and I’d logged practically zero hours of night-time driving, so my driving was a little iffy, but still I was pushing it as fast as the speed limit allowed because we’d gotten off to a late start. We rolled into the auditorium parking lot, threw open the car doors, and ran (holding hands) through the rain to the main entrance!

Inside, I quickly pushed my three hard-earned dollar bills in through the ticket-lady’s window (and I mean, can you believe only a buck-fifty for a major concert???!!!). Already we were catching the faraway-upstairs-strains of David and Neil belting out “Tear After Tear,” so we flew up three flights like a couple of Hollywood lovers while the final movie credits were rolling through the happy ending of some big romantic movie!

We popped out into a gigantic balcony packed with Johnny Cash fans and, sure enough, way down there on the main floor, far away and looking tiny, were David and Neil harmonizing, picking, strumming, and just sounding so damn good.

They got to perform more numbers than I ever would have expected they’d be allowed, considering the size of the line-up slated to play after them. Probably it was because the audience was so into them, judging by the wild applause and whistling. They had fans from all over the state of Maine by that time. I felt so proud of them. And so blessed to have them as my friends.

It was a night to remember for them of course, but also for me. A handful of incidents, some of which I saw for myself and some which I learned from the Malletts who witnessed them first-hand backstage, remain logged in the memory-album of my brain.

A cute, though insignificant, one occurred while Neil and David were performing on stage. I was keeping my eyes glued right on them, so I didn’t miss it. I think it was David, but it could have just as well been Neil (David, I think). (Whichever.) Both of them were down there singing, picking, and strumming their hearts out when (bink!) like a glitch in the matrix, someone’s guitar pick launched from the strings like a tiddlywink. Sparkling in the spotlight’s beam over the heads of the audience, it arced out and way like an indoor micro-meteor! It was cool to see the performers do their double double-take the instant that happened, but then soldier right on like the troopers they were.

But there were things that weren’t so cool that evening, too.

There were a lot of other locals lined up to play before The Man in Black. They started off with a yokel named (wait for it) Yodeling Slim Clark (A.K.A., “Maine’s Great Yodeler”). Three guesses as to what he mostly did. And there were other locals too. Hal Lone Pine. (Sure. Somehow I too tend to doubt that that was Hal’s actual last name.) Big Slim? What? Two Slims on the same card? Terri Lynn? Jeanne Ward? I didn’t know them, nor do I remember their performances at all. It was getting to be a long night.

It was Yodeling Slim Clark who led off after The Mallett Brothers. And in between the numbers, some emcee from somewhere out of sight down on that stage babbled on at us from time to time like some carnival barker: “Hey folks. It won’t be long now for the main event!” Or “You just wait! Johnny’s champin’ on the bit to get on out here on stage with his Ring of Fire!” But George Jones was up and the audience went wild. I didn’t know who the hell he was at the time, but it was easy to gather from all the roars and the applause that he was of The Grand Ol’ Oprey Big Time. As was June Carter. I’d never heard of her either.

They night was growing long, everybody waiting and longing for The Man in Black. And then something ominous happened. “You know what, Ladies and Gentlemen? We’ve had lots of requests to hear old Yodeling Slim Clark one more time! Come on out, Slim!” And you could feel it rippling through the audience. What? Yodeling Slim, again? Why?! Good Lord, wasn’t once enough?! And then, “Don’t you worry, folks! Johnny’s here! And he’s gettin’ ready to come out here in just a few, and give you the show of a life time! He’s here!“

I immediately looked around at the fans seated around me, who were also immediately looking around at all the fans seated around them. Puzzled frowns all around! I heard a whisper behind me that took the whisper right out of my mouth. “Damn! I don’t think Johnny’s HERE!” And suddenly that was the writing on the wall. For all of us. There was a bad taste in everyone’s mouth. The emcee didn’t say he wasn’t here, but something about the way he insisted that he was here knocked the wind right out of your sails, I can tell you that. And then… damned if we weren’t listening to old Yodeling Slim all over again. Talk about adding insult to injury…

And guess what. Johnny really wasn’t there!

According to Neil, later on, the people responsible for the show were going nuts backstage. Pulling their hair out! Where the hell was he!? Nobody knew!

They’d been stalling for too long, which helps to explain the long night. I mean, can you imagine the bedlam there would be with everybody angry as hell… and demanding their money back?! After stringing us along seemigly forever, and then torturing us with Yodeling Slim a second time.

A coupla days later, Neil described Johnny’s actual arrival this way: All of a sudden a backstage double door was kicked open, letting the wind and rain gust in. And there he was! In a long, black coat, possibly a rain coat, and a cigarette poking out of the corner of his mouth. Behind him stood the band with their guitar cases and amps. Dripping wet, he stepped inside and flicked his cigarette butt across the floor! And Neil? He chased that butt down and scooped it up! And yes. He had himself a genuine, bona-fide Johnny Cash souvenir!

I know that he kept this memento for a long time in his billfold because he showed it to me. More than once.

However, once when I related this story to some people over at David’s home a few years ago, Neil pooh-poohed my account by saying, “I think you’re using quite a bit of poetic license there, Tommy,” to which David spoke up in my defense, “The hell he is.”

(Sorry, Neil)

Anyway, it turned out that Johnny and his good ol’ boys in the band were quite inebriated. That much was obvious by the way we watched Johnny swagger up to June Carter out there on the stage, toss his guitar over his back to hang off his shoulder by the guitar strap, grab June around the waist, tip her over a few degrees below the horizontal, and plant the longest kiss I’d ever seen planted on anybody’s lips. And the crowd erupted with whistles and catcalls! I was shocked!

I didn’t know it then because I knew nothing about June and very little about Johnny except his wonderful music, but both of them were married. And not to each other.

But not for long, after that.

A few days after the concert, word got around that Johnny and the band had demolished a couple of motel rooms where they’d spent their night. Probably in a drunken blackout. I don’t know.

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But what I do know is… hell, that was one unforgettable date! Very heady stuff. Especially for a couple of small-town, never-been-anywheres like Phyllis and I. But as far as I was concerned, I’d totally done it. Because after a date like that, what girl was ever gonna drop me? I drove her home thinking, Oh yeah, chick’s gonna stick with me. (OK, I admit it. Actually I was thinking that with a big ‘I hope‘ tacked on.) But it was pretty good plus yardage for me.

