1980s – NEARING THE END OF THE LINE

STAGE FRIGHT: Always Say ‘Break A Leg,’ Never ‘Good Luck’

When I was a high school freshman, the dramatics coach tried to recruit me to audition for a play he was doing. The very thought of that terrified the hell out of me. I’d had stage fright all my life, and I’d never even been on an actual stage. And I told him so. He said not to worry. I told him I freeze whenever I even have to do an oral book report in front of the class. He told me not to worry. I told him it wasn’t even possible for me to memorize anything. Again, not to worry. So, I flat out told him I didn’t want to be in a play.

He told me to meet him in the library right after school that afternoon. And back then, we were all pretty much duty-bound to do whatever a teacher told us to do. So… I showed up.

But in the meantime though, dumb-ass little me got to stupidly wondering, What would it be like to be… a stage star? And then I got to thinking that… maybe this coach actually could, no— that he obviously could, get me over the terror that always gripped me whenever any number of silent eyes were locked onto me. That his job, after all. So yeah, it occurred to me that just maybe my life could be about to change. BIG-time. Because I’d always been a dreamer.

I’d begun imagining the glory of the thunderous cheers and applause while I, standing alone up there on the stage, was taking my final bows. It felt… good. Exciting. Where might it l all lead? I was asking myself. Hollywood? It made sense. Because I assumed that many a Paul Newman might likely have begun their super-star careers on humble high school stages just like ours. After which… well, one thing had just naturally led to the next thing which could just as naturally lead to… well, being a heartthrob eventually. And getting to sign thousands of autographs. I was getting excited.

So right after school I strolled my way to the library with as confident a smile as I could paste onto my face.

A sign taped to the door sternly warned, AUDITIONS. NO ADMITTANCE.

I stepped inside. “Close the door,” I was told, rather curtly.

He in a bad mood or something? I wondered. I closed the door behind me, but suddenly, once inside, I was unexpectedly overtaken by a slightly creepy, ominous feeling. I’d been expecting droves of my classmates being there, all clamoring for the big part I was probably going to walk away with. But instead, no, it was only me. Only me and the director. One on one.

I would’ve preferred the door left open…

Then, checking his watch like we’d already run out of time, he slapped a dog-eared script into my hands, turned on his heel, and headed off for the opposite far end of the long library. “Page 36!” he called over his shoulder. Well, the script was already opened to page 36, so… “Read the highlighted passage!”

For some reason, my chicken-livered little heart had begun to worm its way up about three inches in my chest. I tried swallowing, but it didn’t want to go back down. Looking down at his own opened copy, he barked, “Begin reading!”

I cleared my throat a few times first, but then managed it. I read the passage. And looked up to find him contemplating me with a puzzled look on his face.

“What?” I asked.

“I couldn’t hear what you said, is what. I couldn’t hear a thing you just read. You know, if I can’t hear you… in here, with just me and you, how’s even the first row of the audience ever going to hear you? So OK. Once again, once again. From the top! Louder this time. Project your voice!”

Well, I’d thought I’d read the words exceedingly well, but…

His terse manner was crushing me like a cigarette butt under his toe. Yes, I know. I can easily see it now. I cringe to admit it, but I was one exceedingly fragile little wuss back then.

Anyway, I took a deep breath and bellowed out the lines.

“OK. I did hear you that time. But there was no emotion. None whatsoever. You’re not reading telephone book listings, you know. I mean, look at what you’re reading. Look at it. What’s the character feeling there, do you think? Happy? Sad? What??”

Jeez. I didn’t know there was gonna be a quiz. I looked down at the words. “I dunno,” I said. “Mad?”

“Bingo! Angry! But not just angry. Angry as hell! Can you show me angry as hell?”

Well, I knew he wasn’t ready for the honest answer to that. “I dunno,” I mumbled. “I’m not sure.” Inside I was dying for some reason. Fading fast. Becoming the deer in the headlights.

“OK OK OK,” he said. “Lemme show you. Watch me…. OK?”

So… yeah. I watched him. He began by looking down at his feet for a few moments. Taking a couple of deep breaths. And then… whoa! His head snapped up so suddenly, I recoiled! His face was flushed. And his eyes? They were locked on me, and he was seething! And before I knew it, he’d started pacing, back and forth, in a rage that seemed just too great to contain, and needed more damn room!

Wham! He launched into a loud, raving tirade! He started going nuts right there in the library where you were only supposed to whisper! And even though yes, I realized intellectually that this was just a demonstration… I was feeling a scold stab of guilt anyway because emotionally… I couldn’t unconvince myself that it was really me personally he was raging at because he’d simply just had it with me and my little chicken-shit hesitation! I mean, Jesus, I was watching a temper tantrum growing right before my eyes! An all-out Jeckyll and Hyde!

And when he was finished (well, whenever he was finished), the only proof that I’d ever even been there was a dog-eared script I’d left dropped on the library floor and the click of the door closing behind me!

Little Elvis had fled the building! And from now on, Little Elvis was gonna be content spending the rest of his spineless little life cowering somewhere off in the shadows where it’s gonna be safe…

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

So. Guess what happens. Five-plus years later and drenched in nervous perspiration, I’m seated before a school superintendent, having just inked the very first contract of my future thirty-four-year high school English-teaching career life.

Wow. Quite daunting for little ol’ shrinking-violet me; however it’s done and dusted. I heave a big sigh of relief. I’m rich, for cryin’ out loud. I’m making $5,618 bucks a year! I’m gonna buy me a new car!

But… as the super is shaking my hand, sealing the deal as it were, he hits me with this: “So. You’ll be teaching four English classes, two speech classes, and taking over as the new dramatics coach. Again, welcome aboard!”

“Excuse me?” My blood is running cold! “What was that?”

“I said, ‘Welcome aboard…’”

“No. Not that. ‘Dramatics coach?’”

“Yes. And congratulations.”

“Oops. Uh-oh! Wait wait wait. Uhmmm, look, I’m sorry. I thought I was just signing on to teach English. Right? I mean… OK, honestly? See, I’ve never even been in a play in my life. I’ve hardly ever even been to any plays. I mean, I don’t know the first thing about dramatics. So… I guess what I’m saying is… I don’t think I can possibly…”

“And yet…” and here he’s studying me over the top of his glasses, “you just signed a contract agreeing to be doing exactly that.”

I do the old double-take here. “What? I did?”

And while my eyes crazily careen down through the words and lines and paragraphs on the top page lying before me, I hear him say, and with an ice-cold, razor-sharp edge… “I must say… this is odd, because I definitely thought you’d just told me… that you wanted to teach here this year…”

Yikes!

(If I’d had any of my wits about me, and any amount of courage at all (which I hadn’t), I suppose I could have told him, “Why no. Says here I just signed up for ‘DRAMAGICS,’ whatever the hell THAT is.” Truth is, though, I was so nervous I’d missed the misspelling and only right now just noticed it.)

