THE AMERICA THAT MADE AMERICA FAMOUS

We were the kids that made America famous, the kind of kids that long since drove our parents to despair.

We were lazy long hairs dropping out,lost confused, and copping out, convinced our futures were in doubt and trying not to care…

We all lived the life that made America famous. Our cops would make a point to shadow us around our town…”     

— from Harry Chapin’s “What Made America Famous”

If you taught high school English in public schools for at least as long as I did and (for the most part) enjoyed it, you’ve likely found your mind traveling back from time to time to a parade of remembered faces you once ended up reacting with every weekday (for nine months at a pop). And then… well, just imagine the range of expressions that must have drifted across your face at one time or another. I mean, English being a required subject and all meant that every single kid in the school had to populate those English department classrooms, from the infamous Welcome Back Kotter “sweat hogs” to la crème de la crème. So yeah, that’s a lot of faces.

But if by chance you didn’t (for the most part) enjoy it, if you perhaps felt compelled to erect some ironclad emotional barrier between yourself and, say, those really challenging Kotter kids you felt you had nothing in common with, the ones for whom a college-they-could-never-afford-anyway loomed as the last possible thing on earth they could expect in their seemingly, already-cement-hardened futures, then I believe you may really have missed out on something. Something big perhaps.

Sure, it’s a common thing: teachers vying and hoping for the “best classes.” And I admit it, that’s the way I started out. I mean, being handed the list of the English classes you’re being assigned to teach each year is like Draft Day in the NFL. Of course you want the winners. Because they’ll be the ones most like you, won’t they. The ones you’ll feel the most comfortable with, the ones you’ll better understand and can more easily identify with and who, in turn, will most likely understand and more easily identify with you. The ones more likely to put up with your English Grammar and Composition, your Shakespeare, and your Poetry.

But… what the hell are you ever supposed to do with all those hands-on kids? Those shop-boys-with-the-grease-under-their-fingernail ‘English classes (well, besides wheedling them into grease-and-oil-changing your car over in the shop for cheap)? And those desperate and unhappy girls for whom the only seeming path out of the continuing hell of their blue-collar parents’ captivity is to get themselves pregnant and married as fast as they can? Or with all those future blue-collar hamburger-flippers and lifetime-convenience-store-clerk boys and girls, those future fathers and child-bearing mothers who will continue re-populating the town by making even more hamburger-flippers and lifetime-convenience-store-clerk boys and girls? 

I’m talkin’ all the probable poetry-and-classic-literature-haters here. What do you have that they’ll ever need or find useful? But especially, whatever the hell do you have to offer to that one particular, rogue, all-boy class of junior members of the local biker gang, the Exiles, that I had to deal with?

You see what I mean? You feeling me?

Well, turns out the answer to that is… only yourself. You as the real person you are. That’s what you have to offer. Because that’s all you really have to work with, isn’t it. I mean it. And that begins by first having to sort of surrender to them right at the beginning. Surrendering and just embracing the fact that… well, of course they’re poetry-and-classic-literature-haters. Why wouldn’t they be? You’d be too, if you were in their shoes. And you and them? You’re stuck with each other.

Remember this? “In order to begin working out a solution to any problem, first you have to clearly identify and state exactly what the problem is.”

My advice to would-be public high school English teachers? Rather than beginning by going all-out NAZI on these more-experienced-than-you little ‘soldiers’ in the cold war against teachers (and oh I pity you if that’s gonna be your style) (which wouldn’t work anyway unless, that is, they were in the Army Basic Training and you just happened to be their Drill Instructor), you’re gonna be much better off beginning by actually listening to their bitching about the school. And about English classes in general.

And let that be your starting point, your springboard. Surprise’em by letting’em know you enjoy hearing about how much they despise school and your subject. That’ll throw’em off-guard. And besides, their honest, unvarnished opinions on the subject really can be… entertaining sometimes. Especially if you encourage them to be really honest at it. And you know what?

You’ll likely end up discovering that you honestly do harbor some common ground with them, despite what you’d perhaps prefer to think. Because all human beings do have common denominators. So yeah, in the long run I found it best to get to get right to work, digging down, and finding out just what those are. Tell them stories (talkin’ honest stories here) about your life and the bitching you did in school about your teachers and your crappy classes. Get’em to tell you some of their stories, assuring them that what they have to tell you…  well, you  know … “whatever happens in Vegas, stays in Vegas” (with the very big exception always being, of course, that by law, if it turns out that anything that’s divulged happens to include information indicative of some possible harm to themselves or others, etc. that has to be reported— yeah, you have to make that perfectly clearly to them right up front). But…really listen. Their stories are bound to be crazy-interesting. Probably a lot more interesting than yours. At least, that was my experience.

And you know what then? You’ll be on your way to respecting their points of view. And once you begin showing them your respect, you’ll already have begun garnering some of theirs. And then voila: I promise you that walking in through that damn classroom door each and every morning won’t feel nearly as much like such a real chore any more. Because you just might’ve started to (drum roll, please!) like them. It’s amazing.

And something else: I accidentally discovered that my particular kids (talkin’ my junior Exiles who, by the way, are featured exclusively back in one of my earlier posts titled “Bummer”– you should go back and read it) had a lot to teach me with their eventual honesty. Plus, I found those kids all pretty damned humorous and entertaining as well, if you want to know the truth.

Now yeah, yeah, yeah— sure, I know I’m coming across like some Yoda here, some wise old owl blowing his own horn and purporting to have all the answers. Truth is… it took me some years and many failures to wind up with the amount of the answers I finally did learn. I was pretty mistake-prone in all of the above in my first years. But way back, some very wise and passionate home economics teacher/colleague taught me this wise, old adage that really helped to set me on the path to sanity as a public school teacher: “No one cares how much you know until they know how much you care.” Yeah. Sounds corny. But think about it.

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BRAT PACKS

Cafeteria Duty with its Breakfast Club diversity

was always so much more vibrant than the

funereal dining doldrums of the faculty lounge,

what with the geek squad, the cheering squad,

the Romeos and Juliets, the Bettys and Veronicas,

the Dungeons and Dragons die-hards, a Ferris Bueller

or two thrown in, and possibly even a

future Stephen King seated at those tables

All those God’s-little-gifts-to-teachers whose

youthful honesty and sit-down-stand-up comedy

kept me in stitches and my aging soul decades

younger over the long career years

me, with half my life already slipped behind,

but them still with the Big Promise of Everything,

the whole damn shootin’ match, still looming

like some mirage in the desert up ahead– 

yes, all of us unique salt-of-the-earth

stereotypes… breaking bread together

around the salt and pepper shakers,

spicing up each other’s lives…

from TO DIVERSITY AND DEMOCRACY: A TOAST!

Here’s to those too few and far-between bastions of diversity we’ve occasionally stumbled

upon over time… those vibrant, spice-of-life oases of heterogeneity in our deserts of

conformity: our talk-like-us flocks, our act-like-us herds, our pre-fab, chameleon-career lives—

And here’s to the public schools
of years gone by where slide-ruled, pocket-protectored

eggheads communed in cafeterias across the tables from Streetcar-Named-Desire Stellas

in the Archie-and-Jughead-hijinks melting pot, all waiting together in the lunch line of life

for the big segregation crapshoot of becoming somebody…  some day…

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

But for now, back again to these particular song lyrics (which you’ll be invited to listen to shortly) from my featured singer/songwriter’s song, “What Made America Famous”:

We were the kids that made America famous, the kind of kids that long since drove our parents to despair.

We were lazy long hairs dropping out,lost confused, and copping out,
convinced our futures were in doubt and trying not to care…

We all lived the life that made America famous. Our cops would make a point to shadow us around our town…”     

Listening to these lines has always sent a crooked, sardonic smile crawling across my face. Because they’ve always reminded me of some of the more challenging little Kotters I had at Mexico (ME) High School throughout the 70’s. Me, watching from a distance the little on-going cold war between the boys in blue and a number of my rebel-without-a-cause ‘students.’ Yeah. No love lost there.

See, weekends and after school my boys insisted on hanging out on downtown street corners, the most popular being the one right out in front of a pastry shop. Which of course was where the cops habitually roosted. And which consequently was where said cops were kept their busiest, busting up and dispersing just such “unlicensed assemblies,” mostly on the grounds that, well, it just didn’t look good for the town. And OK, truth be told those boys did make some shoppers nervous, of course.

Actually I have to admit they made my wife a little nervous. You know, we’d be strolling down the sidewalk on a sunny afternoon and up ahead we’d spy between eight and a dozen toughs leaning up against a store front like something straight out of Marlon Brando’s The Wild One (well, with the exception of that one biker-dude who usually had his cute, 12-inch-tall, curly-tailed pug-on-a-leash (rather than the pit bull guard dog you might expect to see accompanying a badass like him ).

UH-oh,” she’d whisper in my ear, “think maybe we oughtta turn back around? Or cross the road?”