I mean, hey, I was in with the Mallet Brothers, right? So, like, from her point of view, maybe anything was possible. Maybe I really would end up taking her to see Elvis next, for all she knew. Or… Ricky Nelson. Or…

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

But you know what blows my mind? That none of this might have (wouldn’t have), happened had it not been for one musical instrument that my Aunt Elva had purchased for my mom, Violet Lyford back in the early 1940’s.

Because in 1963, it just so happens that one antique guitar was shown to two young boys, along with a tiny bit of brainless instruction about how to play four simple guitar chords. And a duo who called themselves The Mallett Brothers hit the stage shortly after.

Later the youngest one, David, went off to college with his guitar, and over time blossomed into this amazing national and international singer-songwriter who to this day has seventeen albums to his credit. And today, two of his sons are setting the world, or at least America for now, on fire as The Mallett Brothers 2.0.

You want some irony though? Some twenty-five years later, after the original Mallett Brothers began, I’m still fooling around with those same stinkin’ four chords. Yeah. How do you like them apples?

But whatta say… LET’S HEAR IT FOR MA’S GUITAR…!!!

THIS OLD GUITAR

I grew up in a home that had an old acoustic guitar just lying around in it. It was my mom’s.

Way back in the early 1940’s, she and some of her wild siblings and friends formed a locally popular country-western band that played at the area Grange halls. According to a 1999 article in Paper Talks: as dirt-poor as they were, Ma’s (Violet’s) older sister Elva earned enough cash by “cutting potato seed” to purchase a guitar for herself and one for her. They named themselves The Bar-K Buckaroos. Mom’s brother Chester, a born con man, acted as the band’s “manager” under the imaginative name Ace Dixon.

(A cherished Lyford family story is that our dad, Raymond, was smitten and became a big fan of mom’s during one of their concerts. Reportedly performing a popular song of the day called “Winking at You,” she came strolling down through the audience, coming to a stop right in front of him, and then personally serenading him with a few lines. {And winked at him!} And the rest is history.)

So anyway, the guitar. When I was in junior high, Ma taught me three basic chords, all in the key of C: C, F, and G7. I discovered that with those three, I could navigate my wannabe singer’s voice through most of the popular songs at that time. Eventually, however, I found that if I ever wanted to be able to handle The Animals’ “House of the Rising Sun,” I had to familiarize myself with the A minor chord as well. I mean, anybody and everybody who was learning guitar that I knew wanted to play that particular song, it being so dark and cool.

Back in 1960 I had a friend who owned an electric guitar and an amp. I’d spend hours with him in his bedroom taking turns blasting his neighbors. We’d crank that amp up to a 7 on the Richter scale and let’er rip. This Wayne Smith was so much more talented than I was. (And if you’re wondering how good I was, my answer is: not so much. I think I got to be… promising, but that’s as far as I ever got.)

I’d learned the do re mi scale in C though, which enabled me to pick out the melodies of popular songs in that key fairly easily. So from Wayne’s bedroom, the neighbors got treated to my loud rendition of “Apache,” an instrumental made by famous by The Shadows in 1960, or The Ventures’ popular “Walk Don’t Run.” On top of that, and being nuts over Johnny Cash, I worked hard to learn to play the chords of his hits in his signature style while picking out the melodies to boot.

But like I said, “promising, but that’s as far as I ever got.” There are a couple of reasons:

(1) I’m lazy.

I’d already learned to play practically everything I wanted to play in the key of C. Trying to master playing the necessary chords for pop songs in other keys? Well, that was difficult, wasn’t it. Smacked of effort. So why bother? C was good enough for me. And besides, if I wanted to play songs in higher or lower chords… hey, that’s what capos are for, right?

So… laziness.

(2) I suffered from terminal stage fright.

Although in the safety and privacy of my room I practiced! practiced! practiced! like I was trying to get to Carnegie Hall (and had even begun to show some definite growth), the problem was this: the moment I’d feel a few eyes bearing down on me while playing, my brain would just fly right out the window.

It’s been that way all my life. For instance, as a kid I played a lot of basketball with a number of older kids. Every weekend after Central Hall Rec Center closed down at 10:00 pm, a bunch of us would rent the floor and play ball till 1:00 am next morning. I got really good at it too. I’d honed a hook shot that was deadly. I was hell on wheels.

Now of course, you’re probably thinking, Oh sure, in HIS OWN OPINION he was hell on wheels. So… how good was I really? Answer: good enough to make the starting five on the A-squad three years running. In 7^th grade. In 8^th grade. And in my freshman year.

Why?

Stage fright. Oh, I was just great during practices. And in each one of those three years, when the jump-ball tip-off signaled the start of first game of the season, I was right out there on the floor. with the rest of the starting team. But…

There’d end up being about 150 fans’ eyes gawking at us, but particularly right at me (or so I felt). Consequently, I became dazed, confused, and “frozen.” One of my teammates would shoot the ball over to me and guess what: I’d just stand there, watching the ball bounce off my chest and disappear out of bounds.

And after that happened twice, Coach would call me over to the sidelines, look deep into my eyes and ask, sincerely, “Tommy. What’s going on?!” And my answer (to each successive coach, three years running) was always the same: an embarrassed, “I… don’t know…” After which I’d spend the rest of the season warming the bench.

Sad irony: I was as bad at performing with the guitar as I was at basketball. And not only that but, yeah, up through my sophomore year in high school it was also that way when talking to pretty girls. Which sucked, but… it just was what it was.

See, this is what the ancient Greeks called a ‘tragic flaw.’

However (A) by 1962, I was still looking sort-of-hopefully toward my (possible?) musician-future-stardom with some degree of optimism, but (B) although I had no way of ever expecting the irony of it (nobody would or could have), the future-BIG-payday teased at by the windfall of Ma’s guitar wasn’t going to be about…

…me.

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

Now, I’ve mentioned in previous posts that my best friend throughout high school (and beyond) was a fella named Neil Mallett. He grew up in Sebec, Maine, located a few miles north of my hometown of Dover-Foxcroft. From kindergarten through eighth grade, Sebec kids attended school in Sebec. However, beginning with their freshman year, they joined us ‘townies by enrolling in Foxcroft Academy.

Neil and I were both enrolled in the College Prep curriculum at FA, so the two of us ended up taking all the same classes. Not only that, but Neil ended up sitting right behind me in pretty much every class due to the fact that our unimaginative teachers could think of no better way than alphabetical order to arrange our seating plans. This recurring proximity sealed our friendship. Consequently, I soon found myself becoming a frequent visitor out at his home in Sebec.