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

Long story short? I did “become” the dramatics “director.”

I lucked out somewhat, though. I inherited a student army of thespians known as The Footlights Club.

And more fortunately, those kids, unlike moi, really knew what they were doing, thank God.

So, throughout that year I ended up surviving co-directing one syrupy, patriotic, three-act play titled This Is My Country, which gave me two or three heart attacks on a weekly basis;

“directing” one two-act comedy (ditto on the heart attacks); and then “directing” three one-act plays, one of which would be required to compete in the Maine State Principals’ Associations Area One-Act Play contest. For that one, I chose a stodgy, dry, classic British drama titled “The Rocking-Horse Winner” by D. H. Lawrence. It was a clever little thing.

But get this, and wouldn’t you just know it— somehow (much to my chagrin) the damn thing actually won!

For me, this meant two more long weeks of rehearsals, and then a bus-trip over to Bowdoin College for the State level competition where, thankfully, our play earned nothing more than an Honorable Mention.

And by the way… the administration was oddly flabbergasted by the surprise of us winning. It was like… they didn’t know how to take the news. The school had apparently never ever won at the drama competition before and, being so totally baseball, basketball, football, wrestling, and golf oriented, it had apparently never even occurred to them that such an event might conceivably be a thing. I mean… it was almost as if I’d done something wrong. You know, like… nobody expects the Spanish Inquisition!

So you see, this fiasco turned out to be one of what I call the many “successful-failure stories” of my life. I’ve had a slew of them. I mean, look: without even a stinkin’ clue as to what I was doing, I came out of it a first-time winner. Not that coming out of it a winner was what I wanted, mind you. All I wanted was for it just to be over. But no. Beginner’s luck. Now I had to keep on having rehearsals every day until it was time, two weeks later, to load up the bus and take the show on the road to Bowdoin College for the States..

Why ME?

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

Anyway, I couldn’t wait to bail on that town after only a year (for tons of reasons). And I immediately lucked out, landing a position at a school that not only had an amazingly successful drama program already in place, but one that was manned by a simply incredible drama director. Phew! And so, for the decade I spent there, I was able to just sit back and enjoy his (not my) productions from the comfort and safety of an audience seat, right where I wanted to be. It was great. Ten years without having to “direct” a single play. I was living the dream.

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

But after that, I ended up moving back to my old hometown. Took an English-teaching slot at my old alma mater, Foxcroft Academy. It felt good to be home. Yeah, I did have duties of course. I ended up being the advisor of the school newspaper for one thing. But as long as it wasn’t coaching drama, that was OK with me…

But before long, alas… the need for a high school drama coach once more raised its ugly head and began looming over me. And I was not happy about that. I sure as hell didn’t want it. That was the last thing I wanted, my mantra being, Let somebody else do it! I tried fighting off the pressures the administrative mafia was putting on me, using any and all the excuses I could come up with.

I mean sure, I get it, the headmaster didn’t realize that, deep down inside, I was that same, mousey-little, neurotic, post-traumatic-stress-disordered ‘high school freshman’ who’d once actually run for his life from the library of this very same school! I mean… I guess I looked like a normal human being and all.

Anyway, they finally got me box-canyoned-in between a rock and a hard place. I caved.

But you can’t imagine not only the cruel irony, but the stress of being the so pathologically self-conscious, stage-frightened, shrinking violet who’d never even been in (could never have been in) a frickin’ play in his whole damned lifetime! Finding myself back living in the same nightmare all over again? The nightmare of being lashed to the helm of the Good Ship Foxcroft Drama Club? The nightmare of the large crowds. Moms and dads and their families! School board members and (shudder!) administrators! Colleagues! And, I dunno, just… random people walking right in off the street. And to do what? Gawk at me and my pathetic little productions with their cold, glassy, and judgmental Medusa stares!

And me backstage, sweating it out with… What if one or more of my kids suddenly gets a lethal case of stage fright (like I would have) and just freezes right up in place? What could I do then?! How could I ever help them?! Or… What if my slapped-together little “opuses” happens to turn out really really bad?! I’m talkin’ a major flop! I’m talkin’ tanked! I’m talkin’… stink, stank, stunk here! What then?

Talk about feeling naked! You know, if anyone ever decided to make a biographical movie of my early drama-director life, they’d hafta steal Don frickin’ Knotts out from under The Andy Griffith Show to play me.

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

OK, so obviously one of my standard drama duties was again going to include co-directing the annual musical, like before. I had no idea then it then, but we were destined to eventually pull off Fiddler on the Roof, The Music Man, Oklahoma, Carousel, and Guys and Dolls, before I was through. And again, my task would only be to handle all the speaking parts (as opposed to the choral). But I was fortunate there, as the musical director was more way than competent as the real guy at the helm, so each one of those plays were going to come off a success with, or without, me.

And on top of that, I was also expected to choose and direct either a two- or 3-act drama, plus the usual two or three one-act plays, one of which would again be expected to compete in the Maine State Principal’s One-Act Play competition.

So there I was once, a decade later and once again, wallowing in the same utter dysfunction again as did Catch-22’s lost soul, Major Major Major Major…

Long story short, I just had to make myself put my big-boy pants on, bite the bullet, and man-up. Just get on with it. Despite the fact that things would, and did, go wrong sometimes, of course. Well… actually, practically all the time.

Oh, I’ve got lots of war stories. Stories that’d make you cringe. But, we’ve only got time for one here. Maybe if I can pull off a Part II, I can torture you with two or three more. But anyway, here goes:

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

One of the one-act plays I selected very early on was “The Zoo Story” by Edward Albee.

I chose that one because (A) lazy me back then, there are only two characters in it (easier to get two kids to show up for practices at the same time), (B) it required only a minimal set, simply a single park bench (easy peasey), and (C) I wanted to do something a little avant-garde and “relevant” (I mean jeez, Albee wrote the shocker-classic Who’s Afraid of Virginia Woolf, didn’t he. So by going with this one, I suppose I was sorta praying that this particular play might just make me look… (alright, dream on) somewhat cool, probably.

The play is a little existential slice of the Theater of the Absurd… and dark. Right up my alley.

So this very odd duck of a play was to be performed for two nights (thank God, not three!). It ends with the two characters getting into a nasty argument wherein one of them whips out a switchblade knife. And during the ensuing tussle, one of the guys gets stabbed in the abdomen and dies. (See? Dark. I know.)

So the thing obviously was… I needed to procure a switchblade. But from where? They were illegal.

Well as fate would have it, I’d been to Boston a couple of times as a kid. And each time I’d gone, I’d made sure to visit the rare and wondrous, Ray Bradburian emporium, Jack’s Joke Shop. Which is where I ended up blowing most of my vacation money, both times.

