I, JUKE BOX (Please play me…)

People say you are what you eat. I say you’re what you consume (just my short way of saying you are what you eat, what you read, what you watch, what you listen to, and whatever you experience). Because anything and everything that crawls its way into, and gets processed by, your brain becomes a part of you, after which your outlook is never quite the same. Because the ever-growing sum-total of your experience both alters and continuously filters the way you perceive and understand the world you’re living in.

(The above wisdom , courtesy of my vast and venerable 77-years of life experience on the planet, and… you’re welcome.)

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Now, here it is, let’s begin:

Music has always had its way with me. Has practically owned me. All my life. Not that that’s a bad thing. Probably because I was born into a household with the kitchen radio playing pretty much non-stop, its rhythms and vocals rocking me in the crib as soon as I was brought home from the maternity ward. Likely even before that, as I suspect I was grooving to WABI am’s top 40 while still in Mom’s buffered-but-not-totally-soundproofed womb.

And as a side-effect, I’ve developed this condition I call Juke Box Brain Syndrome (JBBS). It’s this often annoying (just ask my wife) tic whereby any random word or phrase spoken in any random conversation I’m having (with you or anyone else) just might act as a trigger, very much like a quarter dropping down the slot of some back-to-the-60’s juke box to play a song. But instead… it’s me. I am that ‘juke box.’ And I have no control over the trigger.

Typical Example: So we’re barreling down I-95, Phyllis driving and pushing 75 in a 70 zone like everybody else when suddenly some car rockets past us in the passing lane! Phyl exclaims, “Whoa! That guy’s gotta be doing 85, 90, 95 miles per hour, if not a hundred!” And then, click!

See, that’s the ‘quarter’ dropping into me, the ‘juke box’ and then, me, bowing to something like a post-hypnotic suggestion, I obediently sing (you could almost say ‘play’) a couple of lines from a song. Weirdly, the song this time turnd out to be from one of those little, yellow, plastic, 78 rpm records I had as a kid back in the 1950s. It’s titled, “The Taxi That Hurried”:

This is the way he likes to drive, 70, 80, 95…

fast as fire engines go, compared to taxis they are slow.”

Now yes, it’s true, a couple of lines from Tracy Chapman’s “Fast Car.” would have much been less annoying.

Screenshot

But see, it’s never up to me. I don’t consciously choose the songs. They just come of their own accord, from the song vault somewhere in my decades-long memory.

Later in the day, in some other conversation, some other word is apt to bring up a line or two from Leonard Cohen, Doris Day, The Beatles, Dolly Parton, Tom Jones, or ABBA. Who knows? It’s like I have Song-Lyrics Tourette Syndrome. And oh, I know… so many many songs. Songs from prctically all genres. (Well except for gospel. And rap. And hip hop. I guess I’m too old for hip hop and rap, being a curmudgeon now. You know– today, having been born in the mid-1940s is like having come from another planet.)

(By the way, I can’t help being hung up on wondering if I’m the only one on the planet suffering from JBBS. I mean, surely there must be others. So please. Let me know in the comments if you, or anyone else you know, also suffers from JBBS. I will appreciate it.)

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So my CD shelf and five computers and cellphone and brain are brimming, bursting at the seams with my lifelong music collection. But fortunately, this go-to jukebox in my head has saved my sanity so many times. The songs have acted as everything from my prozac (for when I’ve been down and depressed) to my much-needed comedy channel, laughter being the best medicine. My mental health owes so much it to this affliction.

And so what I would like to do here… no, what I’m going to do here…is share with you a few of the songs from my personal comedy vault that have often tickled my fancy and pasted a silly smile on my mug over the years, despite me.

So consider this a free, unrequested playlist offered from my JBB to your brain, a sample JBB pot pourri, if you will. I have no guarantee that you’ll listen in, (hope you do give it a shot) but if you do… you’ll know something about why I’ve adopted this first one, “I’m Different” by Randy Newman, as my personal theme song.

(I’m including the lyrics so you can follow along.)

“I’M DIFFERENT”

“I’m Different “

“I’M DIFFERENT”    by Randy Newman

I’m different and I don’t care who knows it
Somethin’ about me’s not the same, yeah
I’m different and that’s how it goes
Ain’t gonna play your goddamn game

Got a different way a walkin’

I got a different kind of smile

I got a different way a talkin’

drives the women kind of wild (… kind of wild)

He’s different and he don’t care who knows it
Somethin’ about him it’s not the same
He’s different and that’s how it goes
And he’s not gonna play your gosh darn game

I ain’t sayin’ I’m better than you are

But maybe I am

I only know that when I look in the mirror

I like the man (We like the man)

I’m different and I don’t care who knows it
Somethin’ about me’s not the same
I’m different and that’s how it goes
Ain’t gonna play your goddamn game

When I walk down the street in the mornin’
Blue birds are singin’ in the tall oak tree
They sing a little song for the people

And they sing a little song for me (La-la-la-la) (Thanks, fellas)

(He’s different and he don’t care who knows it
Somethin’ about him’s not the same
He’s different and that’s how it goes
Ain’t gonna play your gosh darn game)

I’m different and I don’t care who knows it
Somethin’ about me’s    not the same
I’m different and that’s how it goes
Ain’t gonna play no boss man’s game

I can’t tell you how many people over my lifetime have informed me that I’m “different.”And each and every time I heartily thank them.