We didn’t have a lot in common at first. I lived in town in a house resting on a boring single acre of land; Neil lived in the country. Our house was boxed in by the houses of our many, many next-door neighbors. He lived in a not-at-all crowded, neighbor-filled-neighborhood. His homestead had all kinds of things mine didn’t. An old field truck that I could drive. A tractor. A huge barn. A flock of sheep. A big German Shepherd. At least four other brothers. A mom filled with spooky stories. Big country breakfasts every morning. And lots of fields with haying to be done.

It was wonderful. For me, a rural agricultural Disneyland. I wanted to live out there in Mallettville. I wanted to be a Mallett.

I stayed over often.

**Dumbass me.** **Notice the brown rectangular roof of the *very large building* down below in the upper half of the photo, for a sense of scale…**

All kinds of things happened out there. For one thing, I got fear-frozen up maybe 200+ feet up on the 260-foot, still-under-construction Telstar tower that was adjacent to one of their properties.

Practically all the boys from miles around felt compelled to climb that tower at one time or another. It was a rite of passage.

Another thing that happened is that I got to spend almost an entire summer haying out there. My God, it was hard, hot and sweaty work, but I loved every minute of it.

Now, harking back to the real adventure: one time out there, in the winter of ‘62, I got to talking about how much I was enjoying playing my Ma’s guitar at home. Neil’s and his younger brother David’s ears perked right up my descriptions. And so I got asked to bring Ma’s guitar out there for them to check out next time I came over.

So we made plans for that.

“It was a dark and stormy night.” Freezing, windy, and snowing. One of Neil’s older brothers pulled up in our driveway to chauffer the guitar and me off to Sebec. And since the entire rear window of the car was for some reason missing and the snowflakes were swirling around inside the interior, I wrapped the instrument up in an old blanket to keep it as dry as possible. It was about a 10-minute ride.

So anyway, the guitar arrived in one piece (and no worse for the wear), and we brought it into the warm Mallett living room. Everybody gathered around for my little demonstration. And believe it or not, even though I was among very good friends, I still got as nervous as hell while doing it.

Wow though, Neil and young David really got into the whole idea that with only three, maybe four chords, you could play “any song.”

***BOYS! Grow Giant Mushrooms in YOUR Cellar!***

Sounds pretty much like a pitch from one of those ads in the back of some 1950’s comic book, doesn’t it. But that is pretty much what I told them anyway. But of course…that turned out to be an unintentional untruth of course.

Anyway, it was a hands-on experience for them, each taking turns, trying out the chords, and immediately learning about the guitar-player’s painful fingertips. But I figured that, like most kids who just dream and dream of playing the guitar, that the nitty-gritty reality of the commitment involved would end up making short work of that dream. Besides, they didn’t even own a guitar.

But unbeknownst to me, the guitar I’d just handed over was like Jack’s magic beans in the story of Jack and the Beanstalk. Something immediately took root in these two guys. I mean, by placing that completely ordinary musical instrument into their sweaty little palms, I was unwittingly creating a monster. (Well, two monsters actually.) (And to be clear: I’m talking ‘monster’ in a good way… in a very good way.)

Because in a few weeks, they had a guitar of their own. And in a few more weeks, they had two guitars! And damn, they could both play them! Head and shoulders above what I was capable of. And on top of that they’d discovered they could sing as well, David assuming the lead vocalist role, and Neil backing him up with the harmony. They quickly assembled a playlist of popular folk and country songs and took them out on the road.

**This article from *Up North* (Jan/Feb 2008) by Shelagh Talbot**

Next thing you knew, they were performing a couple of numbers before the student body at Foxcroft. And were a sensation. Everybody loved their sound. Word got out. Their reputation spread. They were asked to perform gigs at Rec Center, churches, weddings, and grange halls just like my mom. And they had become… The Mallett Brothers.

(Yes, I know– right this very moment there is a nationally popular band called The Mallett Brothers [David’s two sons, Luke and Will] out there making a big, successful splash in the music world, but Neil and David were the original Mallett Brothers back in the 60’s.)

Before you knew it, they were even showing up on television— TV talent shows, performing in guest spots with other well-known local singers, and then (lo and behold!) they came out with their own television show!

Early in the 60’s I was fortunate in that, being such a close family friend and all, I was allowed to accompany them on their various grange hall gigs all over the area. I liked to think of myself as sort of their ‘roadie’ but, in reality, I was more of groupie, just tagging along for the adventure.

And then, in another blink of an eye it seemed, they began cutting a few 45 rpm records. And songwriting became added to the mix. That was a family affair, beginning with their mom, Pauline, who penned the song, “Solomon,” (the yellow label featured in the photo below). The Mallett Brothers were off and running.

These records found their way to radio stations around the state of Maine, got plenty of play time, and bolstered their growing popularity.

The 45 in the center is titled “Cole’s Express.” The story behind that one is that The Mallett Brothers got hired by a large firm in the small city of Bangor, ME, namely Cole’s Express. They were hired to sing their way north to south, east to west all over the state of Maine to promote Mr. Cole’s company. It was a lucrative deal.

Oh how I envied them, staying in motels, meeting all kinds of interesting people, and getting paid for doing something they were more than passionate about. The YouTube video below was recorded during one of their stops in Fort Fairfield, Maine.

But hey, one of the best and most memorable of the many gigs I got to accompany them on was on Monday, July 20th, 1963. This was during the total solar eclipse of that year, at the dead center of the eclipse path which lay smack-dab in Dexter, Maine. Dexter hosted an unforgettable 4-day celebration that included vendors, food, dancing, a talent show, and music.

Headlining the music on the stage that day was The Mallett Brothers. The weather was perfect. And a family of performers were so taken by David and Neil, that they invited us to come out to view the eclipse on their family’s farm. It was great. We got to watch the confused cows slowly heading in across the fields toward the barn only to stop and turn around when the sun came back out. And then we also got to hear the rooster crow an untimely cock-a-doodle-doo, announcing morning for the second time that day.

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

So here’s my point… well, at least PART I of my point (look for one other ‘Part’ of the point in this adventure). So many things subsequently happened only because there was this old guitar, a left-over relic from the 1940’s, left leaning up against a side of our piano in the family living room back in the mid-1950s. I mean, suppose my mom never received that guitar in the first place, and that there’d never been a little country western group called the Bar-K Buckaroos. Would I have taken that amateur interest in playing a guitar anyway? I don’t see how. At least not then. Would I ever get some other opportunity to learn about those three chords? Possibly. A lot of kids did.