That store was a mid-1960s preadolescent boy’s dream! It stocked every thinkable novelty imaginable! You know, the realistic looking fake ice-cube (with the housefly frozen in the center) to casually drop into somebody’s ice tea glass! The fake boutonniere with the flower designed to ‘squirt-gun’ water right into the faces of anyone you could con into trying to give it a sniff! Professionally marked cards to cheat your friends with!! Electric joy-buzzers! Those very realistic-looking ‘puke pads’ to drop on somebody’s clean carpet! Itch powder! And something else. Some very realistic looking “switchblades,” only instead of an actual blade, it was a little steel, fine-toothed comb that would pop out of them when you pushed the button on the handle. That seemed to be just the ticket! I’m tellin’ ya, that place was a play-props heaven.

And luckily, I discovered they still had those switchblade-combs for sale. Two types, actually: the chintzy inexpensive ones, where the comb would ‘jack-knife ‘out from the side,

and the much more expensive model where the comb would telescope forward right out of the handle. And OK, the latter seemed just the ticket. I was craving realism. For with that one, you could (1) after menacingly brandishing the knife under the stage lights, keeping it deceptively moving so that the lights flashing off the steel would not allow the audience to focus on it sufficiently to see that it was actually just a comb), (2) craftily push and hold the release button which acted like a clutch, and then (3) ram your guy right in the guts with it, thereby ‘sending’ the “lethal blade” right back up inside the hollow handle (presto change-o!) instead of burying it deep into the ‘victim’s’ dramatic intestines! At which point the ‘victim,’ feigning obvious ‘pain,’ would conveniently grab and hold the handle in place there (to make it appear embedded, but more honestly to keep the little contraption from [boing!] accidentally launching itself (on its tightly-coiled spring) right off his belly and flying right into the first row of the audience, possibly poking someone’s eye out!

So anyway, we had our little “switch-comb” to practice with for two whole weeks, my two of actors going through the numbers (1,2, and 3) over and over, in slow-motion at first, and then speeding up the action. Simple choreography.

(And by the way, let me just say that that was one of the few things that was actually turning out to be fun about play preparation: playing with fun props. Even for me. Oh, the little boy in me…).

Consequently, the switchblade scene, then, was becoming the least of my worries. What was keeping me up nights was the nightmare what-if-specter of one or both of my actors forgetting his lines on stage! I mean, I’d have nineteen nervous breakdowns if I were an actor and that happened to me! But jeez, just what the hell does one do if and when that horror ever goes down? Other than simply throwing in the towel, looking out at your audience, and saying, “Hey, we’re sorry, but at this point, the show will not go on. You may all collect your money back over at the ticket table at this time. Thank you. Thank you all for coming…”?

No. Somehow I had to come up with a way to insure that I could bail my kids out and not leave them (and me) in the lurch if they did forget their lines. And the best thing I could come up with was… just lying on my belly on the stage floor, stage-left, just barely out of sight of the audience behind the edge of the curtain with script in hand, and me on hair-trigger-tenterhooks staying at-the-ready to hiss their forgotten lines out to them.

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

“The Zoo Story,” Opening Night…

Here’s a little basic, bare-bones synopsis of “The Zoo Story”:

PETER, a publishing executive in tweeds, wearing horn-rimmed glasses, smoking a pipe, and reading a book, is seated on the park bench near the zoo. Then, JERRY enters stage-right, charging right up to the bench and insinuating himself into Peter’s serenity by first beginning to tell Peter a story about his visit to the zoo, and eventually starting to ask Peter some unwanted personal questions about his life. Before long, things between them go downhill. Jerry wants Peter to move over and give him room to sit, which Peter prefers not to do. Jerry, just the kind of stranger you don’t want to meet alone, by yourself, begins poking Peter, demanding he move over. When that gets no results, Jerry begins punching Peter harder, telling him he now wants the entire bench for himself. And finally, Jerry just outright challenges Peter to a fight. Peter finally agrees to fight Jerry. Jerry pulls out a switchblade, and throws it at Peter’s feet, to give Peter a fighting chance. When Peter picks up the knife in a defensive position, Jerry rushes him— thereby impaling himself on his own knife. Jerry staggers, the knife embedded in him, and falls onto the bench. After a brief exchange of bizarre words from Jerry, Peter grabs his book and runs off screaming “OH MY GOD!” as Jerry dies on the bench.

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

So OK, it’s a thirty-minute play approximately, but it’s rapidly drawing down to the climax now. Thankfully, not a single line has been forgotten. Plus the play has gone very well so far. You can’t imagine the relief I’m feeling.

And as the end draws near, I begin doing a little play-by-play, in my head:

OK. Here it comes! The fight scene.

Good! They’re tussling!

And voila! Jerry pulls Jack’s-Joke-Shop knife-comb out of his pocket! Snick! Out flicks the blade! Perfect!

He drops it intentionally at Peter’s feet as the initiative for Peter to grab it up.

Now, with Peter holding the blade defensively, Jerry charges him, and impales himself on it!

…WHOA there!

They freeze! And remain frozen, as in a dramatic tableau, for six, maybe seven, long and silent seconds!! Longer than in our rehearsals!

And you can hear a pin drop in the gym!

It’s genius! So… why didn’t I think of this?

And then they fall apart, with Peter fleeing off-stage bellowing his final line, “Oh… my… God!“

And Jerry, now bleeding to death on the bench, delivers his last:

“Could I have planned all this?

“No… no, I couldn’t have.

“But… I think I did.”

Long silence…

He slumps.

(dies)

La Fin.

Curtains starting to close!

THUNDEROUS APPLAUSE FROM THE AUDIENCE!

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

Wow. While I, so deliriously relieved and crazy with emotion now that everything’s gone off without a hitch, have struggled myself dizzily up onto my feet, I see Peter marching toward me across the stage.

“My GOD! Wonderful job!” I exclaim. “You nailed it! Flawless, you guys! I don’t think I’ve ever seen a better death scene. You… outdid yourselves! Congratulations!”

But something’s off. Standing before me now, in place, Peter isn’t smiling. No, that’s an understatement. His face is a mask of horror…

And Jerry, still collapsed over on the bench, is positively glaring up at me. But… why? What is it I’m missing here? “What?!”

Looking down at Jerry, I see that he’s slowly beginning to hike up the front of his shirt.

“Well… I’m confused. I mean, what the hell, guys…? You’re scaring me here!”

But then I see it!

Oh my God!

Jerry has two navels!

No, of course he doesn’t have two navels. The “navel”-navel, the one a little higher up and off to the right of his real one, is not a navel at all. It’s… a dent! A deep… dent in his belly! A hot, reddening, sore-looking, deep, little dent!

“Oh my!” I say.