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Now, I spent 34 years here in this state of Maine enduring life as a career high school English teacher. And as you might imagine, getting and keeping the attention of the typical high school English student for 50 minutes every day is no easy task. It takes a magician, if you really want to know the truth. However, early on I discovered the music really doth have “charms to soothe the savage breast.” (-William Congreve [1670-1929] {whoever the hell he was}).

So now, here’s where being ‘different’ can pay off. Ever since my Mad Magazine-reading early childhood, I’ve been attracted to some pretty bizarre novelty songs, many of which came were played weekly on something called The Doctor Demento Show on the radio. I found Doctor D’s playlists a frickin’ gold mine for stuff that could really catch your typical high school student off guard.

And wheneveer I found myself bogged down trying to keep them awake while trying to teach what a metaphor is… Johnny Cash stepped right up to the plate:

“FLUSHED FROM THE BATHROOM OF YOUR HEART”

From the backdoor of your life you swept me out dear
In the bread line of your dreams I lost my place
At the table of your love I got the brush off
At the Indianapolis of your heart I lost the race

I’ve been washed down the sink of your conscience
In the theater of your love I lost my part
And now you say you’ve got me out of your conscience
I’ve been flushed from the bathroom of your heart

In the garbage disposal of your dreams I’ve been ground up dear

On the river of your plans I’m up the creek
Up the elevator of your future I’ve been shafted
On the calendar of your events I’m last week

I’ve been washed down the sink of your conscience
In the theater of your love I lost my part
And now you say you’ve got me out of your conscience
I’ve been flushed from the bathroom of your heart

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As a teacher, I assigned the kids a lot of creative writing, which I guess is what I loved teaching the most. Usually every year I would have my kids write an original short story. This would include employing the basics of the short story, such as CONCRETE DETAIL, CHARACTER SKETCH, PLOT, CONFLICT, COMPLICATIONS, CLIMAX, etc.

In the early stages of the project, I watched kids struggling with not enough detail or too much detail that was unrelated to the PLOT. I’d coach, “Try not to just use any DETAILS that are unnecessary.Only use specific details that will support the PLOT by helping to move the story right along to the CLIMAX.

“And secondly, the most essential key to a good short story is CONFLICT”. So I would prompt them: “Can you imagine a story without useful DETAILS, or (heaven forbid!) without a CONFLICT? I mean, what would that even look like? How boring would that be?

“Well here, let’ me show you’s find out. Here’s a little song by Bob Dylan.” And boy, would the kids ever really perk right up at his name. “Like wow, Bob Dylan! This class is really gonna rock!”

Unfortunately for them, this particular Bob Dylan song was going to be a real nothingburger, Dylan’s most comically boring recording ever. Which was my point. I mean, just look at the limpid title for starters:

“CLOTHES LINE SAGA”

“CLOTHES LINE SAGA”

After a while we took in the clothes
Nobody said very much
Just some old wild shirts and a couple pairs of pants
Which nobody really wanted to touch
Mama come in and picked up a book
An’ Papa asked her what it was
Someone else asked, “What do you care?”
Papa said, “Well, just because”
Then they started to take back their clothes
Hang ’em on the line
It was January the thirtieth
And everybody was feelin’ fine

The next day everybody got up
Seeing if the clothes were dry
The dogs were barking, a neighbor passed
Mama, of course, she said, “Hi”
“Have you heard the news?” he said with a grin
“The Vice-President’s gone mad!”
“Where?” “Downtown” “When?” “Last night”
“Hmm, say, that’s too bad”
“Well, there’s nothing we can do about it,” said the neighbor
“It’s just something we’re gonna have to forget”
“Yes, I guess so,” said Ma
Then she asked me if the clothes were still wet

I reached up, touched my shirt
And the neighbor said, “Are those clothes yours?”
I said, “Some of them, not all of them”
He said, “Ya always help out around here with the chores?”
I said, “Sometime, not all the time”
Then my neighbor, he blew his nose
Just as Papa yelled outside
“Mama wants you to come back in the house and bring them clothes”
(Woo-hoo)
Well, I just do what I’m told
So, I did it, of course
I went back in the house and Mama met me
And then I shut all the doors

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Back in 2009, my wife and I were fortunate to score front row seats at a concert in Albuquerque, NM. The concert featured the duo of Lyle Lovett and John Hiatt, both singer/songwriters. Both songwriters had a very good sense of humor, as was illustrated in some of their music.