Nah,” I’d tell her, “you’re with me, so you’re safe. Me? I’m protected by The Mark of the Phantom. They won’t bother us.”

Right after which a couple of the bigger ones (looking pretty ominous, sporting their shades and tattoos) might just playfully block our way for a moment and challenge, “Now just where do you two think you’re going…?

To which my quick and witty comeback would always be something like, “Oh, I dunno. Straight through you if you decide not to move and instead wanna end up pickin’ broken glass outta eyes for the next two hours.”

And then of course there’d be the light-hearted little shadow-boxing horseplay between me and them (you know, that dumbass male bonding thing) but we’d always end up sailing right through them unscathed. And why? Because they’d learned to like me by then. And why was that? Because they’d realized that for some unfathomable… whatever-reason, they could tell I’d honestly taken a shine to them. Which in their world… for a teacher… was unheard of.

But anyway, after the near-daily shepherding-of-the-kids-off-the-sidewalks routine, the cops would mosey themselves on into the pastry shop, ostensibly turning a deaf ear to the retreating catcalls behind them referencing the ‘fat-ass’ physiques of a couple of those doughnut-devouring stereotypes.

However, that’s just what the kids would do overtly.

Covertly, the retaliation strategies they’d come up with could’ve earned them a place among the French Resistance Forces during World War II. The worst one being (in my opinion) to move their gathering on down the street to where the patrol cars were parked in order to (wait for it) set that poor, shivering, little pug right onto the hood of one of them— specifically the one with the drug-sniffing German shepherd left waiting inside.

Because oh, that canine locked in there didn’t like that little pipsqueak “hood ornament” rattling its toenails on the patrol car paint job one bit! And according to them (I never witnessed it myself, of course) that dog would be going bat-shit wild in there, leaping amok around the interior, and trying to bust out of the car to get at the lot of them, his berserk talons all the while just a-tearing the old stuffing right out of the upholstery!

Oh I’m sure they were exaggerating in their glory… but they sure loved telling me all about it.

However the most devious (or should I say most deviant) strategy they’d come up with was the ‘secret seeding’ of the police station flower garden with marijuana seedlings at night. The custodian there, who also served as the part-time gardener, ended up unwittingly watering and caring for them for quite some time. Right up until the moment one of Mexico’s finest eventually spotted the embarrassing extracurricular green and glorious growth among the camouflage.

Now that one made the Police Log in the local paper. And I’ve gotta say, they were oh so proud of themselves!

Vive la resistance!   

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

Now of course this Harry Chapin song that I’m honestly dying to share with you in a moment, “What Made America Famous,” isn’t about my little biker friends, per se.  Rather it’s about America’s signature civil conflict between the “hard hats” and the “long hairs” that indelibly marked the 1960’s and ‘70’s. Think of the musical Hair. Think Easy Rider. But no, more than that, this ballad is all about about human decency. Pure and simple.

But first, allow me to share this particular little memory I’ve been holding onto over the decades:

So… I’m sitting in a warm, old-fashion barber shop on a frigid night in January, 1965. Whenever another customer sidles in through the door, an icy gust sparkled with blowing snowflakes shoulders its way in right behind him. There are five or six of us waiting to have our ‘ears lowered.’ I’m the youngest here, a college kid matriculated at the local state teachers college, the only one there not balding or with a head of white hair. It’s busy, but there are two barbers buzzing and clipping away, so my wait won’t be long.

So I’m just sitting back and contenting myself with listening to the old gents jawing away. Cackling about that ‘new streaker craze.’  Ruminating over the shipping off of American troops to Viet Nam. Weighing in on Muhammed Ali’s defeat over Sonny Liston, and who the hell does he think he is anyway, calling himself Muhammed like that, for Christ’s sake? This is much livelier than sitting me just sitting alone in my dorm room, poring over my World History text.

Suddenly whoosh! The door blows open. And standing half-in and half-out is a smiling young man with almost shoulder-length, snowflake-flecked hair. And he’s wearing a faded old Army field jacket.

“What’re the chances of getting a haircut tonight?”

I catch both barbers glaring at him. “Zero!” the older says. “Now get the hell outta here and close that fucking door!”

I’m shocked. But the young man acknowledges that he’s letting the weather in so, still all smiles, he steps inside and closes the door behind him. “No, seriously.”

“What? I don’t look serious? You didn’t hear me say ‘No?‘”

“But c’mon, why not?

“Jesus, look around. Can’t you see the crowd we got in here tonight?”

“Well, if that’s it, I don’t mind waiting…”

“Beat it, kid!”

“Hey, come on. I gotta get a haircut. How much will it cost? I’ll be glad to even pay extra. Just tell me how much.”

The old guy studies him. “Fifty bucks.”

What? Fifty…

“And that’s only if. If… you take a bath, and shampoo the lice outta your hair first.”

Lice?” No longer smiling now.

“See, we don’t do hippies in here, pal. Now beat it!”

The kid looked around the shop. At the grinning old men. At uncomfortable me.  And then back at the barber. The kid’s got a pretty good glare going himself now. “Jesus Christ. I just wanted to get a fucking…  Hippie!? Alright then! Fuck YOU!

He turns on his heel, yanks the door open, and storms back out into the snow, purposely leaving the door open. Open wide.

I’m feeling bad for the kid. But I realize too that where the old fellas are coming from is their definition of patriotism. It leaves me feeling uneasy. Kinda confused. I mean, my dad flew missions in a B-29 during World War II and, man, I’m super-proud of him. And you know… I’m only a sophomore, but I’ve been entertaining some thoughts about perhaps enlisting myself, in the Air Force after college.

But this whole thing just leaves me feeling… not knowing what to think.

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

So anyway, the song and lyrics I’ve got waiting for you below I feel skillfully and emotionally capture the conflict I came to know back then as the long hairs vs. the hard hats. And there’s a recurring single line in the lyrics that pretty much kinda sums up my little barbershop example in a nutshell:

There’s something burning somewhere.”

Please. Take a listen and follow along. I believe you will find it a powerful experience. I know I always do…



“LOOKIN’ FOR THE OLD BLUE OX…”

You know who I envy in this life? Let me tell you. The Songwriters. And yes, I just capitalized the word Songwriters because I hold them in such high esteem. But at the same time, who I don’t envy so much are the so-called ‘songwriters’ (lower case ‘s‘). I’m talkin’ those ‘songwriters’ who are in it solely (and often soullessly) for the money and quick fame. See, I sorta need to feel the signature of the writers’ souls along with their unique talents in their offerings. Not that I can blame anybody for just wanting to earn a living. You know, live and let live. I just don’t find myself envying anybody who writes crap, even crap that sells big. That’s all.

Take the Beatles. The Beatles began as songwriters (small ‘s‘), not Songwriters. In my humble opinion. Oh, and I’m the first to admit, they became Songwriters Extraordinaire. “Eleanor Rigby.” “Lucy in the Sky with Diamonds.” “A Day in the Life.” “Being for the Benefit of Mister Kite.” “In My Life.” Because hey, please know I grew to love the Beatles.

But what an overwhelming disappointment it was when the very the first song I heard by them in November of ’63 was “I Want to Hod Your Hand.” I mean, really, just how creative are these lyrics?

Oh yeah, I’ll tell you something,
I think you’ll understand,
Then I’ll say that something,
I wanna hold your hand,
I wanna hold your hand,
I wanna hold your hand.

Oh please say to me
You’ll let me be your man,
And please say to me,
You’ll let me hold your hand,
Now let me hold your hand,
I wanna hold your hand.

And when I touch you
I feel happy inside,
It’s such a feeling
That my love I can’t hide,
I can’t hide, I can’t hide.

Yeah, you got that something,
I think you’ll understand,
When I feel that something,
I wanna hold your hand,
I wanna hold your hand,
I wanna hold your hand.

And when I touch you
I feel happy inside,
It’s such a feeling
That my love I can’t hide,
I can’t hide, I can’t hide.

Yeah, you got that something,
I think you’ll understand,
When I feel that something,
I wanna hold your hand,
I wanna hold your hand,
I wanna hold your hand.

“Nuff said.

In my life, (now there’s a real Beatles’ song) I’ve tried my hand at poetry. I was inspired by the so many poets and poems I’d fallen in love with. But, to become a poet, you pretty much have to start out at the bottom, don’t you.

So I was clerking at the local library, when this sweet little old lady began pestering me every other week to join her poetry writers group. And yeah, sure, I’d been struggling with… ‘my poetry’ for a long while, but only privately. I had no self-confidence. I had never shared any of it. The thought of sharing felt… risky.