The stage crew is shouting, “Curtain call, you two! C’mon! Let’s go!”

Peter leans in closer to the both of us, and moans, “Jeez! I’m SO, SO sorry!! My God, I just… I panicked! My thumb just… slipped right over the button, Mr. Lyford!! It slipped! And I didn’t manage to get it pushed down in… the button… so…”

“Curtain call! Come on!”

I’m thinking, Omigod, as the two back away, turn, and head over to center stage. The curtain fully opened now, they take their bows, soaking up the applause and whistles. Stupidly, I even get called out to join in.

But after the curtain closes, I see Peter picking up the switchblade from the floor. “You got a replacement for tomorrow night?” he asks, handing it over to me. Jerry joins us from behind.

“Whatta you mean?”

“I mean this,” Jerry whispers, nodding down at it.

Oh jeez, the blade is still locked in the ‘out’ position. And the once proud and straight little comb is now bent, snaked into what I can only describe as three wide little S-curves!

Peter’s face is a mask of horror. “I’m sorry,” he whines. “So sorry. I panicked and froze! My thumb slipped off the damn button! It… It never collapsed back in! It stayed locked in place! I pretty much stabbed him, Mr. L…”

“Pretty much?” Jerry growls. “I mean… look at my stomach!”

“You can’t believe how sorry I am!”

I’m studying Jerry’s wound. “God, that looks painful!”

“Ya think?!“

And here I’d thought all along that the thing was made of steel. Thank God it wasn’t!

“Wow. Well, at least there’s no blood. But damn, no wonder it looked so real out there! You think you’re gonna be OK?”

“I guess. It stings like hell though.”

“Look, I mean it! I’m so sorry!“

“Yeah, I heard you the first time.”

I shake my head, looking at my crumpled prop. “And that’s a big No on a back-up knife,” I say. “I wish to hell I’d bought two, but…”

“So… what’ll we do about tomorrow night’s production,” Jerry asks. “How’s that gonna work?”

“I have no idea, guys. I have no idea whatsoever.”

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

Next morning what I did do was rush the “knife” over to the shop, looking for any help I could get. “Can you put this in a vise or something,” I asked the shop teacher. “You know… straighten it out? Flatten it out somehow?”

The shop teacher scratched his chin, tsk-tsked over it, hmmm’d and hawed over it a bit and finally said, “I dunno. I guess we’ll find out.”

Well, they did manage to straighten the comb out… somewhat. But not nearly enough to get it to slide back and forth in and out of the handle. It was still too bent for that, alas. But you know what they say… “The show must go on.”

Next night, as I’d instructed, Jerry pulled the pathetic, no-longer-a-switchblade “knife” out of his back pocket and kept it in motion all the time under the lights, us hoping nobody would notice what it was really looking like. I really missed that dramatic, switchblade SNICK! from the night before though.

But we got through the play. And from all the accolades, we were pretty much a success. There was a larger teenage crowd on the second night. I guess that’s because the word got out in school that there was a pretty realistic, friggin’ knife fight in it. Something probably never seen in an Academy play before.

I believe we even broke even, or better, on admission fees. That, in itself, was seen as remarkable…

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

Like I’ve said before, I appreciate comments. If you wish, feel free to leave one in the field below and then simply click on “POST COMMENT.” I usually respond…

ON THE LIFE-AND-DEATH IMPORTANCE OF ONE-INCH MARGINS…

A DAY IN THE LIFE

My free period unexpectedly got blown out of the water this morning. Thanks to me having to round up three senior girls, escort them to the Guidance Office to meet with their parents and counselor, and deal with the ugly allegations that this trio’s bullying has been seriously making some freshman girl’s life not worth living. And without said free period, I’ve been running behind six ways from Sunday all day

The copier in the teachers’ lounge’s gone belly-up again. Murphy’s Law. Par for the course, what with all thirty-four of us desperately champing at the bit for the printer, semester exams needing to be ready to go by Monday morning.

I’m on the second day of an at-least-two-day headache, and this one a real doozy. The ringing of the bells the bells the bells out in the hall keep setting my teeth on edge. Can you say “frayed nerves”?

And the icing on the cake? It’s my week for manning after-school detention-hall duty. Yeah. So here I sit, once again, locked in the cage with a tiny tribe of Welcome-Back-Kotter’s sweat hog and yahoos.

And wouldn’t you just know it, here he is, God’s little freshman gift to teachers, loitering before my desk with some wrinkled notebook page in hand that might’ve just been fished out of my wastebasket.

And he’s smiling. Smiling like a car salesman.

Someone should clue him in: Warning, Will Robinson! This teacher is a powder-keg with a short fuse this morning...

Ah. I don’t really mean that. That’s just the headache and the stress talking. I’m especially fond of the freshmen. Even Wes, here. I like to think of myself as the freshman welcome committee here at the Academy. Because, I mean they need some teachers who aren’t nazis too, right? And besides, Freshmen are new here, meaning they haven’t already heard my dad jokes, bad puns, and stories. My kind of audience.

Although as I focus on the paper in his hand, I realize I need to put on my Tough Man Persona, at least for a while.

“It’s late, Wes,” I point out. “Due yesterday.”

“Here now, though.”

“Ah. Yes. Now.”

“A day late and a dollar short,” he adds, smiling winningly. “But. See, I did do the assignment.”

“And… I’m guessing that’s it?” Me, nodding toward the fist holding the paper.

“Yep. And I think you’re gonna like this one.”

“You… think. Hmmm. OK. Lay it on me then, I guess.”

Dutifully he does. Lays the “essay” before me on my desk, face-up.

I eyeball it for all of four seconds, return my gaze to him and, then with the eraser tip of my pencil, push the page three or four inches back across the desktop toward him. The same way murder squad detectives on TV always ‘suggest’ that their prime suspects take a hard second look at the photo of some victim’s corpse.

“Do it over,” I say simply, knowing it sounds harsh but you know what? I’m just not in the mood today.

His face, gone from smiling now to… kind of beaming for some reason (which is a little maddening) asks, “OK, but…why’s that? I mean, you didn’t even read it.”

“Nor will I… until it’s rewritten.” Doing good here as Bad Cop…

“But … it’s good. I even used irony in it.”

“Which you’ll have to wait for me to… ‘appreciate’ it, once it gets rewritten.”

We look at each other for a few moments. The hairy-eyeball I’m trying to give him ought to be making him turn tail and scamper away. God, why does he all the time hafta keep that smile on high-beams like that? Why can’t he just be pissed off like any normal kid would, for crying out loud? I mean, that Howdy Doody mug of his!

Since he’s not saying anything, I do. “Oh come on, Wes. Do I really have to spell it out for you?”

No answer.

“Oh. Sure. Right, of course I do. OK. I’ll tell you why. The assignment sheet (hey, you remember the assignment sheet, don’t you?) lists four specific criteria you had to follow on this one. And, as I told you yesterday, no more getting away with your lazy sloppiness.”