This next song, “Old People” by singer/songwriter John Hiatt, makes me feel grateful because (ahem) I’m not one of them yet…

“OLD PEOPLE”

Old people are pushy
They don’t have much time
They’ll shove you at the coffee shop
Cut ahead in the buffet line

They’ll buy two for a dollar and 50
Then they’ll argue with the checkout girl
They’ve lived so much behind them
They’re tryin’ to slow down this goddamn world

Old people are pushy
Well, they’re not mushy
Old people are pushy ’cause life ain’t cushy

Old people are pushy
They’ll drive how they want to drive
And go as slow as they want to
They don’t care who stays alive

And they’ll kiss that little grand baby
Up and down the back and all around the front
They don’t care what you think of them
That baby has got something that they want

Old people are pushy, well they’re not mushy
Old people are pushy, cause life ain’t cushy
(Old people are pushy, they aren’t mushy)
(Old people are pushy, cause life ain’t cushy)

Old people are pushy, cause you don’t know how they feel
And when you pretend you do
Well they know it’s not real
Pretty soon it’s gonna be all over
Good enough reason not to let you pass
They done seem like sweet, little old people
But they are not about to kiss your ass

Old people are pushy, well they’re not mushy
Old people are pushy, cause life ain’t cushy
Old people are pushy, (old people are pushy)
Old people are pushy, (old people are pushy)
Old people are pushy, (old people are pushy)
‘Cause life ain’t cushy
Old people are pushy,
Old people are pushy
Old people are pushy
Cause life ain’t cushy

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Lyle Lovett also has a quirky sense of humor. He has written some very serious and beautiful songs in his lifetime, but songs like this one, “Don’t Touch My Hat” always put a Lyle Lovett smile on my mug…

“DON’T TOUCH MY HAT”

Man you better let go
You can’t hold on to
What belongs to me
And don’t belong to you

I caught you looking
With your roving eye
So Mister you don’t have to act
So surprised

If it’s her you want
I don’t care about that
You can have my girl
But don’t touch my hat

I grew up lonesome
On the open range
And that cold North wind
Can make a man feel strange

My John B. Stetson
Was my only friend
And we’ve stuck together
Through many a woman

So if it’s her you want
I don’t care about that
You can have my girl
But don’t touch my hat

My mama told me
Son, to be polite
Take your hat off
When you walk inside

But the winds of change
They fill the air
And you can’t set your hat down
Just anywhere

So if you plead not guilty
I’ll be the judge
We don’t need no jury
To decide because

I wear a seven
And you’re out of order
‘Cause I can tell from here
You’re a seven and a quarter

But if it’s her you want
I don’t care about that
You can have my girl
But don’t touch my hat

If it’s her you want
I don’t care about that
You can have my girl
But don’t touch my hat

No it never complains
And it never cries
And it looks so good
And it fits just right

But if it’s her you want
I don’t care about that
You can have my girl
But don’t touch my hat

You can have my girl
But don’t touch my hat
You can have my girl
But don’t touch my hat

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The following story/song was written by one of my favorite songwriters of all time, Harry Chapin, the man who wrote “Cat’s in the Cradle” and so many more. Humor comes in many forms. There are very different flavors of humor. In this case, the humor’s kinda grim. But man, what this wordsmith does with words! WARNING: Fasten your seatbelts, ladies and gentlemen. You are going for one hell of a ride…

“30,000 POUNDS… OF BANANAS”

It was just after dark when the truck started down
The hill that leads into Scranton Pennsylvania.
Carrying thirty thousand pounds of bananas.
Carrying thirty thousand pounds (hit it Big John) of bananas.

He was a young driver,
Just out on his second job.
And he was carrying the next day’s pasty fruits
For everyone in that coal-scarred city
Where children played without despair
In backyard slag-piles and folks manage to eat each day
Just about thirty thousand pounds of bananas.
Yes, just about thirty thousand pounds (scream it again, John) .

He passed a sign that he should have seen,
Saying “shift to low gear, a fifty dollar fine my friend.”
He was thinking perhaps about the warm-breathed woman
Who was waiting at the journey’s end.
He started down the two mile drop,
The curving road that wound from the top of the hill.
He was pushing on through the shortening miles that ran down to the depot.
Just a few more miles to go,
Then he’d go home and have her ease his long, cramped day away.
And the smell of thirty thousand pounds of bananas.
Yes the smell of thirty thousand pounds of bananas.

He was picking speed as the city spread its twinkling lights below him.
But he paid no heed as the shivering thoughts of the nights’
Delights went through him.
His foot nudged the brakes to slow him down.
But the pedal floored easy without a sound.
He said “Christ!”
It was funny how he had named the only man who could save him now.
He was trapped inside a dead-end hellslide,
Riding on his fear-hunched back
Was every one of those yellow green
I’m telling you thirty thousand pounds of bananas.
Yes, there were thirty thousand pounds of bananas.