But one day I just threw in the towel, gave in to her persistence, and said “OK, OK OK!” I showed up with a very humble poem. But a safe (for me) poem. And by safe, I mean I felt it was a somewhat fairly clever little thing I’d concocted… but mostly because it rhymed. Because I just for some reason assumed that all these oldsters would exclusively be into the rhyming poems. OK me, I’d moved pretty much exclusively into free verse by then, but… I mean,hey, I didn’t know who the hell these old buzzards were, circled around the library table like a séance. And I definitely didn’t want to risk having one I really cared about getting shot down.

And then, finally: it was my turn to read. So OK, I cleared my throat three or four times; took, and held, the required deep breath; and then nervously proceded headlong to read what I’d brought.

When done, I looked up. Everyone was silently looking at me, and some were nodding, which made me sigh in relief. But then that little old poetry mistress who ran the group locked onto me with her suddenly mischievous, beady little eyes and said, “Why, that’s… doggerel,” followed by “and doggerel is poetry written by dogs!

To my chagrin and terror, everybody burst out laughing!

Turned out, this lady had pulled the same stunt on everybody who ever joined the group. It was sort of a first-day initiation of hers. And (who woulda thunk it?) after a little period of adjustment, it turned out that this lady and I were destined to become a great lifelong friends. I even dedicated my first full-length memoir to Anne Kucera.

But she was right, wasn’t she. So much so-called ‘poetry’ really is doggerel. And if I had known this poetry-written-by-dogs expression back in 1963, that’s exactly how I would’ve assessed the Beatles’ “I Wanna Hold Your Hand.” And yes, sure, I got it that that particular little ditty sounded pretty lively and all, and I noted that sure, all the girls were doing the Elvis thing, screaming and fainting, so they were definitely a phenom, but… I mean, just look at those pathetic lyrics. I’m sorry, but the Beatles began as doggerel songwriters (lower case s). Case closed.

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

Now… here we go. And OK… I admit it. I’m still on my juke box kick. So here comes a song. Hey, I can’t help it. I’m really just very passionate about the special singer/songwriter music I’ve meticulously collected over my lifetime because… well, because of the effects that music has had, and still has, on me. So I’m not going to apologize for wanting, actually needing, to share some of the best of it.

And right now, please trust me– I have a songwriter, and a song of his, in mind that I want to share with you, hoping you’ll be willing to give it a shot. But first, allow me to refer you back to the song, “Christmas in the Trenches,” featured in one of my recent posts titled “A Single Song for All Humanity.” The lyrics of that song tell of something big and important, something unusual and truthful and heartfelt… something well worth experiencing. Which is what I look for in the music I collect. And I’d be willing to bet real money that those of you who did listen to “Christmas in the Trenches” were also pretty powerfully moved. As I was. Because lyrics like those in that piece are a humane and generous gift… to you, to all of us, from a real bona fide (capital ‘S‘) Songwriter. A rare gift.

However, today’s gift isn’t about some big and important 3-day event that has established its place in the annals of world history. Rather it’s about a seemingly small five-minute encounter. And it’s not really about the encounter per se as much as it is about what this little, universal encounter reveals.

Today’s gift is a unique, poignant piece, composed by one of the more talented singer/songwriters catalogued in my vast juke box: the international singer/songwriter David Mallett from Sebec, Maine. Dave’s compositions have been recorded by a number of famous recording artists from John Denver, Kathy Mattea, Emmylou Harris, to Arlo Guthrie. You’ll likely know him from his signature song, “The Garden Song,” (a.k.a. “Inch by Inch”) popularized and sung (in a number of languages) throughout the world.

But he’s composed so many other long-time perrenial favorites as well, such as “Fire,” commemorating the Mallett family’s long ago loss of their homestead in a calamitous conflagration; and then of course “The Ballad of the Saint Anne’s Reel,” which has been happily adopted as the official folk anthem of Prince Edward Island and the surrounding Maritimes provinces of Canada.

Famous American singer/songwriter David Mallett

Now, I gotta admit this one comes with a title that’s a little bit unexpected, one that might raise the eyebrows of someone scanning the playlist of songs on Dave’s The Artist in Me CD for the first time. It’s titled “The Old Blue Ox.” However (much needed spoiler alert here) the title is definitely not referencing the famous, fictional tall tale of Paul Bunyan and Babe, the Big Blue Ox, which is more than likely the only “blue ox” most Americans would be familiar with. And like me, you may never have realized that there really is such a thing as a ‘blue ox.’ I mean, I had to look it up for myself: “Blue Ox: a blue brindle cow or ox which is usually the result of a roan Shorthorn which is bred to a black and white Holstein.”

OK. Yeah. I mean, Who knew?

Well, the apparent answer to that is… farmers (and alas, no farmer, me). But yes, farmers are very likely to know of this breed.

The Blue Ox

OK: time to relax. So breathe… and now lean back to get comfy in your chair and try to imagine you’ve just been puttering about your house for the afternoon, a house situated in a rural part of Maine’s farmlands, when suddenly there comes a knock at your door. You open it to find… on your doorstep… one sad, confused, little old gentleman leaning on his cane…

"THE OLD BLUE OX"

"Good afternoon, I'm lookin' for
the old blue ox," he said,

And he said, "I don't believe it,
but I heard my father's dead.

And just where is the Curtis place?
My God how things have changed!"

He was a little ol' man, he was almost blind,
and he was walkin' with a cane.

"Now I know this is the place,
because I climbed the Severance Hill,

I'd know that hill in a hundred years,
and how her rule and will."

"Earl Parkman moved away," I said,
"Will Green, he died you know,

And Willis Pratt has grown a man,
and gone on years ago."

Now our conversation was quite short,
five minutes at the most,

But he stood before me like a boy,
and conjured up the ghosts

Of friends and kin folk from an older,
and a slower time,

How fifty years, disappeared
like minutes in his mind.

"The blue ox was gone the day I left,
been gone a week or so,

And I've come around to fetch him home,
cause I always did you know.

Pa will be glad." He started off,
and I stood and watched him go,

Down the way to yesterday
lookin' hard and lookin' slow.

Now apple trees just wither,
and barns grow old and fall,

And ancient lady's sit in rockin'
chairs, wrapped in their shawls.

But this old fella does the things,
the things he has to do,

He's lookin' for his past,
he might stop and talk to you.

"Good afternoon, I'm lookin' for
the old blue ox," he said,

He said, "I don't believe it,
but I heard my father's dead.

And just where is the Curtis place?
My God how things have changed."

He was a little ol' man he was almost blind
and he was walkin' with a cane.

What this song does is deliver a bittersweet little punch to my heart, leaving me with a warm and kind of teary-eyed smile every time I listen to it. So no, it’s not exactly a happy song, although the vocals and the jaunty instrumental accompaniment combine to nearly disguise it as such. But yeah… I really love this one.

I love the artful way it’s written. Because in no more than a handful of lyrics, it hands us such an easy-to-grasp foreshadowing of a reality that very likely awaits us, but one we seldom consciously imagine will ever touch us: that some time in the near or far future, maybe right in the middle of us just happily going about our lives, with everything moving pretty much right along all hunky-dory… it’ll eventually come. Very much like a sudden and unexpected knock at the door:

Somebody we know and probably care about, and maybe even love and depend on, will have just been diagnosed with the reality of dementia. Because shit happens…

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

Our extended family has owned a lake-front cottage since the 1940’s, the ownership of which has been passed down within the family from generation to generation. One sunny, blue-sky, summer afternoon back fifteen years or so, a number of us were lounging out on the cottage’s porch that overlooks the lake. And all of a sudden my mom said something that didn’t seem very logical at all. “What a beautiful lake this is. It must have a name. So, what’s the name of this lake?”

Suddenly that had us all sitting up a little straighter in our chairs. And after a short pause, someone said the obvious. “Why… Sebec Lake, of course. You know that, Violet. Sebec Lake.”

My mom thought about that and then simply said, “Oh.” But then, after a lengthy pause, she spoke again. “And this is such a nice camp.”

“Yes. It is,” we all agreed.

“So… whose camp is this? Who owns it?”

That question brought a much longer and more uncomfortable silence to the porch gathering, as we all looked to one another in… well, astonishment. Then Dad, flummoxed and nervous, looked her right in the eye and said sternly, “Why, you do, Violet. This is your camp. You own it!”

“What… me?” she laughed in disbelief. “Me? I own it…? Oh no, I don’t think so. How could that be?”

And that was that. Our ‘knock at the door.’ And it was unnerving. Frightful. Oh I mean, sure, looking back, there’d been signs. Of course there had. Road bumps had been coming up in conversations quite a lot with her actually, which we’d find frustrating, but... still… we’d just pooh-pooh them into the background, log them under the category of ‘just natural aging,’ just a little forgetfulness here and there which can be expected.

But… that was our knock at the door. The end of any more hopeful denial.

It took years for her dementia to play out in our lives. Years to go from that first cottage-porch incident to the point of her often confusing our dad, her husband, with her long-dead father. To the point of her packing up her little suitcase at home most nights, parking it right by the front door, and continually asking us when was somebody, anybody, ever going to get around to taking her home, to ‘her house’ so she could go to bed? But once in a while there’d be little periods of time when the old, real Violet would just pop right back in among us. Of course this was all devastating, long past the time we finally had to move her into the local nursing home and right up until the day passed.