On the other hand, I’m pretty positive I would have met and befriended Neil anyway though, thanks to the alphabetical-seating-order-fetish of those unimaginative teachers of FA’s College Prep classes. But there wouldn’t have been that particular winter’s night gathering in the Mallett living room, listening to me playing those easy chords.

In fact, minus the cause (the guitar) and effect (David’s and Neil’s early musical career) I, Neil, and David could all very likely be living lives in some alternative reality. I mean… horror of all horrors, what if I’d (haha) gone over there and, in an enthusiastically glorified and charismatic manner, shared with them the basketball path I was futilely trying to master, and had somehow tantalized and mesmerized them with the amazing scientific precision of that deadly “hook shot” I had honed so sharply? Might then Neil and David have put their creative energies into competitive sports instead? And might David and Neil have become famous brother-athletes on a national scale, like Peyton and Eli Manning?

OK, now you’re probably wondering what it is I’m smoking. Just being facetious. But yeah. Really. What if there hadn’t been that guitar at all, eh? Did the guitar have anything to do with me finding a permanent girlfriend? Yes!

Did that guitar have anything to do with David and Neil crossing paths with The Man in Black, Johnny Cash? Yes, I believe so!

But stay tuned to find out. Look for “This Old Guitar, Part II” in the next day or two.

THE AMERICA THAT MADE AMERICA FAMOUS

“We were the kids that made America famous, the kind of kids that long since drove our parents to despair.

We were lazy long hairs dropping out,lost confused, and copping out, convinced our futures were in doubt and trying not to care…

We all lived the life that made America famous. Our cops would make a point to shadow us around our town…”

— from Harry Chapin’s “What Made America Famous”

If you taught high school English in public schools for at least as long as I did and (for the most part) enjoyed it, you’ve likely found your mind traveling back from time to time to a parade of remembered faces you once ended up reacting with every weekday (for nine months at a pop). And then… well, just imagine the range of expressions that must have drifted across your face at one time or another. I mean, English being a required subject and all meant that every single kid in the school had to populate those English department classrooms, from the infamous Welcome Back Kotter “sweat hogs” to la crème de la crème. So yeah, that’s a lot of faces.

But if by chance you didn’t (for the most part) enjoy it, if you perhaps felt compelled to erect some ironclad emotional barrier between yourself and, say, those really challenging Kotter kids you felt you had nothing in common with, the ones for whom a college-they-could-never-afford-anyway loomed as the last possible thing on earth they could expect in their seemingly, already-cement-hardened futures, then I believe you may really have missed out on something. Something big perhaps.

Sure, it’s a common thing: teachers vying and hoping for the “best classes.” And I admit it, that’s the way I started out. I mean, being handed the list of the English classes you’re being assigned to teach each year is like Draft Day in the NFL. Of course you want the winners. Because they’ll be the ones most like you, won’t they. The ones you’ll feel the most comfortable with, the ones you’ll better understand and can more easily identify with and who, in turn, will most likely understand and more easily identify with you. The ones more likely to put up with your English Grammar and Composition, your Shakespeare, and your Poetry.

But… what the hell are you ever supposed to do with all those hands-on kids? Those shop-boys-with-the-grease-under-their-fingernail ‘English classes (well, besides wheedling them into grease-and-oil-changing your car over in the shop for cheap)? And those desperate and unhappy girls for whom the only seeming path out of the continuing hell of their blue-collar parents’ captivity is to get themselves pregnant and married as fast as they can? Or with all those future blue-collar hamburger-flippers and lifetime-convenience-store-clerk boys and girls, those future fathers and child-bearing mothers who will continue re-populating the town by making even more hamburger-flippers and lifetime-convenience-store-clerk boys and girls?

I’m talkin’ all the probable poetry-and-classic-literature-haters here. What do you have that they’ll ever need or find useful? But especially, whatever the hell do you have to offer to that one particular, rogue, all-boy class of junior members of the local biker gang, the Exiles, that I had to deal with?

You see what I mean? You feeling me?

Well, turns out the answer to that is… only yourself. You as the real person you are. That’s what you have to offer. Because that’s all you really have to work with, isn’t it. I mean it. And that begins by first having to sort of surrender to them right at the beginning. Surrendering and just embracing the fact that… well, of course they’re poetry-and-classic-literature-haters. Why wouldn’t they be? You’d be too, if you were in their shoes. And you and them? You’re stuck with each other.

Remember this? “In order to begin working out a solution to any problem, first you have to clearly identify and state exactly what the problem is.”

My advice to would-be public high school English teachers? Rather than beginning by going all-out NAZI on these more-experienced-than-you little ‘soldiers’ in the cold war against teachers (and oh I pity you if that’s gonna be your style) (which wouldn’t work anyway unless, that is, they were in the Army Basic Training and you just happened to be their Drill Instructor), you’re gonna be much better off beginning by actually listening to their bitching about the school. And about English classes in general.

And let that be your starting point, your springboard. Surprise’em by letting’em know you enjoy hearing about how much they despise school and your subject. That’ll throw’em off-guard. And besides, their honest, unvarnished opinions on the subject really can be… entertaining sometimes. Especially if you encourage them to be really honest at it. And you know what?

You’ll likely end up discovering that you honestly do harbor some common ground with them, despite what you’d perhaps prefer to think. Because all human beings do have common denominators. So yeah, in the long run I found it best to get to get right to work, digging down, and finding out just what those are. Tell them stories (talkin’ honest stories here) about your life and the bitching you did in school about your teachers and your crappy classes. Get’em to tell you some of their stories, assuring them that what they have to tell you… well, you know … “whatever happens in Vegas, stays in Vegas” (with the very big exception always being, of course, that by law, if it turns out that anything that’s divulged happens to include information indicative of some possible harm to themselves or others, etc. that has to be reported— yeah, you have to make that perfectly clearly to them right up front). But…really listen. Their stories are bound to be crazy-interesting. Probably a lot more interesting than yours. At least, that was my experience.

And you know what then? You’ll be on your way to respecting their points of view. And once you begin showing them your respect, you’ll already have begun garnering some of theirs. And then voila: I promise you that walking in through that damn classroom door each and every morning won’t feel nearly as much like such a real chore any more. Because you just might’ve started to (drum roll, please!) like them. It’s amazing.