He barely made the sweeping curve that led into the steepest grade.
And he missed the thankful passing bus at ninety miles an hour.
And he said “God, make it a dream!”
As he rode his last ride down.
And he said “God, make it a dream!”
As he rode his last ride down.
And he sideswiped nineteen neat parked cars,
Clipped off thirteen telephone poles,
Hit two houses, bruised eight trees,
And Blue-Crossed seven people.
It was then he lost his head,
Not to mention an arm or two before he stopped.
And he smeared for four hundred yards
Along the hill that leads into Scranton, Pennsylvania.
All those thirty thousand pounds of bananas.

You know the man who told me about it on the bus,
As it went up the hill out of Scranton, Pennsylvania,
He shrugged his shoulders, he shook his head,
And he said (and this is exactly what he said)
“Boy that sure must’ve been something.
Just imagine thirty thousand pounds of bananas.
Yes, there were thirty thousand pounds of mashed bananas.
Of bananas. Just bananas. Thirty thousand pounds.
Of bananas. not no driver now. Just bananas!”

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(Iris Dement and John Prine:)

After that one, let’s end on a quirky-sweet “love’ song by John Prine and Iris Dement… “In Spite of Ourselves”

This duet with Iris Dement was written with Iris in mind. Prine’s wife said she called Iris to tease her
about the song and Dement said it took a lot of courage to sing some of the lines the first few times.

She don’t like her eggs all runny
She thinks crossin’ her legs is funny
She looks down her nose at money
She gets it on like the Easter Bunny
She’s my baby I’m her honey
I’m never gonna let her go

He ain’t got laid in a month of Sundays
I caught him once and he was sniffin’ my undies
He ain’t real sharp but he gets things done
Drinks his beer like it’s oxygen
He’s my baby
And I’m his honey
Never gonna let him go

In spite of ourselves
We’ll end up a’sittin’ on a rainbow
Against all odds
Honey, we’re the big door prize
We’re gonna spite our noses
Right off of our faces
There won’t be nothin’ but big old hearts
Dancin’ in our eyes.

She thinks all my jokes are corny
Convict movies make her horny
She likes ketchup on her scrambled eggs
Swears like a sailor when shaves her legs
She takes a lickin’
And keeps on tickin’
I’m never gonna let her go.

He’s got more balls than a big brass monkey
He’s a whacked out weirdo and a lovebug junkie
Sly as a fox and crazy as a loon
Payday comes and he’s howlin’ at the moon
He’s my baby I don’t mean maybe
Never gonna let him go

In spite of ourselves
We’ll end up a sittin’ on a rainbow
Against all odds
Honey, we’re the big door prize
We’re gonna spite our noses
Right off of our faces
There won’t be nothin’ but big old hearts
Dancin’ in our eyes.
There won’t be nothin’ but big old hearts
Dancin’ in our eyes.

(spoken) In spite of ourselves

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So yeah… Now you know a little more about me, and where me brain’s been.

Stay tuned if you dare for Part II, coming soon, wherein I will share with you music from my stash that I feel is not only creatively composed,but has been honestly impactful and instructive in my life.

Thank you for Listening.

POET… PEACENIK… PUGILIST? PART III

WHAT HAPPENS IN BELFAST STAYS (not) IN BELFAST

Somewhere back in the 90’s, I had a teacher friend whose hobby was wood carving. He’d discovered I was dealing with practically terminal boredom, and suggested I take up “whittling” as a hobby. I decided to take him up on it. To me, it seemed perhaps he’d just tossed me a lifeline. His motif of choice was Christmas ornaments. Me, I was a little too dark right then for something quite as Jingle Bells as Christmas ornaments, but what should I whittle? Here I had this block of wood in front of me that could end up being… anything. I spent a long time just staring at it, very much I’m sure like Michelangelo stared at his block of marble before giving the world his David.

To me, it had to be something useful. I’m just not a doo-dads kind of guy. But what could I create that would be useful in any way? And to whom? Wait. How about something… psychologically useful. Yeah, how about something psychologically useful to… me? And then I did get an idea, albeit (like most of my ideas) one that was dark and complicated. But so me.

And here’s my finished product, my little own David though I like to call it myown little Tommy. And it’s been sitting on my shelf in the den ever since the 90s. Yeah.

This objet d’art (ha ha) commemorates a sad little childhood memory. Me, approximately age five, I’m guessing. My cousins, four or five years older than me. Meanies. Bullies. They owned two sets of boxing gloves. Too large for me, but they didn’t care. They’d just poke my hands down into them and cinch them on my wrists with twine.

And then there was the other little cousin, about the same age and size as me. They’d do the same to him. Then they’d gather round us and push us together as if we were a couple of bantam roosters in the cock-fighting arena and cheer, “There’s the bell! OK! Let’s go! Start punchin’, guys!  Go for the faces! Go for the tummy!”