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

Now I swear I certainly did not decide to write about this topic to depress anybody, and I sincerely hope I haven’t done that. It’s simply that I treasure my collection of unique and creative singer/songwriter recordings so much that I’m kinda driven to share them, because to me they’ve always been such an important lifeline to my inner peace, comfort, sanity, and even knowledge. Because my God, they cover just about all genres. Humor and comedy. Tragedy. Romance. Novelty. Philosophy. Nostalgia. Politics. Protest. Spoken word. History. You name it. And I can’t help feeling that the experience of them is just way too valuable a commodity for me alone to greedily keep, them just languishing here on the dusty CD shelves in my little apartment and in my PC’s digital ‘jukebox vaults.’ They need to be shared. And I feel a real need to put them out there for you, too, to discover.

Yeah. I know. How very Don Quixote of me, right?

But I find the talent and craft of these songwriters irresistable. I mean, just take another look at this one, “The Old Blue Ox.” Look at the dialogue between the little old man and the narrator:

“Now our conversation was quite short,
five minutes at the most,
But he stood before me like a boy,
and conjured up the ghosts
Of friends and kin folk from an older,
and a slower time,
How fifty years, disappeared
like minutes in his mind.”

Yes, clinically it’s just one man conversing with some unfortunate old fella locked in the grip of his dementia, but the tiny encounter is painted within these lyrics with an almost paranormal feel about it. Like one of them is a ghost… or… like they’re both two time-travelers, each ensconsed in his own time-period-‘reality,’ but somehow briefly communicating with one another straight through a… wormhole maybe that has suddenly pierced the nexus of their two worlds?

How spooky is that! And how intriguing…

But that’s what it was like sometimes, talking to my mom. I soon came to understand very well that she was speaking to me from a long-dead world of sepia-toned, black-and-white photographs and the living ghosts of her brothers and sister. And I was speaking to her from a magical science-ficton world of cell phones, iPads, and remote controls lying around all over the living room furniture. How amazing.

But hey, I’m guess beginning to sound like the cursed old seafarer in “The Rime of the Ancient Mariner,” aren’t I. (Can’t shut up.) So let me just sum up with a single statement regarding not only all of the (in my opinion) crème de la crème lyricists I keep in my collection, but especially this particular Dave Mallett’s song, “The Old Blue Ox”:

This song transcends the simple term ‘song’; what it is, actually, is a slice of pure Literature suitable for inclusion in any American literary anthology.

So that’s my story, and I’m stickin’ to it!

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

And now I’ll end with some scribbling I penned years ago, having been inspired by “The Old Blue Ox.” Thanks for reading.

“Goodbye Yellow Brick Road”

You took it for granted…

just assumed Memory Lane

would forever remain

your Yellow Brick Road…

overlooking, way back then,

those sleepy seeds borne

on the winds of time

sewing themselves

between the cobblestones, and then

all those little spearheads–

the crabgrass, unsheathing itself

underfoot… choking the undergrowth of

Memory Lane in an overgrowth primeval–

and now you’ve gone missing in the outback

of your own hardening cerebral arteries…  

all your Hansel and Gretel breadcrumbs

disappearing like hourglass-sand

down the little rabbit holes,

leaving you needing a damn macheté

to hack your way in circles

through the foliage of

your own life’s back pages…

unable to find the forest

hiding in your trees

ON PEGGY LEE, ONE OLD SONG, & ME

I fell in love with Peggy Lee in 1955. It was love at first sight. She was a tall, blonde bombshell. Thirty-five years old.

Me, I was nine. And short for my age.

Your humble author, Tom Lyford (1946–20??)

Some kids get a crush on a teacher. Never happened to me though. Why? Because all my teachers up to that point were wrinkly, mean, old bats who didn’t even like kids, especially boys!

So… I got a crush on sex symbol instead.

And so how did I ‘meet’ the famous Ms. Lee? Well, I’d seen the animated Walt Disney movie The Lady and the Tramp earlier that year. Of course, I had no idea who Peggy Lee even was, let alone that she’d played some part in that film’s production.

However, one night a couple months later, The Wonderful World of Disney aired a half-hour documentary on the making of that movie. And part of that program focused on the producing of that film’s soundtrack, with clips showing some of the behind-the-scenes work going on in the sound studio.

And there she was.

Now see, in the movie there are a pair of villainous, female Siamese cats named Si and Am. And together they sing this catchy little duet called “We Are Siamese, If You Please.” I was fascinated!

And I learned from the documentary that both of their voices were recorded by the same person: one Peggy Lee. And me being only nine, and it being way back in the mid-fifties when just about nobody had a clue about anything technological, I was confused as to how she could possibly have sung both of those voices at the same time! I mean, one person, yet two harmonizing voices? At the same time?

That she could do that seemed… magical… so (along with the fact that she was obviously some beautiful fairytale princess) she beat out Roy Rogers’ wife, Dale Evans, and Superman’s Lois Lane in the pageant of my current, preadolescent heart throbs.

Very soon after, I went to work pestering my parents to buy me the set of little, yellow, plastic, 78 rpm Disney records featuring the music from The Lady and the Tramp. And they’d succumbed. Then I practically wore out the single with Ms. Lee singing “We are Siamese.”

Plus… I used to think about her a lot of the time. I mean a lot of the time. Like I said, I had a crush.

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

OK. So, time went by, as it always does. Well, only a year, actually. And then, suddenly, there she was again in my life. Only this time as a disembodied voice coming over the radio! And it wasn’t some silly little ditty she was crooning this time. No sir!

By 1956, I’d become quite the little radio head. Mom and Dad had got me this small blue AM radio, and that had become my lifeline to the phantom Boy Friend-and-Girl Friend World that I was aspiring to enter. And with an extension cord, I’d snaked it right in under my bed, so at night I only had to lean down over the bedside and work the magic of the dial. So many stations. So many pop love songs. And yeah, I was learning fast that… there was a lot to BE learned by paying close attention to what the popular artists were actually crooning about in between the lines of the lyrics.

Now unfortunately Mom harbored some very repressive holdover-tendancies from her early, churchy, holy-roller-days’-upbringing, especially where the subject of ‘the birds and the bees‘ were concerned. So that meant that there were often fragments of mysterious (to me) conversations I’d overhear from the big people talking in the next room, say– topics that I quickly learned I hadn’t better show any interest in finding out about, not if I knew what was good for me.

For instance, one day I stopped the family dinner-table chitchat cold in its tracks by just innocently asking, right in front of God and everybody, “Uhhmmm, hey, what’s sex, anyway?” Man oh man, did I ever get rousted right out of my chair and summarily dragged straight into my room! “You know very well what it is!” she accused, just before slamming my door and leaving me, the new prison inmate, lost and confused… and contemplating, I do? I already know what it IS? How can I already know what it is when…I don’t KNOW what it is?

But radio broadcasts? They didn’t give one rat’s patooty about absolute censorship, at least like Mom did. Oh it was still the repressive 50’s and all so, yeah, they didn’t actually spell everything right out or anything (like that), but there were hints all through the music everywhere. So yes, you could get… hints… and then your job was to try your darndest to imagine what they must be singing about in between those lyrics’ lines…

It was like trying to crack a secret code. But– enquiring minds needed to know. At least mine did. So that was a mission I was usually on.

So one day I bought Johnny Otis’s 1958 hit 45, “Willie Does the Hand Jive.” And when Mom first heard me playing it, she got as prickly as some old wet hen. She just assumed it just had to be referring to something deliciously naughty. (Turns out it really wasn’t though.)

“I know a cat named Way Out Willie…

Got a cool little chick named Rocking Millie…

He can walk and stroll and Susie-Q

And do that crazy hand-jive too…

Hand jive! Hand jive! Hand jive…

Doin’ that crazy hand jive!”

“Don’t think I don’t know what that’s about!” she growled.

What?! Jeez, Ma! I think it’s just some new dance they’re doing!”

She definitely wasn’t crazy about that song! Which meant I really liked it, even though I didn’t have clue #1 about what the hand jive might even look like. But, since any message it contained (which it actually didn’t) appeared too crafty for even her to figure out or put her finger on (i.e., it didn’t contain any blatant “blaspheming” like, you know, the actual word “SEX”), her argument was too weak to even get off the ground. So I got to keep that 45.

But you can see what I was up against…

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

So one day in the steamy summer of ‘1958, Peggy Lee’s signature new siren song came a-wafting right over the old WABI AM airwaves. Yes, I’m talking about that sweaty, hypnotic, little finger-snapping number. You know the one: Fever.” And boy, did I ever do a double-take first time I heard that song! (Actually I pretty much continued doing double-takes every time I heard it after that.) And whenever that song played on the radio (which was just about every hour on every station across America!), I’d just find myself ever-so-slowly swaying back and forth in time to its slow rhythm. I couldn’t help it. It just seemed to happen on its own. The song had me in its thrall every time.