“Yeah but the irony...”

“Stop!” (I mean, listen to this guy, right?)“Don’t you be yeah-butting me, Wes, OK?Man, you’d think I would’ve tape-recorded this speech years ago. That way every time you guys claim to have lost the assignment sheet, I could just send you back to your seat with a cassette player and say, ‘Sit down. Press Play!’”

“Hah. and ‘Be kind. Re-wind.’ Yeah.”

“1: Final draft of essay to be written on white composition paper.”

“Check,” he says.

“Right. You did do that. Moving right along.”

“2: Essay to be written in ink. Not in pencil.”

“Check again. Oh-oh-oh... but not in crayon, either. Hah. See? I remember you saying that in class.”

“Bully for you.” Gawd, he’s so good-natured?

“3: Essay will be neatly written in cursive.”

“Check, check, and… TRIPLE- CHECK! Hey, see? I’m acing it. Well, I mean I will be, especially when you read my irony.”

“4: Final draft will employ ONE–INCH MARGINS.”

“That one sound a little familiar?”

“Oops.”

“Yeah. Oops. I’m not seeing any margins here.”

“I guess you got me, boss,” he says.

“Right. I got you. Now… there’s your paper. Take it. Go and do it over. With… the one-inch margins this time. Then, and only then, will I read… will I enjoy… your captivating irony. Capiche? Now— go, and sin no more.”

“You got it,” he says. With a nod and a wink, he picks up his paper, turns, and shuffles off toward back his desk (thank God), leaving me pitying his parents.

Phew! That’s over. Oh, my head!

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

But… as little as five minutes later, here he is again. Back. And with what looks to be that very same damn shabby page still in hand.

“Done,” he says with obvious pride.

“Wait just a darn minute,” I say. There is no way, absolutely NO way you’ve re-done that essay this quickly!”

“Hey I really did. Check it out.” And with that, he once again graces my desk with his allegedly ironic opus. So what else can I do? I look down at the thing. And man, I can’t believe it! Because yeah… it is the exact same damn shabby piece of writing that it was five minutes ago!

“LOOK at this! I told you I re-did it!”

“You did. And hey! I fixed the margins. See?”

“NO! What you did w…”

But then, what I’m actually looking at fully registers. Jesus. On each the left-and-right-hand sides of the page, this wise-ass little weasel has Scotch-taped a long, one-inch-wide, ten-inches-long strip of paper! I mean… he taped-on frickin’ margins!!! So immediately, I start trying to pump myself up to properly muster all the deadly venom of my… chagrin… in order to lay him out good in lavender!

(See, I had to say ‘trying’ there because… well, something’s wrong. Blowing my stack just isn’t coming as easily as I want it to! I mean, I dunno, it’s kind of like my wannabe-aggressiveness is… stuttering or something! Even though I’m surprisingly impressed with this kid’s surprising brass, what I want to do is let this kid have it with both barrels, but… what’s going on with me? I mean, something’s bubbling up inside me that’s… well, something that’s bubbling up autonomically… like what happens when you’re seconds away from vomiting and you just KNOW there’s not a damn thing you can do to stop it, nothing you can do to keep it down!

I try to muscle this down anyway, but it’s like I just felt my frickin’ diaphragm burst like Mount Vesuvius! And God help me…up the autonomic belly laugh COMES!)

~ ~ ~ ~ ~ ~ ~~ ~ ~ ~ ~

“Uhmmm…? Mister L? …Mister L??? Are you…alright? You’re not… cryin’, are you?”

My face, hidden beneath convulsing shoulders (down upon the hide-away pillow of my crossed arms) comes jack-in-the-boxing straight up from my desk so suddenly he recoils! “Of course not! I’m laughing my butt off here is what I’m doing!” And I tack on a quiet little “…damn you!” just for him.

But God, it’s frustrating when you’re mad as a wet hen and… and laughter just comes barreling right out of you without your permission. Your self-control just gets kicked to the curb and runs rampant for just about however long it wants. You can want to will yourself to be steamingly pissed-off but, no, your body’s in control, isn’t it— not you! So you just have to ride it out.

But oddly, after you have been so out of control like that, for some reason when it’s over you just end up feeling so free and fresh and good. I mean, it feels like this outburst just breached some flood-stage gate inside of me or something, punched a hole in it, and released an out-gushing of all my silly, uptight, Ichabod Crane hang-ups of the day in a wonderful, though violent-as-a-sneeze, catharsis.

Human behavior. Go figure, right?

And even though I have finally ridden it out, my mouth is still stretched in its autonomic, idiotic grin— I can feel it. Apparently, I’m having a good time

But something’s happened here. And I’m left pondering what the hell’s this kid just done to me, the little jerk! Up-ended me, that’s what. Caught me right off guard, big-time! Because… well, that whole thing was just so unexpected… and so damn funny! I mean, it hit me right between the eyes when I wasn’t even looking….

“So… you OK now?”

“What, me?” I’ve gotten myself pretty much under control now. Enough so I can communicate again, at least. “Not entirely,” I tell him. “Because something really weird and back-assward just went down here.”

“Man, I’d say so!”

“Because me and you? We just had us a moment, didn’t we. I mean, there I was, going to war with you practically! About to wrestle you down, pin you to the mat, and shove the importance of margins down your throat. Even if it killed us both to do it.”

“Jeez. OK…???”

“And then you went and yanked the mat right out from under me! Had me body-slammed and pinned before I knew what hit me! And I mean, look at how you did that! You didn’t even use force! You just did it with… nothing but your unusual off-the-wall humor! Oh! yeah! And with irony.“

“Really?”

“Really. And hey, how ironic is that, huh?” But no, what you just did? It really got my attention there. Big time. I’m serious. I mean, in the blink of an eye, you… my outwardly mediocre student… just taught your high school English teacher, me, something I’ve really needed to take a serious look at. My priorities.”

“If you say so, man. But…. hey. You’re not… like, off your meds or something are you?”

“No! I’m on my stupid meds. But you know, it’s like you just gave me a refresher course… well, refresher lesson… on Einstein’s Theory of Relativity.

**MARGINS ARE BOTH RELATIVE AND CONTROVERSIAL**

See, that’s what I can’t get over. Because… well, after all, everything is relative, isn’t it. And I mean, margins? Hell yeah! They’re relative. Of course they are. And so over-rated. And you just practically toilet-plunger-ed the honest absurdity (the sheer and utter ridiculousness of margins being thought of as so all-that-important) down my throat! Well done.”

“Er… so, what, does that mean... margins are out? From now on? No more one-inch-margins?”

“No, of course not. But it does mean I have to go back and recalibrate how much weight I put on them when it comes to grading.”