And this other little kid, who, I guess was a ringer? I’m pretty sure they’d given him some training. Because he knew what to do. Me? Not so much. I mean, basically I was just standing there with a big fat target on my nose, when WHANG!

And when my eyesight sort of slowly segued back into operation, I was on my back and blinking up at the too bright sky. And oh, all those mean and cruel cackles, hoots, and the catcalls.

So yeah, I guess you could say I’ve had a little experience in ‘the ring,’ metaphorically speaking. A sad experience. A humiliating one. But perhaps one that was instrumental in unconsciously encouraging me to make one of those altering-the-vector-of-your-life’s-path decisions I discussed earlier:

I became a lover, not a fighter.

I’ll give you the example, and then we’ll move on to what happened in Belfast…

OK. So I’m out in the hallway of my college dorm. A bunch of us boys (it was a mens’ dorm after all, no girls allowed ever) were horsing around, playing hall hockey. It was midnight, or a little thereafter. But there was this one kid I didn’t like so much who was seriously bugging me. He’d been rubbing me the wrong way ever since I’d first met him in the fall. (If you’ve ever read The Catcher in the Rye, think Ackley. Enough said?)

A couple of times already, just as ‘dI got the “puck” (think rolled-up-and-taped-ball-of-paper) lined up for a slap-shot with my broom (think “hockey stick”), he’d jab his finger into my rib cage to throw me off. And both times he’d done it so far, he’d giggled, which was super annoying. The first time I’d said, “Knock it off!” He giggled. The second time I’d said, “Cut it OUT!” and he’d practically giggled his head off.

The third time I simply stopped, turned slowly around, laid the hairy eyeball on him for a good fifteen seconds before explaining it to him in a slow, Clint Eastwood-like voice (OK, true, nobody’d ever really heard of Clint Eastwood back in 1966), “I wouldn’t wanna be you if you’re stupid enough to do that one more time. You dig?” So I turned to resume the game and guess what.

Yeah. He did it again. Sounding like some gaggle of flighty eighth-grade girls giggling it up big time at a sleep-over party. I threw the broom down, and turned on him. “What did I just tell you… Bob?” He was unable to answer, the due to the hysterical giggling shaking his bowl-of-Jello sides. I looked him over. Yeah, he was bigger than me. But all of the bad guys in Shane were bigger than Alan Ladd, so…

Now, keep in mind, yes, I was very aware of the fact that I had never even once in my life ever hit anyone, had never even swung on anybody. All the fights I’d gotten into in grade school were like grunting little wrestling matches, so yeah, I was nervous. But so what, I told myself, there’s a first time for everything, isn’t there. So I studied his head, looking for the best spot to land my knuckle sandwich. The jaw. Yeah. He looked to me like the type of guy that probably might have what they called a ‘glass jaw.’ I’d hafta swing up though, since he was taller.

I doubled up my right fist. Whipped it in an arc back down behind my butt, from whence I would launch the powerful haymaker swing of all swings that would drop him on his giggling ass. Why was I hesitating? C’mon Tom, you can do this thing! OK, count down time: 5, 4, 3, 2, 1, 0!

 I swung for the fences!

And totally missed…

The momentum my haymaker swing had accrued actually hurled me into the cinderblock wall where, like Wile E. Coyote, I slowly slid down onto the hall floor. I was dazed and confused. Bob too was a little dazed and confused. But at least he’d stopped that insane giggling. Duly embarrassed, I pretty much closeted myself in my dorm room for a week or so after that.

That was the first and last time I ever took a swing at anybody.

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

OK, my first ever teaching position ever: Belfast Area High School. On the coast of Maine.

I was terrified. All my life I’d been suffering from stage fright and, now, suddenly having to face classes of thirty human beings six times a day (too many of whom looked a lot more adult than I did) just sitting there staring at me? Waiting for me to begin doing whatever it was I was getting (omigod!) professionally paid to do? Human beings all suddenly required to address me as none other than “Mister Lyford? I mean… hell, I was no “Mister Lyford,” not the last time I looked!

On top of that, they’d given me classes for which there weren’t enough books! They’d forced me to take the dramatics Coach job when I’d never even been in a play in my LIFE! Theyd dumped most of the worst classes on me (a common dirty trick, I discovered, to play on the new hires). And one of my two Speech classes was filled with “students,” not a single one of which was willing to even stand up and tell me his/her name! Please forgive me for so often making comparisons to literary characters, but at that time in my nervous, incipient-ulcer life, I was Catch-22’s Major Major Major Major! In my first week, I was sure I’d made the mistake of a lifetime, allowing myself to ride the collegiate merry-go-round only to get dumped off at the end of the four-year-ride as an “educator.” I was a wreck. I used to walk the streets at night with the superintendent’s phone number in my pocket (I swear this is true), look longingly at each phone booth I passed, and try to get up the courage to call in sick for the rest of my life. OK, reality check: that wasn’t happening all year long, no. Mostly just in the first few weeks of the culture shock I was going through.