And oh, those were some pretty intriguing lyrics for a ten-year old little monk locked in his monastery cell, like I was. And for the first time in my little life, I was listening to a song that projected… atmosphere! I mean “Fever” took me somewhere. Somewhere else. Somewhere dark and delicious and private. Somewhere (I had no doubt) that I wasn’t supposed to be. But somewhere I perversely… liked.

I listened to that song over and over and over. And my inquisitive, prurient little mind worked tirelessly on decoding its coded secrets.

They give you fever… when you kiss them
Fever if you live and learn…
Fever! Till you sizzle!
And what a lovely way to burn..
.”

My brain talking to me: Fever? When you kiss them? Fever if you live and learn…? Sizzle…? Oh please… let me ‘live and learn’ and ‘sizzle!‘ But… BURN…? In what way could burning ever be… lovely? I sorta wanted to find out, you know? And… would I ever… catch that particular “fever’?

(I really kinda hoped I would.)

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

And then fourteen more years passed. And in 1969, Peggy Lee recorded another blockbuster. And just like “Fever,” this one too locked right onto me and wouldn’t let go. But by then I was a college senior, and the attraction had nothing to do with a physical or romantic crush. This time, oddly, it was purely… philosophical.

It was a dark song titled, “Is That All There Is?” Please listen and follow along:

I remember when I was a little girl
Our house caught on fire
I’ll never forget the look on my father’s face
As he gathered me up in his arms and
Raced through the burning building out to the pavement
And I stood there shivering in my pajamas and
Watched the whole world go up in flames
And when it was all over, I said to myself
“Is that all there is to a fire”

Is that all there is?
Is that all there is?
If that’s all there is, my friends
Then let’s keep dancing
Let’s break out the booze and have a ball
If that’s all there is

And when I was twelve years old
My daddy took me to the circus
“The Greatest Show on Earth”
There were clowns and elephants and dancing bears
And a beautiful lady in pink tights flew high above our heads
And as I sat there watching
I had the feeling that something was missing
I don’t know what
But when it was all over, I said to myself
“Is that all there is to the circus?”

Is that all there is?
Is that all there is?
If that’s all there is, my friends
Then let’s keep dancing
Let’s break out the booze and have a ball
If that’s all there is

And then I fell in love
With the most wonderful boy in the world
We’d take long walks down by the river
Or just sit for hours gazing into each other’s eyes
We were so very much in love
And then one day, he went away
And I thought I’d die, but I didn’t
And when I didn’t, I said to myself
“Is that all there is to love?”

Is that all there is
Is that all there is
If that’s all there is, my friends
Then let’s keep…

I know what you must be saying to yourselves
“If that’s the way she feels about it
Why doesn’t she just end it all?”
Oh, no, not me
I’m not ready for that final disappointment
‘Cause I know just as well as I’m standing here talking to you
That when that final moment comes and I’m breathing my last breath
I’ll be saying to myself…

Is that all there is?
Is that all there is?
If that’s all there is, my friends
Then let’s keep dancing
Let’s break out the booze and have a ball
If that’s all… there is…

So, when I first listened to this song, I remember thinking, Wow! Your house burns down around you and you’re, what, not even impressed?

I could understand not being enthusiastic about a circus, because, personally, I wasn’t much of a fan of those things anyway.

But, Jeez! Your lover drops you and moves away? I couldn’t believe that anyone could just blow off that pain. I mean, I’d had that experience. And it had been a killer.

And then, to top it off, guessing that your own suicide just might be… yeah, right, too boring to even bother with? I mean, she actually laughed that off in the song. How jaded was she?

But then again, after listening to it over and over (which I did) and dwelling on it… well, after a while, I sort of got it. I could see how for some people that could be possible. Because looking within, I realized that if I were honest with myself (which I hardly ever was) well, it wasn’t as if I wasn’t exactly unfamiliar with depression, was it. I mean, I’d harbored some pretty dark thoughts myself, hadn’t I. And written some very dark and depressed poetry as a result. And in fact, philosophically I was really no stranger to the sense of meaninglessness in the world I saw myself living in.

So for me, the effect of this song was actually like merely slipping two or three extra shots of cappuccino into my mug of already pretty-rugged black coffee. And small wonder. Turned out the song was inspired by, and directly based on, a famous existential short story titled “Disillusionment,” written in 1896 by the famous existential philosopher Thomas Mann (1875-1955)– a man for whom Shakespeare’s quotation, “There is nothing either good or bad but thinking makes it so,” pretty much summed up his take on life.

And me at that time? I was already (in my angry-young-college-man-youth-days) a budding little existentialist myself. Partly, I admit, because I was young and callow, and because existentialism was in vogue at that time with the college set, and like a little kid in a candy shop I guess I just wanted to try everything going. But then it had really caught on. Because my existentialism had actually gotten its first jump-start when I was a freshman back in ’64. I had enjoyed a well-acted performance of the play, “No Exit,” by the even more famous existentialist, Jean Paul Sartre. And alas, for me “No Exit” was a gateway drug.

I suddenly couldn’t get my sweaty little hands on enough Kierkegaard, Nietzsche, and Sartre after that. And there’s an atheistic side of Existentialism, quite evident in “Is That All There Is?” So of course I flirted with atheism, but that outlook never really took complete root in my life, though I give it credit for having tried. But throughout the rest of college and for a fairly long while after that, I was just one more dark, little, agnostic, run-of-the-mill, wannabe-card-carrying “existentialist.”

Today at 77, I yam what I yam. I’m what I’ve eaten, what I’ve read, what I’ve watched, what I’ve listened to, and… the sum-total of everything I’ve ever experienced. And those old experiences? Man oh man, didn’t they just keep on barreling down the pike at me like cars and trucks the opposite lane, imperceptibly chipping away, nickel and dime-ing the reshaping of my overall personality and psyche a day at a time.

Today, each little chip is just a faded, barely-remembered memory-scar in my rearview mirror.

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

So yeah, looking back it was hardly any biggie that I just happened to catch The Lady and the Tramp, and then discover that documentary with Peggy overdubbing her voice-overs in the sound studio.

It’s just something that happened. Something that managed to get my attention when I was at a very impressionable age. And… inadvertently pinned the soon-to-become-influential Ms. Lee on my map.

And then as things do, one thing (my little Peggy Lee crush) led to another little thing (my bigger little Peggy Lee fever) and Hey, Presto! my sexual awareness got a precocious little jump-start. Which eventually did lead me down the road to…

Is that all there is?
Is that all there is?
If that’s all there is, my friends
Then let’s keep…

and then, perhaps, on to my own, honorary, self-awarded, red-neck ‘PHD’ in ‘Philosophy.’

In the meantime, there have been busloads of other regular people and other celebrity artists rolling down my highway as well. And some of the latter and their works have sort of saved my ‘sanity’ from time to time. Looking back at the lowest points of the depression in my life and remembering how the arts and the artists have unwittingly served me as my phantom medical staff, I’ve often said that I’ve had to rely on ‘the kindness of strangers’…on the virtual anesthesia of the Dead Poets and Living Artists Society… on the spiritual transfusions of the Leroi Jonses, the Kurt Vonneguts, the Leonard Cohens, Janis Joplins & Lawrence Ferlinghettis and all those brothers and sisters of mercy moonlighting as my tireless, albeit unwitting, personal psychiatric staff, keeping me on spiritual ‘life’ support, and dosing me with their daily regimens of music, cinema, fiction, & poetry…

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

OK. All that aside, I’ve always really loved “Is That All There Is?” and I always will.

But on another note, a radically different and almost completely unrelated note, I can’t help but say that there is something… funny about how this song secured its foothold in the top-100 charts (I’m talking ‘odd-funny’ here, not ‘funny-funny’). And it’s this:

I mean, c’mon, way back in that decade where most of the other pop-recording-singer/songwriters were dreaming up successful pap like “Sugar, Sugar,” “The Yellow Polka-dot Bikini” and “Who Wears Short Shorts”??? Like who back then … who in their right mind… would ever even think to come up with a dark, existential, and atheistic piece like “Is That All There Is?” and then push it as a candidate for a top-40 hit song?

I mean, this song is from far out in left field, isn’t it? Like… you can’t dance to it. Well… I guess you could waltz to it, if you really tried. There is an orchestra in the background. But it’s mostly a spoken-word ‘song.’

And yet… a hit song it became. It actually peaked at #11 on the pop charts, which means at one time or another it was edging out the likes of its very strange bedfellows, Tony Joe White’s “Polk Salad Annie” and “Gitarzan” by Ray Stevens. And surprising as this might be, Peggy Lee and her “Is That All There Is?” took the Grammy in 1970 for Best Contemporary Female Vocal Performance, beating out Helen Reddy, Carole King, and Dionne Warwick.