“But… why keep them at all? If they’re so relative and all. Why not do the class a favor and just dump’em altogether…?”

(click!) (that’s me, doing the classic double-take right here) “Whoa whoa whoa!” And then, looking him straight in the eye until I know I’ve got his full attention focused squarely and seriously on me. “Just a darn minute here, kiddo. No.” And I say that with a weak laugh. (heh heh)

“Yeah. That’s what I figured. Sure. But why not, though?”

“But anyway… just NO! OK…?”

“ That’s what I figured. Sure. Surprise surprise. So much for the Theory of Relativity.”

“Well Wes, there’s also something called Chaos Theory, you know? (You should know. I mean, from what I’ve observed, in some ways chaos seems to be part of your lifestyle.) Now, we don’t want the world to descend into the Dark Ages Void of Chaos, do we.”

“What, I’m getting a vote then?”

“Which is pretty much what might happen if we start whittling away, one at a time, all these little rules that keep us in check as a civilized society. You need to look at The Big Picture: Get rid of margins today. Then complete sentences tomorrow. Next thing you know, we’ll be back to living in caves and painting the stories of our lives in pictograms on the walls.”

“Can you also say windbag?”

“Yeah. I can. I majored in Windbagology in college.”

“I can believe it. How about hypocrisy? Can you say that?”

“Me? Hypocrisy? What’s that? Never heard of it.”

“Well you should’ve, Mister Relativity. Mister margins-are-no-longer-important-but-we’ll-keep’em-anyway.”

“Hey. Don’t forget. This English teacher who needs to keep his job.”

“Oh yeah. Mister sell-out.”

“Or Mr. Lyford who… oh gimme a break, Mister Lazy, Mister I-Don’t-Care-About-My-Future.”

“Well, I don’t.“

“Well, I do. I really do! So. Let me tell you what I am willing to do. I’m going to cut you a deal.”

“Big deal, yeah? OK, let’s hear it.”

“Yes, but first of all, tomorrow… when I wake up, shower, get dressed… this conversation never happened, OK? One-inch margins will still go on ruling the world as they always have. And one-inch margins will, as always, be regarded as crucial absolutes, not the secretly-acknowledged relative entities we’ve acknowledged and agreed on this afternoon, you dig?”

“Ooh. An offer I can’t refuse! Right. What I figured.”

“Hey. There’s a Part 2 in this deal, which I’ll get to in a minute. OK?

“But… let’s be clear. You and I? As people? Not as teacher and student? Sure, yes, we both know that what’s written in between those margins is the main thing. But as teacher and student, we both have to realize that how you learn to present yourself in the future job market is going to become very important. And that presenting yourself with a wrinkled, messy, sprawling jumble of unreadable writing spilled all over the page is something you need to practice NOT doing. Bad habits tend to stick.”

“Blah blah blah. Save it.”

“Alright. I’ll save it. But OK. Here’s the deal. Guess what: you just scored yourself an A on this paper. Sight unseen. (Although I will read it and get back to you.) You also get (…wait for it) my respect today, having shown yourself to be a lot brighter than you’ve previously been letting on. I hope that means something to you.”

“Well, I won’t be saying no to the A at least…”

“Whereas… on the other side of the coin, when the next assigned essay comes around, you not only will have those absolute one-inch margins in place, but the paper? The physical paper it’s written on…? It will not be some wrinkled or food-stained scrap you stole from my waste basket, you dig? It’ll be pristine. You dig? The paper will come in on time, or suffer the consequences. You dig? And as far as your grade on the next essay is concerned? I honestly can’t imagine it’ll end up being an A; however I can easily imagine it being a big fat zero. So, you’re on notice.

“And by the way, the worst thing you’ve done today is let it slip that the Scarecrow in the Wizard of Oz actually has had a brain all along. And that, dear friend, is something that can, and will, be used against you in a court of… I dunno… of English Grammar and Composition.”

“Well… that’s harsh,” he says with a sarcastic grin.

“And in the meantime, gimme your essay back. I do intend to read what you’ve written. And I’m curious about your use of irony as well. But whatever I find in it, the A is written in stone. We’ve just jump-started a winning streak where your grade in English is concerned. Don’t. Blow. That. Off. OK?”

A few moments go by in silence.

“Hey Wes. I’m waiting for my thank-you over here. Once given and received, and what with your detention sentence just now officially adjudicated as ‘time-served,’ you will hereby be ordered to take ownership of your sleazily-weaseled A and vacate the premises. Any questions? No? OK then. Go. And sin no more?”

“Uhmmm… well, thanks.”

At the door, he turns and says, “Next essay? I’m writing it in crayon on a brown paper bag!”

“Beat it, Freshman!”

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~~

Man, how do these damn kids keep getting me to like them so much???

Thanks for reading…

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BRAINS

I’ve got this… thing about brains. No, not in the zombie way. But I’m just hung up on the very essence of the phenomenon we call the brain. For me, the human brain is an unimaginable, alluring mystery, totally worthy of pondering. So yeah, I think about the brain. Not all the time, but a lot. I read about the brain off and on.. And I often find myself writing about it. Hell, I’m setting out to write about it right here and now.

But being ‘only an English major’ I’m scientifically handicapped, aren’t I— way over my head in deep waters. No Bill Nye the Science Guy, me. I know that. But still, I just can’t seem to get myself past marveling at how you, I, and Bill Nye the Science Guy are totally reliant, for everything, on what appears to be nothing more than an approximately seven-by-three-by-four-inch “walnut”-shaped lump of Silly Putty nestled in our brain pans like some inert loaf of bread. And… that this lump is universally hailed by the entire civilized modern world to be the best damn Central Processing Unit and hard drive combo in the known universe, bar none. I mean, that just… boggles the brain. Yes, I’m incapable of anything more than writing odes to the human brain, inexpertly philosophizing about it, or asking the for-me-elusive-and-unanswerable cosmic questions about how this organ manages to do what it does. So this little essay is bound to end up just being another essay paying homage to the walnut-shaped lump.

Now wait! Don’t you go walking away telling me that, sure, the brain’s important and everything, but it sure as heck ain’t interesting! Are you kidding me? Interesting? Why, the brain is fascinating six ways from Sunday! And I’m betting I can prove that with just two freakin’ examples.

Example #1: Ever hear of Phineas P. Gage (1823-1860)? The man who did more for the science of brain surgery and neuro-studies than any man alive today?

Now hear me out. He wasn’t any white-coated scientist or doctor. So what was he? I’ll tell you what he was. Phineas was a common laborer who blasted out rail beds with explosives for a living. And I don’t know if he was a loser or not, but he certainly didn’t have enough brains to know you gotta be pretty darn careful when you’re tamping down blasting fuses into black-powder-packed holes with a thirteen pound crowbar! On September 13^th (13 being the unlucky number here), 1848, he was working for the Rutland and Burlington Railroad up in Cavendish, Vermont. He was whanging that crowbar into the rocks when a spark launched it like a Chines fireworks rocket right up through the side of his face and out the top of his skull, landing with a clatter on a granite slope some eighty feet away. And after the echoes died away and the smoke cleared, there sat old Phineas, conscious and as aware as any of the crew.