But then something happened. The Phys. Ed. department purchased and installed a speed bag in a corner of the gymnasium. And if anyone needed an outlet that involved hitting something, I was that guy. Of course a couple of things got in the way. (A) I was still The Stage-Fright Kid. If I were going to use said speed bag, it would have to be after school when no one was around to see me. Isn’t that sad? Me, The Performance Anxiety Poster Boy.  Plus (B) some Neanderthal Moron straight out of one of Gary Larson’s future Far Side cartoons took a single, brainless, Paul Bunyan swing and obliterated the bagand me along with it like a pair of flattened tires!

So, during the long, two-week wait for a new bag to be shipped, I asked the Phys Ed Department to please “educate” (if that were conceivably possible) their “students” (using the term charitably here) on the differences between a speed bag and a heavy bag. Which they graciously did. And at last, there it was. The shiny new speed bag hanging there, my own little bottle of tranquilizer tablets. It had been a long wait. But every week night from then on, after all the little Neanderthals had walked or ridden their school buses home to their caves, I would materialize there before it The Bag and then… right fist-bam bam bam, left fist-bam bam bam, right fist-bam bam bam… only at the speed of light, because I was that good. And oh! The relief!

Oh, of course custodians would show up to sweep the gym floor, and kids who were in after-school programs would pass through the gym on their way somewhere or other (and yeah, I could sort of feel some of them stopping behind me to watch for a bit, but that was OK since once I got in my groove, it was like I was cocooned in my own little bubble and the world outside no longer existed).

Ah! Mental health! It’s not overrated you know.

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

So, a week or so later, me ensconced in my desk before a very large study hall, my classroom door swung open. In the doorway stood the high school principal. My inner reaction was Oh shit! What now? Because I wasn’t quite ready yet for my English class coming up next period; no, I was striving desperately to flesh out some last-minute Hail Mary in that regard. Plus, I really had to wonder (worry-wart-me), had I possibly done something wrong to merit this visit? As a Major Major Major Major, I was always worried about that.

“Excuse me, Mr. Lyford,” he began, “but there are some students down in the gymnasium who were wondering if you’d be so kind as to go down there and give them a little demonstration on the new, err, punching bag.”

What? Who, me? Um. No, I can’t right now. I have this study hall, you see.”

“Oh, not a problem, Mr. Lyford. I’m happy to sit in here to cover for you for the rest of this period. So…”

A fist had just clamped onto my Poster Boy heart and was giving it a crushing squeeze! “Well, I…”

“It’s a Phys Ed class. The teacher told me that a number of the kids have reported seeing you working out on it, and, well, they’d like it very much if you could give them a few pointers, you know.”

“Oh gosh… I dunno. I doubt I’m good enough to give anyone a demonstration…”

“Oh, sure  you are. They say you’re very good. And it’ll be good for the kids.”

“Oh. Sure. Well, then.” With Irritable Bowel Syndrome threatening to come on, I took off my suit jacket and hesitantly draped it over the back of my chair. It was a very long walk (in my mind) down the halls, down the stairs, and out to the gymnasium on the other end of the building. When I pushed through the double doors and stepped into the gym, I was immediately mortified. My principal had said “some kids.” But my God, there had to be four Phys Ed classes waiting for me out there, if not more, all standing around the speed bag in a semi-circle. I nearly fainted. Phobias are powerful things, aren’t they. The human Red Sea parted, allowing me a slim corridor through which to pass. It really felt like most of my inner systems were shutting down. Sweat? I guess to hell I was sweating!

I have no memory of what I might have said to the kids and coaches. I stumbled through some kind of introduction I guess, but it probably didn’t make a lot of sense. I do know that I owned up to my nervousness. Whatever I said, eventually it was time came to face the bag. I know that my timing was way off, due to nerves, and I remember botching my routine on my first two or three tries which was so embarrassing, especially when I just missed getting slapped in the nose again by a rebound, as I had on day-one. “OK, I’m really nervous,” I confessed. “No shit!” somebody muttered in the crowd behind me. Yeah. Hecklers. All I needed.

But then my brain kicked in, telling  myself I needed to begin slowly, as slowly as I had when I had my first lesson. So, that’s what I did. Slow-motion… right fist-bam bam bam, left fist-bam bam bam, right fist-bam bam bam, which I’m sure was disappointingly boring to the mob. But… as I gradually increased the speed, I began to feel my muscle memory kicking back in.And as I no longer was facing all those faces in the crowd, only the bag itself, I could concentrate better and with that, I could feel my protective bubble-cocoon forming around me…

And then, I was AOK! Houston, we no longer have a problem! Man, I started loosening up, and then really letting loose! I watched the bag disappear into the blur right before my very eyes! And then, before I knew it, my elbows came into play. And then my forehead was getting its licks in, taking turns with my fists at batting that bag back! Right fist-bam bam bam, left fist-bam bam bam, right elbow-bam bam bam, left elbow-bam bam bam, forehead-bam bam bam… I mean, what a show-off! You know, sometimes when you discover you’re performing well, you can feel the mood change in your audience, and I was suddenly more confident that all was well behind me.