I mean, according to Google, its success was reportedly “even a surprise for Capitol Records who, despite publishing it, predicted the song was too odd and esoteric to ever make it as a hit.”

So I’m asking rhetorically, Who woulda thunk it?? Besides me, I mean. Because… hey, I LOVE the song. It’s been a life-long favorite.

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

And now here you are, asking, “Is that… all there is…?”

Yep.

That’s it.

That’s all there is.

A SINGLE SONG FOR ALL HUMANITY

When it comes to me and music, basically I’m a lyrics man. Of course I do love a good melody and I appeciate a skilled and creative arrangement, but my favorite music primarily comes from the recordings of talented singer-songwriters (with the emphasis on songwriters) like Lyle Lovett and John Hiatt, a duo I saw in concert out in Albuquerque years ago; Harry Chapin; Bill Morrissey; Tracy Chapman; David Mallett; Randy Newman; Kate Campbell; Greg Brown; Mary Chapin Carpenter; Arlo Guthrie, Bob Dylan; etc. [and yes, I do live in the past]).

And in the same way I can’t stand watching a poorly scripted movie (where you know fifteen minutes into it what the ending will be, and which feels like some flick you’ve seen a dozen times before), I tend to embrace songs whose lyrics are seriously creative  and cleverly written. Lyrics that wake me up and surprise me with their uniqueness, lyrics that take me places either where I have never been before or places I have been but are described in such more perfect ways than I ever could.

Along with this, I discovered long ago that I’m a romantic at heart where lyrics are concerned. And no, I’m not talking about a fondness for boy-meets-girls romances. It’s just that what I hope to find are lyrics that are powerful in some way, lyrics that tell a story or describe a situation that will make me deeply feel something. I want to be punched in the breadbasket and heart by the lyrics.

That being said, the story told in the following narrative ballad is not fiction. It’s inspired by an actual historical event that went down on Christmas Day, 1914, during World War I. You’ve probably read about the senseless and inhumane carnage of the trench warfare that both the British and the Germans endured on a daily basis for so long. Or perhaps, like me, you may have read one or more of the handful of non-fiction books that cover this incredible event. And actually you may, in fact, have already experienced these lyrics before, as the song is a well-known ballad.

After the song plays, I will share a few additional details that I’ve garnered from historical accounts of that unimaginable day (which actually ended up being more like two-and-a-half days) .

The song is titled “Christmas in the Trenches” and was written and recorded by singer/songwriter John McCutcheon circa 1984.

So, are your emotional seatbelts fastened securely?

“CHRISTMAS IN THE TRENCHES”

My name is Francis Tolliver. I come from Liverpool
Two years ago the war was waiting for me after school
To Belgium and to Flanders, to Germany to here
I fought for King and country I love dear

It was Christmas in the trenches where the frost so bitter hung
The frozen field of France were still, no Christmas song was sung
Our families back in England were toasting us that day
Their brave and glorious lads so far away

I was lyin’ with my mess-mates on the cold and rocky ground
When across the lines of battle came a most peculiar sound
Says I “Now listen up me boys”, each soldier strained to hear
As one young German voice sang out so clear

“He’s singin’ bloody well you know”, my partner says to me
Soon one by one each German voice joined in in harmony
The cannons rested silent. The gas cloud rolled no more
As Christmas brought us respite from the war

As soon as they were finished, a reverent pause was spent
‘God rest ye merry, gentlemen’ struck up some lads from Kent
The next they sang was ‘Stille Nacht”. “Tis ‘Silent Night'” says I
And in two tongues one song filled up that sky

“There’s someone comin’ towards us,” the front-line sentry cried
All sights were fixed on one lone figure trudging from their side
His truce flag, like a Christmas star, shone on that plain so bright
As he bravely strode, unarmed, into the night

Then one by one on either side walked into no-mans-land
With neither gun nor bayonet we met there hand to hand
We shared some secret brandy and wished each other well
And in a flare-lit soccer game we gave ’em hell


We traded chocolates, cigarettes and photgraphs from home
These sons and fathers far away from families of their own
Young Sanders played his squeeze box and they had a violin
This curious and unlikely band of men

Soon daylight stole upon us and France was France once more
With sad farewells we each began to settle back to war
But the question haunted every heart that lived that wonderous night
“Whose family have I fixed within my sights?”

It was Christmas in the trenches where the frost so bitter hung
The frozen fields of France were warmed as songs of peace were sung
For the walls they’d kept between us to exact the work of war
Had been crumbled and were gone for ever more

My name is Francis Tolliver. In Liverpool I dwell
Each Christmas come since World War One I’ve learned its lessons well
That the ones who call the shots won’t be among the dead and lame
And on each end of the rifle we’re the same

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

I can barely imagine the sheer human need and relief that the combatants on either side felt when they had tentatively stepped across the barbed wire barriers and into each other’s camps only to find… regular blokes just like themselves! And so both sides did share around their cigarettes and chocolates and souvenirs. And then of course… soccer! Wouldn’t that be a nice way to wage war? With a soccer match?

But the thing that delightfully still surprises me from my reading is the following unbelievable scenario:

While the cats are away, the mice will play. Both war parties (consisting of the privates, corporals, and sergeants) had been virtually left to themselves by their majors and colonels for hours at a time that day, leaving the ‘grunts’ to fight it out as best they could for just a while on their own. I mean, hey, it was Christmas. So it’s pretty likely the superiors were snug and safe, somewhere well enough behind the respective enemy lines, and drinking up their Christmas toasts to one another. Because rank does have its privileges.

But here’s the truth of it: all of the soldiers on both sides, in the name of the Christmas spirit, had deserted their posts! The soldiers on both sides had just committed treason, a crime punishable by the firing squad! But… they had done it anyway because… well, it just seemed like the thing to do. At the time. I guess you just had to have been there. And more importantly, because war is senselss and stupid. And life is precious. And… OK, sure, because the cats were away.

But of course any time “the cats are away,” there’s a risk that the cats might just come back! And guess what! Their superior officers did come back. They came back from time to time to inspect their troops, measure any progress or lack of it, to see how their trench fortifications were holding up, and maybe even to count casualties.

And just what did these superior officers on either side discover?

Absolutely… nothing. Everything… as usual. And why?

(Now, I know this is going to sound like a poorly written, silly episode of HOGAN’S HEROES, but…)

Because the grunts on both sides had posted lookouts just for their officers returning. And when the alarm sounded, alerting them that officers were incoming (!), why the men just scampered right back behind their sandbagged posts like good little boys, manned their rifles and machine guns once again, and opened fire on one another! Funny thing was though, their respective ‘aims’ ‘seem’ to have gotten so bad all of a sudden that they apparently couldn’t hit the broad side of a barn.

No casualties.

But it LOOKED good. It was theater. And then of course, they all scampered righ back to their little yuletide party after the brass had departed once again.

It. Just. Doesn’t. Seem. Possible…

Does it.

You know in John McCutcheon’s introduction in the above video, I honestly just love his sweet anecdote of that little bevy of ex-German soldiers who “were THERE seventy-five years before,” showing up at John McCutcheon’s concerts to hear ‘their‘ story… being validated… in his song.

Just one of the many books that have covered this most unique military occuerence in the history of the Twentieth Century

What follows below was taken from a page posted on this url: https://blogs.loc.gov/headlinesandheroes/2020/12/good-will-toward-men-the-great-wars-christmas-truce/

The fighting in Europe had been growing for almost five months when Pope Benedict tried to arrange a truce between nations in early December 1914 for Christmas. But his efforts failed when Russia declined the truce. The notorious trenches of World War I were filled with weary, cold soldiers. But along the British and German lines, a sudden rise of the Christmas Spirit among the soldiers created a phenomenon that wasn’t seen for the rest of the war—the soldiers decided not to fight on Christmas. Stories of this unofficial Christmas Truce were published in newspapers around the world.*

The Chicago Herald printed part of a letter from a British soldier describing what took place. “On Christmas eve we were shouting across ‘Merry Christmas!’ The Germans shouted, ‘Don’t shoot till New Year’s day!’ Christmas morning the weather was foggy and there was no firing. We started wandering over toward the German lines. When the mist cleared we saw the Germans doing the same thing.”

Climbing from their trenches onto the battle-scarred “no man’s land,” British and German soldiers shook hands, swapped cigarettes and jokes, and even played football. “We all have wives and children…we’re just the same kind of men as you are,” one German said.

Gifts were exchanged between soldiers: pies, wine, cigars and cigarettes, chocolates, pictures, newspapers. Whatever they had with them in the trenches. Some even exchanged names and addresses to reconnect after the war! “We exchanged souvenirs; I got a German ribbon and photo of the Crown Prince of Bavaria. The Germans opposite us were awfully decent fellows—Saxons, intelligent, respectable-looking men. I had quite a decent talk with three or four and have two names and addresses in my notebook.” (New York Times, December 31, 1914, World War History: Newspaper Clippings 1914 to 1926.)