And he could still talk. And the next thing you know, he was walking back to the wagon that would convey him back to his lodgings in town where he would confound a physician brought to examine him. Yes, Phineas Gage who by all accounts should have dropped dead on the spot but instead went stubbornly on about the business of living minute by minute; then hour by hour; eventually a whole day; and after that a day at a time… tor twelve years! Yes, a frontal lobe partially lost and a ghastly fame won, our hapless survivor of “The American Crowbar Case,” as it came to be called, entered into the Annals of Science and Medicine as Neuroscience’s Most Famous Patient, the individual who single-handedly contributed more than any other earthly soul to research regarding how specific regions of the human brain control personality and behavior , giving the big green light to decades of experimental lobotomies, all the way up through One Flew Over the Cuckoo’s Nest…and beyond.

Example #2: Would you believe me if I told you that there was once a famous case of somebody’s brain being kidnapped? Perhaps you have. If you haven’t, you may think I’m joking, or misinformed. I have to admit it does sound like something right out of Mary Wollstonecraft Shelley’s Frankenstein… if not Mel Brooks’ Young Frankenstein. But no, it’s true. And guess whose brain it was. Albert Einstein’s! It’s true. Einstein’s brain was stolen shortly after the autopsy was performed on his body right after his death in 1955? And you needn’t take my word for it. Just look up “Einstein’s Stolen Brain” on Google and you’ll get many links to articles and documentaries on the subject from a number of immaculately credible sources.

Or… why not simply sit back, relax, and enjoy this 3+ minute tutorial about it I’ve just borrowed from YouTube:

I can’t help but wish I were sufficiently brainy to be part of a scientific medical team that might get the opportunity to scrutinize the leftover fragments of what is allegedly the most ingenious brain in human history. I mean, just try to imagine for a minute all the recorded thoughts, ideas, memories, events, scientific formulae, facts, opinions, experiments, theories, sights, sounds, smells, tastes, and tactile sensations that once resided (in biological ones and zeroes) in the brain with the I.Q. that was off the charts.

By contrast, most of us humbly presume that our cranial databases consisting of phone numbers, lottery numbers, computer passwords, favorite memorized song lyrics, movie quotes, baseball stats, family birthdays, and future calendar events that we’ve got socked away “upstairs” don’t amount to a hill of beans compared to the Famed Physicist’s. But hold on. Not so fast…

Sure, Einstein’s brain probably is by far the Rolls-Royce of Gray Matter, but on a sliding scale? I contend that mine and yours are nothing less than a pair of shiny, brand-new Cadillac Coupe DeVilles. Because whatever the damn thing is that we’ve got sitting up there under the hood actually is… it’s constantly at work soaking up data like a cosmic sponge from every single thing our eyes, ears, noses, tongues, and fingertips come into contact with. 24/7. From day one (the birthday) until this microsecond. If you ask me, that’s one damn fine, unbelievably busy, multitasking piece of hardware.

And it’s said that under hypnosis, a subject can recall lists of long-forgotten birthday presents she/he received at any age. I mean, how’s that for a universe-class computer?

Mine’s a 1946 model. And like the old Timex watch commercials of the 50s and 60s, it’s taken a licking and kept on ticking. I just did the math, and I find that I’ve been drawing breaths for approximately 42,000,000 minutes give or take, in my lifetime. And that’s only so far. So, I’m getting pretty decent mileage.

And here’s a thought: just imagine hooking up a printer to your brain and commanding it to print out your brain’s entire stored cache from birth. Whattaya think that would look like, hmmm? I’m betting you could tape all the pages together and string’em to the sun and back.

Anyway— in my very first blog post, “Unstuck In time With Billy Pilgrim,” (posted about 24,500 minutes ago) I shared about how so many of my very-long-ago-forgotten childhood memories keep surprising me, just popping up randomly, unbidden and unexpected, into my conscious thoughts. And that’s in stunning detail to boot. The memory I kicked this blog off with was a particular one of when I was four years old, at a family reunion in the early 50’s up in northern Maine. I wonder how many megabytes that little stored event takes up in my skull. I’ll never know. And if I had to guess, I’d speculate that the total data capacity of the human brain is measurable only on yottabytes. Two minutes ago I didn’t know what a yottabyte was. But then I googled “What unit comes after terabyte?” The answer on my screen read “After terabyte comes petabyte. Next is exabyte, then zettabyte and yottabyte.” It turns out that a yottabyte is equal to one septillion, or a 1 followed by 24 zeroes. And honestly, that explanation goes right over my head. I can’t fathom it. A shame we’re not allowed to use the full 100% of our brain’s capacity.

Regardless of that, when I die… there goes my four year old’s family reunion memory.

And there are maybe gigabytes of others. And since I’m wallowing in the plethora of memories that are doomed to die of with my passing, lemme share another sample just for fun, one more specific, little, neural-ones-and-zeroes anecdote that’ll be rolling right along in the hearse with me on the way to the drive-by crematorium someday soon. And perhaps this one will further cause you to reflect on the gems you’ve got stored in that yottabyte treasure chest of yours. Think about all the currently out-of-sight, out-of-mind memories, which are endless, that you’ll be taking with you when your time comes.

So go ahead. Meditate a little. And take yourself a little stroll down your memory lane on a sentimental (and in many cases not so sentimental) journey. And surprise! See what might pop up.

OK. Once upon a time, boys and girls… back in the twentieth century…

OK. See, I have this kid brother. Twelve years younger than me. He’s an engineer. And after high school he enrolled in a Boston engineering college. I know that I, along with the rest of our redneck immediate family, worried needlessly about him leaving our safe, one-horse town environment to venture into the great, who-knows-what of…The City. But he flourished there. And upon graduating with his degree, he was immediately snatched up by a large technological firm and settled down in large housing development in a nearby suburb.

One day shortly thereafter, he telephoned us to relate the shocking news that in his absence someone, or more likely someones, had broken into his new apartment and stolen practically everything but the kitchen sink. Including his trash! (He figured they’d pretended to be transfer station employees and had unnoticeably taken their spoils in trash bags along with them out to the getaway truck.) We were horrified. So immediately my wife and I traveled down to his emptied-out pad to give him some familial love and whatever support we could muster. Late that morning however, we found him in good spirits, taking everything in stride. A lot better than I would have. He assured us that his was, in fact, not a bad or dangerous neighborhood, not really. And we were like… Oh, really?