And then the class bell was ringing, although I barely noticed it. But the kids were heading off to other classes. But there! It was done! Over! Ended! I could breathe.

Well, not quite ended exactly. Because after that day, after… the word got out, a couple or more things began to happen…

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

Something I need to tell you about Belfast in 1968. It was one tough little town.

For instance there was a movie theater downtown. And there were a couple of levels in that theater, so that it was possible to be showing a movie on one level while having some entirely different type of event happening on the other.

So one of the other types of events was local amateur boxing. Now that would have struck me as perfectly fine. But their definition of amateur boxing seemed to mean NO TRAINING NEEDED. So it was come one, come all. Come as you are. Walk-ins off the street were fine.

Now the way that showed up in the high school scene is that on many a Monday morning (or sometimes even by a Wednesday morning, depending on just how laid up or crippled the “amateur” had become) I’d commonly see boys coming back to school with a black eye, one or two teeth knocked out, a bandaged fist, or an arm in a sling. Seemed pretty sketchy to me, but that’s how it was.

How that showed up in my  high school teacher’s life is that suddenly I started getting shadowed by these big, 200-pound bruiser-types would stop me in the hall, or show up in my classroom after school, to invite me to come on down! They thought it’s be just great to get to spar a few rounds with me, a faculty member. Of course I had zero interest to become one of their outside-of school “friends” or their sparring partner. That was a pretty uncomfortable feeling. I would assure them over and over that I was not a boxer. They’d laugh that off because to them it was so obvious that that’s exactly what I was, and everybody in school knew it.

For a lot of them, they felt they didn’t need any special training because they had their muscled arms, their scarred fists, and their pea-sized brains. What else could they need or want? They didn’t “get” the speed bag concept. They had no clue how to work that speedbag because… We don’ neeed no steenkin’ speed or timing. We just knock your block off. They were the infamous one-punch speed bag mutilators.

After assuring them over and that I was just an English teacher and nothing else, they’d ask, “Well, why don’t you come down to the theater and be my trainer then?” They were utterly confused when I’d tell them, “No, you know what? I’ll be content just staying home, rocking in my old rocking chair on the porch during the evenings, just reading a good book. But I could see it in their eyes. They were imagining, This guy’s a professional, that’s what. He just thinks he’s too good to bother himself with our amateur stuff.

Anyway, the invitations kept coming and coming, pretty much throughout the year that I lived there. Honestly, I found it a little scary.

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

OK, I’m going to bring this post to an end with an odd-duck little Belfast anecdote. There are so many of them. This one happened in one of my two Speech classes, the one where nobody was ever willing to make a speech, even a small one.

There was one kid there, Peter by name, who took that refusal to the ultimate level. He just refused to talk in my class at all. You would never even catch him whispering to one of his classmates. It was as if he had taken a monk’s vow of silence. Sometimes I wondered if he was honestly able to speak, if maybe there was something wrong with his vocal chords. But then, I’d see him talking to people outside of class. Imagine my frustration.

I been at my wit’s end trying to think up some really easy assignment that even the shyest, most obstinate kid could get behind. And what I’d come up with was basically a somewhat disguised version of Show and Tell. I asked them to pick some object, nearly any object that was in some way important to them (an object that would help us learn a little bit about the speaker) and then say just a few sentences about it. That’s all. Maybe tell why it’s important. Maybe tell how, or even where, they’d got it. A memento of some vacation trip they’d taken, perhaps. A picture of a friend. Anything!

And here was the kicker: Anybody who did this, anybody who could actually get up in front of the class, show the class an object,and then blurt out three or more sentences about the object will receive a guaranteed automatic A+ . (I was willing to do anything to get the ball rolling in those strange souls. Sometime you just had to prime the pump.)

It worked somewhat well. Some kids did stand at the front of the room. Some kids did manage to mutter something or other. Hey, I was really getting somewhere! I was on a roll. And those students did receive their automatic A+ as promised.

All except Peter.

At first I thought he was actually going to participate. I’d said, “Pete? OK. It looks like your turn. You’re up. Whattya say?” He grinned. He was good at grinning. Grinned big time whenever I acknowledged him, actually. Not so hot at eye contact though. Never once looked me directly in the eye, did Pete. Didn’t look anbody in the eye as far as I knew. But after I called on him, and after honestly a two-minute period of grinning hesitation, he bent over and started rifling through his large duffle bag on the floor  for… something. It was a good sign.

At last he pulled out his object. A portable radio.

“A radio,” I said. “That’s great Pete. I’m guessing most of us can identify with that choice. Good. So, go on up to the front, and then we’ll listen to your presentation, alright?”