The day would be remembered and memorialized as a moment of peace during the long First World War. A day when soldiers put aside their orders and listened instead to their common decency and humanity. As one German soldier noted, “You are the same religion as we, and today is the day of peace.”

SIGH !

I, JUKE BOX (Please play me…)

People say you are what you eat. I say you’re what you consume (just my short way of saying you are what you eat, what you read, what you watch, what you listen to, and whatever you experience). Because anything and everything that crawls its way into, and gets processed by, your brain becomes a part of you, after which your outlook is never quite the same. Because the ever-growing sum-total of your experience both alters and continuously filters the way you perceive and understand the world you’re living in.

(The above wisdom , courtesy of my vast and venerable 77-years of life experience on the planet, and… you’re welcome.)

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

Now, here it is, let’s begin:

Music has always had its way with me. Has practically owned me. All my life. Not that that’s a bad thing. Probably because I was born into a household with the kitchen radio playing pretty much non-stop, its rhythms and vocals rocking me in the crib as soon as I was brought home from the maternity ward. Likely even before that, as I suspect I was grooving to WABI am’s top 40 while still in Mom’s buffered-but-not-totally-soundproofed womb.

And as a side-effect, I’ve developed this condition I call Juke Box Brain Syndrome (JBBS). It’s this often annoying (just ask my wife) tic whereby any random word or phrase spoken in any random conversation I’m having (with you or anyone else) just might act as a trigger, very much like a quarter dropping down the slot of some back-to-the-60’s juke box to play a song. But instead… it’s me. I am that ‘juke box.’ And I have no control over the trigger.

Typical Example: So we’re barreling down I-95, Phyllis driving and pushing 75 in a 70 zone like everybody else when suddenly some car rockets past us in the passing lane! Phyl exclaims, “Whoa! That guy’s gotta be doing 85, 90, 95 miles per hour, if not a hundred!” And then, click!

See, that’s the ‘quarter’ dropping into me, the ‘juke box’ and then, me, bowing to something like a post-hypnotic suggestion, I obediently sing (you could almost say ‘play’) a couple of lines from a song. Weirdly, the song this time turnd out to be from one of those little, yellow, plastic, 78 rpm records I had as a kid back in the 1950s. It’s titled, “The Taxi That Hurried”:

This is the way he likes to drive, 70, 80, 95…

fast as fire engines go, compared to taxis they are slow.”

Now yes, it’s true, a couple of lines from Tracy Chapman’s “Fast Car.” would have much been less annoying.

Screenshot

But see, it’s never up to me. I don’t consciously choose the songs. They just come of their own accord, from the song vault somewhere in my decades-long memory.

Later in the day, in some other conversation, some other word is apt to bring up a line or two from Leonard Cohen, Doris Day, The Beatles, Dolly Parton, Tom Jones, or ABBA. Who knows? It’s like I have Song-Lyrics Tourette Syndrome. And oh, I know… so many many songs. Songs from prctically all genres. (Well except for gospel. And rap. And hip hop. I guess I’m too old for hip hop and rap, being a curmudgeon now. You know– today, having been born in the mid-1940s is like having come from another planet.)

(By the way, I can’t help being hung up on wondering if I’m the only one on the planet suffering from JBBS. I mean, surely there must be others. So please. Let me know in the comments if you, or anyone else you know, also suffers from JBBS. I will appreciate it.)

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

So my CD shelf and five computers and cellphone and brain are brimming, bursting at the seams with my lifelong music collection. But fortunately, this go-to jukebox in my head has saved my sanity so many times. The songs have acted as everything from my prozac (for when I’ve been down and depressed) to my much-needed comedy channel, laughter being the best medicine. My mental health owes so much it to this affliction.

And so what I would like to do here… no, what I’m going to do here…is share with you a few of the songs from my personal comedy vault that have often tickled my fancy and pasted a silly smile on my mug over the years, despite me.

So consider this a free, unrequested playlist offered from my JBB to your brain, a sample JBB pot pourri, if you will. I have no guarantee that you’ll listen in, (hope you do give it a shot) but if you do… you’ll know something about why I’ve adopted this first one, “I’m Different” by Randy Newman, as my personal theme song.

(I’m including the lyrics so you can follow along.)

“I’M DIFFERENT”

“I’m Different “

“I’M DIFFERENT”    by Randy Newman

I’m different and I don’t care who knows it
Somethin’ about me’s not the same, yeah
I’m different and that’s how it goes
Ain’t gonna play your goddamn game

Got a different way a walkin’

I got a different kind of smile

I got a different way a talkin’

drives the women kind of wild (… kind of wild)

He’s different and he don’t care who knows it
Somethin’ about him it’s not the same
He’s different and that’s how it goes
And he’s not gonna play your gosh darn game

I ain’t sayin’ I’m better than you are

But maybe I am

I only know that when I look in the mirror

I like the man (We like the man)

I’m different and I don’t care who knows it
Somethin’ about me’s not the same
I’m different and that’s how it goes
Ain’t gonna play your goddamn game

When I walk down the street in the mornin’
Blue birds are singin’ in the tall oak tree
They sing a little song for the people

And they sing a little song for me (La-la-la-la) (Thanks, fellas)

(He’s different and he don’t care who knows it
Somethin’ about him’s not the same
He’s different and that’s how it goes
Ain’t gonna play your gosh darn game)

I’m different and I don’t care who knows it
Somethin’ about me’s    not the same
I’m different and that’s how it goes
Ain’t gonna play no boss man’s game

I can’t tell you how many people over my lifetime have informed me that I’m “different.”And each and every time I heartily thank them.

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

Now, I spent 34 years here in this state of Maine enduring life as a career high school English teacher. And as you might imagine, getting and keeping the attention of the typical high school English student for 50 minutes every day is no easy task. It takes a magician, if you really want to know the truth. However, early on I discovered the music really doth have “charms to soothe the savage breast.” (-William Congreve [1670-1929] {whoever the hell he was}).

So now, here’s where being ‘different’ can pay off. Ever since my Mad Magazine-reading early childhood, I’ve been attracted to some pretty bizarre novelty songs, many of which came were played weekly on something called The Doctor Demento Show on the radio. I found Doctor D’s playlists a frickin’ gold mine for stuff that could really catch your typical high school student off guard.

And wheneveer I found myself bogged down trying to keep them awake while trying to teach what a metaphor is… Johnny Cash stepped right up to the plate:

“FLUSHED FROM THE BATHROOM OF YOUR HEART”

From the backdoor of your life you swept me out dear
In the bread line of your dreams I lost my place
At the table of your love I got the brush off
At the Indianapolis of your heart I lost the race

I’ve been washed down the sink of your conscience
In the theater of your love I lost my part
And now you say you’ve got me out of your conscience
I’ve been flushed from the bathroom of your heart

In the garbage disposal of your dreams I’ve been ground up dear

On the river of your plans I’m up the creek
Up the elevator of your future I’ve been shafted
On the calendar of your events I’m last week

I’ve been washed down the sink of your conscience
In the theater of your love I lost my part
And now you say you’ve got me out of your conscience
I’ve been flushed from the bathroom of your heart

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

As a teacher, I assigned the kids a lot of creative writing, which I guess is what I loved teaching the most. Usually every year I would have my kids write an original short story. This would include employing the basics of the short story, such as CONCRETE DETAIL, CHARACTER SKETCH, PLOT, CONFLICT, COMPLICATIONS, CLIMAX, etc.

In the early stages of the project, I watched kids struggling with not enough detail or too much detail that was unrelated to the PLOT. I’d coach, “Try not to just use any DETAILS that are unnecessary.Only use specific details that will support the PLOT by helping to move the story right along to the CLIMAX.

“And secondly, the most essential key to a good short story is CONFLICT”. So I would prompt them: “Can you imagine a story without useful DETAILS, or (heaven forbid!) without a CONFLICT? I mean, what would that even look like? How boring would that be?

“Well here, let’ me show you’s find out. Here’s a little song by Bob Dylan.” And boy, would the kids ever really perk right up at his name. “Like wow, Bob Dylan! This class is really gonna rock!”