Anyway, that afternoon we spent some time enjoying the horse races at the old Rockingham Park, dined out that evening, and eventually went to bed. I say bed. Phyllis and I slept comfortably on the living room floor. (Ah, to be young again.) I’m not sure, but I’m thinking The Beagle Boys left my brother his bed. Too large and difficult, probably, to smuggle out in a standard-size trash bag.

But then, sometime in the middle of the night, Phyllis and I were rudely awakened not only by the number of voices muttering just outside the apartment’s front door, but by the disturbing, pulsating, red, blue, and amber lights bleeding through the slats of the picture window’s Venetian blinds. Close Encounters of the Third Kind came immediately to mind. “I’m going out there,” I told Phyllis as I yanked on my jeans. I mean, if there was a ufo landing out there, I’d be damned if I were going to miss out on it.

So I cautiously cracked the door open and slipped out into the coolness of the summer night. There was a large crowd standing stock still on the front lawn, facing away from me and at the three or four strobing police cars, the firetruck, and the ambulance. I sidled in amid the rear of that crowd. I remember looking behind me and spying Phyl’s worried pale face watching me from beneath the lifted blinds.

It took me a few moments to take in all that I was seeing, especially the dreamlike little drama going on at the front end of one particular patrol car. Two cops were down on their knees, flashlights in hand. Curiously, they were peering straight in under the front end of the vehicle. And repeating something over and over. “Come on. Come on out from under there. Now!”

I was thinking, Out from under there? Out from under where? Under what, the patrol car? What would somebody be doing under a frickin’ patrol car? This just didn’t sound good. At all. And talk about eerie. In the frozen, hushed silence, this had all the makings of a bad fever dream.

I began looking around, surveying the lay of the land. The first thing I couldn’t help but notice were the tire tracks in the lawn. A vehicle had obviously come rounding the corner of our building to my left and driven this way, toward the parking lot in front of me, straight across the immaculately mowed lawn. And judging from the six- or seven-inch-deep tire tracks in the grass, and the gouts of mud and grass clumps spun all over the place, this vehicle hadn’t just been going fast, it had been accelerating! My eyes followed the tracks to where they morphed into a pair of black rubber smears on the asphalt of the lot.

“I said… come out of there. NOW!”

Also, a long chain of heavy iron links lay like a rope on that asphalt. Attached to the chain, spaced at intervals, were the uprooted poles that once held the links up as a barrier to vehicles, a fence if you will. Said car had plowed right through said chain link fence, for crying out loud.

“Hey! I’m serious, Mister! Come out!”

I returned my gaze to the tableau before us, as much as I could make out of it between the backs and heads of the witnesses in front. Of course, some of the backs and heads belonged to uniformed police officers. And there were several of them at this scene. I turned to my right and discovered I was standing next to a towering, black, muscled god of a man. I craned my neck up to speak to him and spoke very softly in the silence. “So, uhmmm… what… exactly… happened here?”

He looked down upon my pathetically inquisitive face. “They run him down,” he said. “They. Jus’. Run. Him. Down.”

Now, he didn’t voice that very loudly, but in the solemn quietness it was loud enough that three cops with stern glares immediately snapped their heads back around to see who had just spoken those very accusatory sounding words.

And me? Just like that old Kenny Rogers’ line? You’ve got to “know when to walk away… know when to run.” I executed a smart about-face and scampered back into the apartment with my tail between my legs!

Next morning when my brother, finally awake, stepped out of the bedroom, I hada coffee waiting for him. I’d just purchased the coffee at a convenience store a block away from the apartments, since the coffee maker had gone missing with the stereo, furniture, etc. But the real reason I had gone to the convenience store was to see if I could find out any information as to what had really gone down in the night before.

“So,” I said to my brother, “you like this neighborhood, do you?”

“Yeah,” he said, nodding. “Pretty much.”

“You feel safe here.”

“Yeah.”

“Hey, I’ll tell you what. take the coffee outside. I gotta show you something.”

Out front in the sunlight now, you couldn’t possibly miss the egregious in-your-face evidence. The lawn was torn up a lot more than I’d been able to notice the night before. It was obvious now that the squad car had been gunning it fast and hard, practically all the way around one side of the whole building complex. Likewise, a much greater length of the uprooted chain fence lay snaked along the edge of the lawn.

According to the convenience store proprietor, the perp had tried unsuccessfully to break into one of the apartments during the day, while the three of us had been spending the afternoon at Rockingham Park. Somebody had caught him in the act, chased him away, and called the police. The cops had apparently decided to keep an eye on the complex and, in fact, had been surveilling the scene of the crime when the perp had actually returned. A chase had ensued, ending up with the perp being apprehended and scoring a free ambulance ride to a local hospital.

Before heading back for home, I asked my brother to send me any more information he could glean about the incident to me because… well, enquiring minds want to know, don’t they. So a week later, this news clipping arrived in the mail:

So. How important is this little incident in the larger scheme of things? Well, despite the fact that I thought it was pretty cool, it’s of no importance whatsoever. Unless you were the perp, of course, whose first name turned out to be Paul. Or some of the cops who ran over and arrested him to the tune of “Bad boys, bad boys. Whatchoo gonna do? Whatchoo gonna do when they come for you?” Oh yeah, and unless you were me, who got a really cool, momentary adrenaline rush from it, something I live for in this otherwise boring world.

But… see, when I die, this little recorded event goes straight down the tubes with me, both of us taking that long Green Mile ride to our local, drive-by crematorium. (Well, except now that I’ve shared it with you.) so for the time being it’s also temporarily nesting like a little egg among your brain cells, too.)

Now, look around. Look at all the people. The people you know. The people you don’t know. The gazillions and gazillions of people you can’t see, those that have lived on this earth since time immemorial and have long since passed. All those brains. Carrying what? Knowledge, that’s what. Valuable experience. Unspoken death-bed confessions. The key to Rebecca. The answer to what’s buried on Oak Island, if anything.

So having pondered what may have gone down the drain with Albert Einstein, whattaya suppose Janis Joplin’s brain took with her? Or Mickey Mantle’s? How about Dwight D. Eisenhower’s? Muhammed Ali’s? Elvis Presley’s? Johnny Carson’s? Leonard Cohen’s? Genghis Kahn’s? Charles Bukowski’s? Your buddy, Joe Six-pack’s? And what other odd jumble of things have you amassed in your hippocampus?

I think of all the zillions of important and unimportant brain records that get flushed down the toilet of death, millions and millions of times every week. How about you? Have you ever had these thoughts about… the brain?

Did I mention that I’m kinda obsessed with the human brain…? I think I did.

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STAGE FRIGHT: Always Say ‘Break A Leg,’ Never ‘Good Luck’

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ON THE LIFE-AND-DEATH IMPORTANCE OF ONE-INCH MARGINS…

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BRAINS