It was obvious, despite the big Cheshire cat grin, that he didn’t want to do that. It took quite a bit of coaxing, but (yay!) he did finally walk himself up there to the front. I was pretty excited about the progress.  “Alright, Pete. Go ahead now. We’re all ready.”

It was so weird, the way he wouldn’t, or couldn’t, look at anybody. His eyes would dart left, then right, up, then down, but never a hint of eye contact. It was sad. Easy to imagine something very negative had happened in his life. And here I was, a totally inexperienced “teacher,” flying by the seat of my pants with all of this.

“Pete?”

No response. Nothing.  He was just standing there, holding the radio. “We’re ready, Pete. You can do this. Just a few comments now, and the A+ is yours.”

By now I pretty much knew he wasn’t going to speak, and that added to the sadness. sad. “Peter? This is your last chance. C’mon. We’re waiting…”

Suddenly Pete lifted the little radio up chest high, examined it for a moment, plucked the little antenna up out of its socket, and turned the it on. Suddenly we could all hear ome disc jockey’s voice, talking it up to his fans. I allowed myself to listen for half a minute, and then said, “Pete? It’s time to say a few words…”

And what did Pete do? He responded by turning up the volume. “Well, OK. Guess that’s just about it, Pete. Last chance. Either you say something, or I‘m gonna have to ask you sit back down. OK?”

Grinning a chilling Jack-o-Lantern’s grin, now he cranked the volume all the way up. I mean really cranked it! That little radio put out a lot more oomph than I’d ever have guessed. And there he simply  stood, a boy with radio in hand.

“OK. That’s it Pete. Have a seat please.”

Nothing

“Sit down, Pete. I mean it.”But he didn’t, he wouldn’t. “Rightnow” Either sit down, or you’ll have to go to the office.” I realized I might as well have been talking to the wall. He wouldn’t budge. I was sitting at the back of the room for this assignment, and at this point I stood up. “OK, you know where the door is.”

As I started walking down the aisle toward the front, Pete sidled off to his right. As I moved to follow him, he started moving up an aisle two aisles over. I strolled over to his current aisle and started moving up it, causing him to execute a long u-turn at the back of the classroom and occupy another one three aisles over.

“Aw, c’mon, Pete. That’s enough, now. Let’s not make it any worse. Out you go on your own, or I’ll hafta call the assistant principal!” That ultimate threat obviously carried no weight whatsoever that I could see. It had now become a surreal game of Catch as Catch Can. With chess moves, him always keeping approximately two aisles away from me! They certainly hadn’t prepared me for anything even close to this in our Classroom Management seminars and classes What was I expected to do?

Enough was enough. My teaching career was only days old and I had never anticipated, or even really imagined (until this moment) having to lay my hands on anyone, but… the other kids thought this was the most entertaining joke ever, and were beginning to cheer and egg him on. It had to end.

I decided to take a short cut. There was an empty desk in the row between Pete and myself, so I muckled onto it and began pushing, to bulldoze it sideways out of the line of desks! Like all of them in that room, it was an ancient wooden thing so old that Abraham Lincoln might have sat in it prior to the Civil War. Pete, still clutching the loud radio, saw what I was up to and frantically started glancing forward and aft for the best possible escape route! Now, just as someone comically yelled, “Look out, Pete, he’s a boxer!” one of the front legs of my desk got hung up on something, sending it toppling forward to crash onto the floor with practically thunderclap!  Pete whirled back around to face me! Then we both found ourselves gawking down at the thing between lying there between us.

Like him, I was shocked at seeing the old desk lying there in two main pieces, split right down the middle from the concussion! But unlike him, I actually knew what had really just happened. Pete on the other hand, with “Look out, Pete, he’s a boxer!” still echoing in his ears, did not. For all he knew, I might have busted the desk in half in a rage with a single, mighty blow from my Heavyweight Champion of the World FIST OF FURY!

The only good thing about that was that I didn’t have to ask Pete anymore to leave my classroom. He just went scampering out that door like a rabbit with its tail on fire.

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

So now you understand why a lady from Belfast I’d never met looked at me across the teachers’ lounge table and surprised me, surprised all  of us really, with, “So… you’re the boxer.”

It’s as I told you near the beginning of Part II: “It so amazes me how one little decision you make can bend the vector of your life in future ways you’d never imagine. Just as a beam of light bends when it passes through a clear glass of water. And once you make that decision, and then go forward with it, you‘re living in an imperceptibly altered universe.

I made a little decision back in 1966. I was a college junior at the time…”

And from that insignificant decision, simply to take up learning how to increase my timing via the use of something called a speed bag (a hobby basically no more momentous than, say, taking up baton twirling or coin collecting), I have been remembered through the decades by a high school faculty and student body, as the boxing English teacher.

It’s a strange life, no matter how you shake it, it’s a strange life…” – Dave Mallett

Thanks for reading.