And something else: I accidentally discovered that my particular kids (talkin’ my junior Exiles who, by the way, are featured exclusively back in one of my earlier posts titled “Bummer”– you should go back and read it) had a lot to teach me with their eventual honesty. Plus, I found those kids all pretty damned humorous and entertaining as well, if you want to know the truth.

Now yeah, yeah, yeah— sure, I know I’m coming across like some Yoda here, some wise old owl blowing his own horn and purporting to have all the answers. Truth is… it took me some years and many failures to wind up with the amount of the answers I finally did learn. I was pretty mistake-prone in all of the above in my first years. But way back, some very wise and passionate home economics teacher/colleague taught me this wise, old adage that really helped to set me on the path to sanity as a public school teacher: “No one cares how much you know until they know how much you care.” Yeah. Sounds corny. But think about it.

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

BRAT PACKS

Cafeteria Duty with its Breakfast Club diversity

was always so much more vibrant than the

funereal dining doldrums of the faculty lounge,

what with the geek squad, the cheering squad,

the Romeos and Juliets, the Bettys and Veronicas,

the Dungeons and Dragons die-hards, a Ferris Bueller

or two thrown in, and possibly even a

future Stephen King seated at those tables

All those God’s-little-gifts-to-teachers whose

youthful honesty and sit-down-stand-up comedy

kept me in stitches and my aging soul decades

younger over the long career years

me, with half my life already slipped behind,

but them still with the Big Promise of Everything,

the whole damn shootin’ match, still looming

like some mirage in the desert up ahead–

yes, all of us unique salt-of-the-earth

stereotypes… breaking bread together

around the salt and pepper shakers,

spicing up each other’s lives…

from TO DIVERSITY AND DEMOCRACY: A TOAST!

Here’s to those too few and far-between bastions of diversity we’ve occasionally stumbled

upon over time… those vibrant, spice-of-life oases of heterogeneity in our deserts of

conformity: our talk-like-us flocks, our act-like-us herds, our pre-fab, chameleon-career lives—

And here’s to the public schools
of years gone by where slide-ruled, pocket-protectored

eggheads communed in cafeterias across the tables from Streetcar-Named-Desire Stellas

in the Archie-and-Jughead-hijinks melting pot, all waiting together in the lunch line of life

for the big segregation crapshoot of becoming somebody… some day…

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

But for now, back again to these particular song lyrics (which you’ll be invited to listen to shortly) from my featured singer/songwriter’s song, “What Made America Famous”:

“We were the kids that made America famous, the kind of kids that long since drove our parents to despair.

We were lazy long hairs dropping out,lost confused, and copping out,
convinced our futures were in doubt and trying not to care…

We all lived the life that made America famous. Our cops would make a point to shadow us around our town…”

Listening to these lines has always sent a crooked, sardonic smile crawling across my face. Because they’ve always reminded me of some of the more challenging little Kotters I had at Mexico (ME) High School throughout the 70’s. Me, watching from a distance the little on-going cold war between the boys in blue and a number of my rebel-without-a-cause ‘students.’ Yeah. No love lost there.

See, weekends and after school my boys insisted on hanging out on downtown street corners, the most popular being the one right out in front of a pastry shop. Which of course was where the cops habitually roosted. And which consequently was where said cops were kept their busiest, busting up and dispersing just such “unlicensed assemblies,” mostly on the grounds that, well, it just didn’t look good for the town. And OK, truth be told those boys did make some shoppers nervous, of course.

Actually I have to admit they made my wife a little nervous. You know, we’d be strolling down the sidewalk on a sunny afternoon and up ahead we’d spy between eight and a dozen toughs leaning up against a store front like something straight out of Marlon Brando’s The Wild One (well, with the exception of that one biker-dude who usually had his cute, 12-inch-tall, curly-tailed pug-on-a-leash (rather than the pit bull guard dog you might expect to see accompanying a badass like him ).

“UH-oh,” she’d whisper in my ear, “think maybe we oughtta turn back around? Or cross the road?”

“Nah,” I’d tell her, “you’re with me, so you’re safe. Me? I’m protected by The Mark of the Phantom. They won’t bother us.”

Right after which a couple of the bigger ones (looking pretty ominous, sporting their shades and tattoos) might just playfully block our way for a moment and challenge, “Now just where do you two think you’re going…?”

To which my quick and witty comeback would always be something like, “Oh, I dunno. Straight through you if you decide not to move and instead wanna end up pickin’ broken glass outta eyes for the next two hours.”

And then of course there’d be the light-hearted little shadow-boxing horseplay between me and them (you know, that dumbass male bonding thing) but we’d always end up sailing right through them unscathed. And why? Because they’d learned to like me by then. And why was that? Because they’d realized that for some unfathomable… whatever-reason, they could tell I’d honestly taken a shine to them. Which in their world… for a teacher… was unheard of.

But anyway, after the near-daily shepherding-of-the-kids-off-the-sidewalks routine, the cops would mosey themselves on into the pastry shop, ostensibly turning a deaf ear to the retreating catcalls behind them referencing the ‘fat-ass’ physiques of a couple of those doughnut-devouring stereotypes.

However, that’s just what the kids would do overtly.

Covertly, the retaliation strategies they’d come up with could’ve earned them a place among the French Resistance Forces during World War II. The worst one being (in my opinion) to move their gathering on down the street to where the patrol cars were parked in order to (wait for it) set that poor, shivering, little pug right onto the hood of one of them— specifically the one with the drug-sniffing German shepherd left waiting inside.

Because oh, that canine locked in there didn’t like that little pipsqueak “hood ornament” rattling its toenails on the patrol car paint job one bit! And according to them (I never witnessed it myself, of course) that dog would be going bat-shit wild in there, leaping amok around the interior, and trying to bust out of the car to get at the lot of them, his berserk talons all the while just a-tearing the old stuffing right out of the upholstery!

Oh I’m sure they were exaggerating in their glory… but they sure loved telling me all about it.

However the most devious (or should I say most deviant) strategy they’d come up with was the ‘secret seeding’ of the police station flower garden with marijuana seedlings at night. The custodian there, who also served as the part-time gardener, ended up unwittingly watering and caring for them for quite some time. Right up until the moment one of Mexico’s finest eventually spotted the embarrassing extracurricular green and glorious growth among the camouflage.

Now that one made the Police Log in the local paper. And I’ve gotta say, they were oh so proud of themselves!

Vive la resistance!

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

Now of course this Harry Chapin song that I’m honestly dying to share with you in a moment, “What Made America Famous,” isn’t about my little biker friends, per se. Rather it’s about America’s signature civil conflict between the “hard hats” and the “long hairs” that indelibly marked the 1960’s and ‘70’s. Think of the musical Hair. Think Easy Rider. But no, more than that, this ballad is all about about human decency. Pure and simple.

But first, allow me to share this particular little memory I’ve been holding onto over the decades:

So… I’m sitting in a warm, old-fashion barber shop on a frigid night in January, 1965. Whenever another customer sidles in through the door, an icy gust sparkled with blowing snowflakes shoulders its way in right behind him. There are five or six of us waiting to have our ‘ears lowered.’ I’m the youngest here, a college kid matriculated at the local state teachers college, the only one there not balding or with a head of white hair. It’s busy, but there are two barbers buzzing and clipping away, so my wait won’t be long.

So I’m just sitting back and contenting myself with listening to the old gents jawing away. Cackling about that ‘new streaker craze.’ Ruminating over the shipping off of American troops to Viet Nam. Weighing in on Muhammed Ali’s defeat over Sonny Liston, and who the hell does he think he is anyway, calling himself Muhammed like that, for Christ’s sake? This is much livelier than sitting me just sitting alone in my dorm room, poring over my World History text.

Suddenly whoosh! The door blows open. And standing half-in and half-out is a smiling young man with almost shoulder-length, snowflake-flecked hair. And he’s wearing a faded old Army field jacket.

“What’re the chances of getting a haircut tonight?”

I catch both barbers glaring at him. “Zero!” the older says. “Now get the hell outta here and close that fucking door!”

I’m shocked. But the young man acknowledges that he’s letting the weather in so, still all smiles, he steps inside and closes the door behind him. “No, seriously.”

“What? I don’t look serious? You didn’t hear me say ‘No?‘”

“But c’mon, why not?”

“Jesus, look around. Can’t you see the crowd we got in here tonight?”

“Well, if that’s it, I don’t mind waiting…”

“Beat it, kid!”

“Hey, come on. I gotta get a haircut. How much will it cost? I’ll be glad to even pay extra. Just tell me how much.”

The old guy studies him. “Fifty bucks.”

“What? Fifty…”

“And that’s only if. If… you take a bath, and shampoo the lice outta your hair first.”

“Lice?” No longer smiling now.

“See, we don’t do hippies in here, pal. Now beat it!”

The kid looked around the shop. At the grinning old men. At uncomfortable me. And then back at the barber. The kid’s got a pretty good glare going himself now. “Jesus Christ. I just wanted to get a fucking… Hippie!? Alright then! Fuck YOU!”

He turns on his heel, yanks the door open, and storms back out into the snow, purposely leaving the door open. Open wide.

I’m feeling bad for the kid. But I realize too that where the old fellas are coming from is their definition of patriotism. It leaves me feeling uneasy. Kinda confused. I mean, my dad flew missions in a B-29 during World War II and, man, I’m super-proud of him. And you know… I’m only a sophomore, but I’ve been entertaining some thoughts about perhaps enlisting myself, in the Air Force after college.

But this whole thing just leaves me feeling… not knowing what to think.

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

So anyway, the song and lyrics I’ve got waiting for you below I feel skillfully and emotionally capture the conflict I came to know back then as the long hairs vs. the hard hats. And there’s a recurring single line in the lyrics that pretty much kinda sums up my little barbershop example in a nutshell:

“There’s something burning somewhere.”

Please. Take a listen and follow along. I believe you will find it a powerful experience. I know I always do…

Home

“LOOKIN’ FOR THE OLD BLUE OX…”

You know who I envy in this life? Let me tell you. The Songwriters. And yes, I just capitalized the word Songwriters because I hold them in such high esteem. But at the same time, who I don’t envy so much are the so-called ‘songwriters’ (lower case ‘s‘). I’m talkin’ those ‘songwriters’ who are in it solely (and often soullessly) for the money and quick fame. See, I sorta need to feel the signature of the writers’ souls along with their unique talents in their offerings. Not that I can blame anybody for just wanting to earn a living. You know, live and let live. I just don’t find myself envying anybody who writes crap, even crap that sells big. That’s all.

Take the Beatles. The Beatles began as songwriters (small ‘s‘), not Songwriters. In my humble opinion. Oh, and I’m the first to admit, they became Songwriters Extraordinaire. “Eleanor Rigby.” “Lucy in the Sky with Diamonds.” “A Day in the Life.” “Being for the Benefit of Mister Kite.” “In My Life.” Because hey, please know I grew to love the Beatles.

But what an overwhelming disappointment it was when the very the first song I heard by them in November of ’63 was “I Want to Hod Your Hand.” I mean, really, just how creative are these lyrics?

Oh yeah, I’ll tell you something,
I think you’ll understand,
Then I’ll say that something,
I wanna hold your hand,
I wanna hold your hand,
I wanna hold your hand.

Oh please say to me
You’ll let me be your man,
And please say to me,
You’ll let me hold your hand,
Now let me hold your hand,
I wanna hold your hand.

And when I touch you
I feel happy inside,
It’s such a feeling
That my love I can’t hide,
I can’t hide, I can’t hide.

Yeah, you got that something,
I think you’ll understand,
When I feel that something,
I wanna hold your hand,
I wanna hold your hand,
I wanna hold your hand.

And when I touch you
I feel happy inside,
It’s such a feeling
That my love I can’t hide,
I can’t hide, I can’t hide.

Yeah, you got that something,
I think you’ll understand,
When I feel that something,
I wanna hold your hand,
I wanna hold your hand,
I wanna hold your hand.

“Nuff said.

In my life, (now there’s a real Beatles’ song) I’ve tried my hand at poetry. I was inspired by the so many poets and poems I’d fallen in love with. But, to become a poet, you pretty much have to start out at the bottom, don’t you.

So I was clerking at the local library, when this sweet little old lady began pestering me every other week to join her poetry writers group. And yeah, sure, I’d been struggling with… ‘my poetry’ for a long while, but only privately. I had no self-confidence. I had never shared any of it. The thought of sharing felt… risky.

But one day I just threw in the towel, gave in to her persistence, and said “OK, OK OK!” I showed up with a very humble poem. But a safe (for me) poem. And by safe, I mean I felt it was a somewhat fairly clever little thing I’d concocted… but mostly because it rhymed. Because I just for some reason assumed that all these oldsters would exclusively be into the rhyming poems. OK me, I’d moved pretty much exclusively into free verse by then, but… I mean,hey, I didn’t know who the hell these old buzzards were, circled around the library table like a séance. And I definitely didn’t want to risk having one I really cared about getting shot down.

And then, finally: it was my turn to read. So OK, I cleared my throat three or four times; took, and held, the required deep breath; and then nervously proceded headlong to read what I’d brought.

When done, I looked up. Everyone was silently looking at me, and some were nodding, which made me sigh in relief. But then that little old poetry mistress who ran the group locked onto me with her suddenly mischievous, beady little eyes and said, “Why, that’s… doggerel,” followed by “and doggerel is poetry written by dogs!“

To my chagrin and terror, everybody burst out laughing!

Turned out, this lady had pulled the same stunt on everybody who ever joined the group. It was sort of a first-day initiation of hers. And (who woulda thunk it?) after a little period of adjustment, it turned out that this lady and I were destined to become a great lifelong friends. I even dedicated my first full-length memoir to Anne Kucera.

But she was right, wasn’t she. So much so-called ‘poetry’ really is doggerel. And if I had known this poetry-written-by-dogs expression back in 1963, that’s exactly how I would’ve assessed the Beatles’ “I Wanna Hold Your Hand.” And yes, sure, I got it that that particular little ditty sounded pretty lively and all, and I noted that sure, all the girls were doing the Elvis thing, screaming and fainting, so they were definitely a phenom, but… I mean, just look at those pathetic lyrics. I’m sorry, but the Beatles began as doggerel songwriters (lower case s). Case closed.

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

Now… here we go. And OK… I admit it. I’m still on my juke box kick. So here comes a song. Hey, I can’t help it. I’m really just very passionate about the special singer/songwriter music I’ve meticulously collected over my lifetime because… well, because of the effects that music has had, and still has, on me. So I’m not going to apologize for wanting, actually needing, to share some of the best of it.

And right now, please trust me– I have a songwriter, and a song of his, in mind that I want to share with you, hoping you’ll be willing to give it a shot. But first, allow me to refer you back to the song, “Christmas in the Trenches,” featured in one of my recent posts titled “A Single Song for All Humanity.” The lyrics of that song tell of something big and important, something unusual and truthful and heartfelt… something well worth experiencing. Which is what I look for in the music I collect. And I’d be willing to bet real money that those of you who did listen to “Christmas in the Trenches” were also pretty powerfully moved. As I was. Because lyrics like those in that piece are a humane and generous gift… to you, to all of us, from a real bona fide (capital ‘S‘) Songwriter. A rare gift.

However, today’s gift isn’t about some big and important 3-day event that has established its place in the annals of world history. Rather it’s about a seemingly small five-minute encounter. And it’s not really about the encounter per se as much as it is about what this little, universal encounter reveals.

Today’s gift is a unique, poignant piece, composed by one of the more talented singer/songwriters catalogued in my vast juke box: the international singer/songwriter David Mallett from Sebec, Maine. Dave’s compositions have been recorded by a number of famous recording artists from John Denver, Kathy Mattea, Emmylou Harris, to Arlo Guthrie. You’ll likely know him from his signature song, “The Garden Song,” (a.k.a. “Inch by Inch”) popularized and sung (in a number of languages) throughout the world.

But he’s composed so many other long-time perrenial favorites as well, such as “Fire,” commemorating the Mallett family’s long ago loss of their homestead in a calamitous conflagration; and then of course “The Ballad of the Saint Anne’s Reel,” which has been happily adopted as the official folk anthem of Prince Edward Island and the surrounding Maritimes provinces of Canada.

Famous American singer/songwriter David Mallett

Now, I gotta admit this one comes with a title that’s a little bit unexpected, one that might raise the eyebrows of someone scanning the playlist of songs on Dave’s The Artist in Me CD for the first time. It’s titled “The Old Blue Ox.” However (much needed spoiler alert here) the title is definitely not referencing the famous, fictional tall tale of Paul Bunyan and Babe, the Big Blue Ox, which is more than likely the only “blue ox” most Americans would be familiar with. And like me, you may never have realized that there really is such a thing as a ‘blue ox.’ I mean, I had to look it up for myself: “Blue Ox: a blue brindle cow or ox which is usually the result of a roan Shorthorn which is bred to a black and white Holstein.”

OK. Yeah. I mean, Who knew?

Well, the apparent answer to that is… farmers (and alas, no farmer, me). But yes, farmers are very likely to know of this breed.

OK: time to relax. So breathe… and now lean back to get comfy in your chair and try to imagine you’ve just been puttering about your house for the afternoon, a house situated in a rural part of Maine’s farmlands, when suddenly there comes a knock at your door. You open it to find… on your doorstep… one sad, confused, little old gentleman leaning on his cane…

"THE OLD BLUE OX"

"Good afternoon, I'm lookin' for
the old blue ox," he said,

And he said, "I don't believe it,
but I heard my father's dead.

And just where is the Curtis place?
My God how things have changed!"

He was a little ol' man, he was almost blind,
and he was walkin' with a cane.
 
"Now I know this is the place,
because I climbed the Severance Hill,

I'd know that hill in a hundred years,
and how her rule and will."

"Earl Parkman moved away," I said, 
"Will Green, he died you know,

And Willis Pratt has grown a man,
and gone on years ago."
 
Now our conversation was quite short,
five minutes at the most,

But he stood before me like a boy,
and conjured up the ghosts

Of friends and kin folk from an older,
and a slower time,

How fifty years, disappeared 
like minutes in his mind.
 
"The blue ox was gone the day I left,
been gone a week or so,

And I've come around to fetch him home,
cause I always did you know.

Pa will be glad." He started off,
and I stood and watched him go,

Down the way to yesterday 
lookin' hard and lookin' slow.
 
Now apple trees just wither,
and barns grow old and fall,

And ancient lady's sit in rockin'
chairs, wrapped in their shawls.

But this old fella does the things,
the things he has to do,

He's lookin' for his past,
he might stop and talk to you.

"Good afternoon, I'm lookin' for
the old blue ox," he said,

He said, "I don't believe it,
but I heard my father's dead.

And just where is the Curtis place?
My God how things have changed."

He was a little ol' man he was almost blind
and he was walkin' with a cane.

What this song does is deliver a bittersweet little punch to my heart, leaving me with a warm and kind of teary-eyed smile every time I listen to it. So no, it’s not exactly a happy song, although the vocals and the jaunty instrumental accompaniment combine to nearly disguise it as such. But yeah… I really love this one.

I love the artful way it’s written. Because in no more than a handful of lyrics, it hands us such an easy-to-grasp foreshadowing of a reality that very likely awaits us, but one we seldom consciously imagine will ever touch us: that some time in the near or far future, maybe right in the middle of us just happily going about our lives, with everything moving pretty much right along all hunky-dory… it’ll eventually come. Very much like a sudden and unexpected knock at the door:

Somebody we know and probably care about, and maybe even love and depend on, will have just been diagnosed with the reality of dementia. Because shit happens…

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

Our extended family has owned a lake-front cottage since the 1940’s, the ownership of which has been passed down within the family from generation to generation. One sunny, blue-sky, summer afternoon back fifteen years or so, a number of us were lounging out on the cottage’s porch that overlooks the lake. And all of a sudden my mom said something that didn’t seem very logical at all. “What a beautiful lake this is. It must have a name. So, what’s the name of this lake?”

Suddenly that had us all sitting up a little straighter in our chairs. And after a short pause, someone said the obvious. “Why… Sebec Lake, of course. You know that, Violet. Sebec Lake.”

My mom thought about that and then simply said, “Oh.” But then, after a lengthy pause, she spoke again. “And this is such a nice camp.”

“Yes. It is,” we all agreed.

“So… whose camp is this? Who owns it?”

That question brought a much longer and more uncomfortable silence to the porch gathering, as we all looked to one another in… well, astonishment. Then Dad, flummoxed and nervous, looked her right in the eye and said sternly, “Why, you do, Violet. This is your camp. You own it!”

“What… me?” she laughed in disbelief. “Me? I own it…? Oh no, I don’t think so. How could that be?”

And that was that. Our ‘knock at the door.’ And it was unnerving. Frightful. Oh I mean, sure, looking back, there’d been signs. Of course there had. Road bumps had been coming up in conversations quite a lot with her actually, which we’d find frustrating, but... still… we’d just pooh-pooh them into the background, log them under the category of ‘just natural aging,’ just a little forgetfulness here and there which can be expected.

But… that was our knock at the door. The end of any more hopeful denial.

It took years for her dementia to play out in our lives. Years to go from that first cottage-porch incident to the point of her often confusing our dad, her husband, with her long-dead father. To the point of her packing up her little suitcase at home most nights, parking it right by the front door, and continually asking us when was somebody, anybody, ever going to get around to taking her home, to ‘her house’ so she could go to bed? But once in a while there’d be little periods of time when the old, real Violet would just pop right back in among us. Of course this was all devastating, long past the time we finally had to move her into the local nursing home and right up until the day passed.

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

Now I swear I certainly did not decide to write about this topic to depress anybody, and I sincerely hope I haven’t done that. It’s simply that I treasure my collection of unique and creative singer/songwriter recordings so much that I’m kinda driven to share them, because to me they’ve always been such an important lifeline to my inner peace, comfort, sanity, and even knowledge. Because my God, they cover just about all genres. Humor and comedy. Tragedy. Romance. Novelty. Philosophy. Nostalgia. Politics. Protest. Spoken word. History. You name it. And I can’t help feeling that the experience of them is just way too valuable a commodity for me alone to greedily keep, them just languishing here on the dusty CD shelves in my little apartment and in my PC’s digital ‘jukebox vaults.’ They need to be shared. And I feel a real need to put them out there for you, too, to discover.

Yeah. I know. How very Don Quixote of me, right?

But I find the talent and craft of these songwriters irresistable. I mean, just take another look at this one, “The Old Blue Ox.” Look at the dialogue between the little old man and the narrator:

“Now our conversation was quite short,
five minutes at the most,
But he stood before me like a boy,
and conjured up the ghosts
Of friends and kin folk from an older,
and a slower time,
How fifty years, disappeared
like minutes in his mind.”

Yes, clinically it’s just one man conversing with some unfortunate old fella locked in the grip of his dementia, but the tiny encounter is painted within these lyrics with an almost paranormal feel about it. Like one of them is a ghost… or… like they’re both two time-travelers, each ensconsed in his own time-period-‘reality,’ but somehow briefly communicating with one another straight through a… wormhole maybe that has suddenly pierced the nexus of their two worlds?

How spooky is that! And how intriguing…

But that’s what it was like sometimes, talking to my mom. I soon came to understand very well that she was speaking to me from a long-dead world of sepia-toned, black-and-white photographs and the living ghosts of her brothers and sister. And I was speaking to her from a magical science-ficton world of cell phones, iPads, and remote controls lying around all over the living room furniture. How amazing.

But hey, I’m guess beginning to sound like the cursed old seafarer in “The Rime of the Ancient Mariner,” aren’t I. (Can’t shut up.) So let me just sum up with a single statement regarding not only all of the (in my opinion) crème de la crème lyricists I keep in my collection, but especially this particular Dave Mallett’s song, “The Old Blue Ox”:

This song transcends the simple term ‘song’; what it is, actually, is a slice of pure Literature suitable for inclusion in any American literary anthology.

So that’s my story, and I’m stickin’ to it!

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

And now I’ll end with some scribbling I penned years ago, having been inspired by “The Old Blue Ox.” Thanks for reading.

“Goodbye Yellow Brick Road”

You took it for granted…

just assumed Memory Lane

would forever remain

your Yellow Brick Road…

overlooking, way back then,

those sleepy seeds borne

on the winds of time

sewing themselves

between the cobblestones, and then

all those little spearheads–

the crabgrass, unsheathing itself

underfoot… choking the undergrowth of

Memory Lane in an overgrowth primeval–

and now you’ve gone missing in the outback

of your own hardening cerebral arteries…

all your Hansel and Gretel breadcrumbs

disappearing like hourglass-sand

down the little rabbit holes,

leaving you needing a damn macheté

to hack your way in circles

through the foliage of

your own life’s back pages…

unable to find the forest

hiding in your trees

home

Category: Folk Music

THIS OLD GUITAR Part II: Hello. I’m Johnny Cash

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THIS OLD GUITAR

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THE AMERICA THAT MADE AMERICA FAMOUS

“LOOKIN’ FOR THE OLD BLUE OX…”