Unfortunately for them, this particular Bob Dylan song was going to be a real nothingburger, Dylan’s most comically boring recording ever. Which was my point. I mean, just look at the limpid title for starters:

“CLOTHES LINE SAGA”

“CLOTHES LINE SAGA”

After a while we took in the clothes
Nobody said very much
Just some old wild shirts and a couple pairs of pants
Which nobody really wanted to touch
Mama come in and picked up a book
An’ Papa asked her what it was
Someone else asked, “What do you care?”
Papa said, “Well, just because”
Then they started to take back their clothes
Hang ’em on the line
It was January the thirtieth
And everybody was feelin’ fine

The next day everybody got up
Seeing if the clothes were dry
The dogs were barking, a neighbor passed
Mama, of course, she said, “Hi”
“Have you heard the news?” he said with a grin
“The Vice-President’s gone mad!”
“Where?” “Downtown” “When?” “Last night”
“Hmm, say, that’s too bad”
“Well, there’s nothing we can do about it,” said the neighbor
“It’s just something we’re gonna have to forget”
“Yes, I guess so,” said Ma
Then she asked me if the clothes were still wet

I reached up, touched my shirt
And the neighbor said, “Are those clothes yours?”
I said, “Some of them, not all of them”
He said, “Ya always help out around here with the chores?”
I said, “Sometime, not all the time”
Then my neighbor, he blew his nose
Just as Papa yelled outside
“Mama wants you to come back in the house and bring them clothes”
(Woo-hoo)
Well, I just do what I’m told
So, I did it, of course
I went back in the house and Mama met me
And then I shut all the doors

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

Back in 2009, my wife and I were fortunate to score front row seats at a concert in Albuquerque, NM. The concert featured the duo of Lyle Lovett and John Hiatt, both singer/songwriters. Both songwriters had a very good sense of humor, as was illustrated in some of their music.

This next song, “Old People” by singer/songwriter John Hiatt, makes me feel grateful because (ahem) I’m not one of them yet…

“OLD PEOPLE”

Old people are pushy
They don’t have much time
They’ll shove you at the coffee shop
Cut ahead in the buffet line

They’ll buy two for a dollar and 50
Then they’ll argue with the checkout girl
They’ve lived so much behind them
They’re tryin’ to slow down this goddamn world

Old people are pushy
Well, they’re not mushy
Old people are pushy ’cause life ain’t cushy

Old people are pushy
They’ll drive how they want to drive
And go as slow as they want to
They don’t care who stays alive

And they’ll kiss that little grand baby
Up and down the back and all around the front
They don’t care what you think of them
That baby has got something that they want

Old people are pushy, well they’re not mushy
Old people are pushy, cause life ain’t cushy
(Old people are pushy, they aren’t mushy)
(Old people are pushy, cause life ain’t cushy)

Old people are pushy, cause you don’t know how they feel
And when you pretend you do
Well they know it’s not real
Pretty soon it’s gonna be all over
Good enough reason not to let you pass
They done seem like sweet, little old people
But they are not about to kiss your ass

Old people are pushy, well they’re not mushy
Old people are pushy, cause life ain’t cushy
Old people are pushy, (old people are pushy)
Old people are pushy, (old people are pushy)
Old people are pushy, (old people are pushy)
‘Cause life ain’t cushy
Old people are pushy,
Old people are pushy
Old people are pushy
Cause life ain’t cushy

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

Lyle Lovett also has a quirky sense of humor. He has written some very serious and beautiful songs in his lifetime, but songs like this one, “Don’t Touch My Hat” always put a Lyle Lovett smile on my mug…

“DON’T TOUCH MY HAT”

Man you better let go
You can’t hold on to
What belongs to me
And don’t belong to you

I caught you looking
With your roving eye
So Mister you don’t have to act
So surprised

If it’s her you want
I don’t care about that
You can have my girl
But don’t touch my hat

I grew up lonesome
On the open range
And that cold North wind
Can make a man feel strange

My John B. Stetson
Was my only friend
And we’ve stuck together
Through many a woman

So if it’s her you want
I don’t care about that
You can have my girl
But don’t touch my hat

My mama told me
Son, to be polite
Take your hat off
When you walk inside

But the winds of change
They fill the air
And you can’t set your hat down
Just anywhere

So if you plead not guilty
I’ll be the judge
We don’t need no jury
To decide because

I wear a seven
And you’re out of order
‘Cause I can tell from here
You’re a seven and a quarter

But if it’s her you want
I don’t care about that
You can have my girl
But don’t touch my hat

If it’s her you want
I don’t care about that
You can have my girl
But don’t touch my hat

No it never complains
And it never cries
And it looks so good
And it fits just right

But if it’s her you want
I don’t care about that
You can have my girl
But don’t touch my hat

You can have my girl
But don’t touch my hat
You can have my girl
But don’t touch my hat

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

The following story/song was written by one of my favorite songwriters of all time, Harry Chapin, the man who wrote “Cat’s in the Cradle” and so many more. Humor comes in many forms. There are very different flavors of humor. In this case, the humor’s kinda grim. But man, what this wordsmith does with words! WARNING: Fasten your seatbelts, ladies and gentlemen. You are going for one hell of a ride…

“30,000 POUNDS… OF BANANAS”

It was just after dark when the truck started down
The hill that leads into Scranton Pennsylvania.
Carrying thirty thousand pounds of bananas.
Carrying thirty thousand pounds (hit it Big John) of bananas.

He was a young driver,
Just out on his second job.
And he was carrying the next day’s pasty fruits
For everyone in that coal-scarred city
Where children played without despair
In backyard slag-piles and folks manage to eat each day
Just about thirty thousand pounds of bananas.
Yes, just about thirty thousand pounds (scream it again, John) .

He passed a sign that he should have seen,
Saying “shift to low gear, a fifty dollar fine my friend.”
He was thinking perhaps about the warm-breathed woman
Who was waiting at the journey’s end.
He started down the two mile drop,
The curving road that wound from the top of the hill.
He was pushing on through the shortening miles that ran down to the depot.
Just a few more miles to go,
Then he’d go home and have her ease his long, cramped day away.
And the smell of thirty thousand pounds of bananas.
Yes the smell of thirty thousand pounds of bananas.

He was picking speed as the city spread its twinkling lights below him.
But he paid no heed as the shivering thoughts of the nights’
Delights went through him.
His foot nudged the brakes to slow him down.
But the pedal floored easy without a sound.
He said “Christ!”
It was funny how he had named the only man who could save him now.
He was trapped inside a dead-end hellslide,
Riding on his fear-hunched back
Was every one of those yellow green
I’m telling you thirty thousand pounds of bananas.
Yes, there were thirty thousand pounds of bananas.

He barely made the sweeping curve that led into the steepest grade.
And he missed the thankful passing bus at ninety miles an hour.
And he said “God, make it a dream!”
As he rode his last ride down.
And he said “God, make it a dream!”
As he rode his last ride down.
And he sideswiped nineteen neat parked cars,
Clipped off thirteen telephone poles,
Hit two houses, bruised eight trees,
And Blue-Crossed seven people.
It was then he lost his head,
Not to mention an arm or two before he stopped.
And he smeared for four hundred yards
Along the hill that leads into Scranton, Pennsylvania.
All those thirty thousand pounds of bananas.

You know the man who told me about it on the bus,
As it went up the hill out of Scranton, Pennsylvania,
He shrugged his shoulders, he shook his head,
And he said (and this is exactly what he said)
“Boy that sure must’ve been something.
Just imagine thirty thousand pounds of bananas.
Yes, there were thirty thousand pounds of mashed bananas.
Of bananas. Just bananas. Thirty thousand pounds.
Of bananas. not no driver now. Just bananas!”

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

(Iris Dement and John Prine:)

After that one, let’s end on a quirky-sweet “love’ song by John Prine and Iris Dement… “In Spite of Ourselves”

This duet with Iris Dement was written with Iris in mind. Prine’s wife said she called Iris to tease her
about the song and Dement said it took a lot of courage to sing some of the lines the first few times.

She don’t like her eggs all runny
She thinks crossin’ her legs is funny
She looks down her nose at money
She gets it on like the Easter Bunny
She’s my baby I’m her honey
I’m never gonna let her go

He ain’t got laid in a month of Sundays
I caught him once and he was sniffin’ my undies
He ain’t real sharp but he gets things done
Drinks his beer like it’s oxygen
He’s my baby
And I’m his honey
Never gonna let him go

In spite of ourselves
We’ll end up a’sittin’ on a rainbow
Against all odds
Honey, we’re the big door prize
We’re gonna spite our noses
Right off of our faces
There won’t be nothin’ but big old hearts
Dancin’ in our eyes.

She thinks all my jokes are corny
Convict movies make her horny
She likes ketchup on her scrambled eggs
Swears like a sailor when shaves her legs
She takes a lickin’
And keeps on tickin’
I’m never gonna let her go.

He’s got more balls than a big brass monkey
He’s a whacked out weirdo and a lovebug junkie
Sly as a fox and crazy as a loon
Payday comes and he’s howlin’ at the moon
He’s my baby I don’t mean maybe
Never gonna let him go

In spite of ourselves
We’ll end up a sittin’ on a rainbow
Against all odds
Honey, we’re the big door prize
We’re gonna spite our noses
Right off of our faces
There won’t be nothin’ but big old hearts
Dancin’ in our eyes.
There won’t be nothin’ but big old hearts
Dancin’ in our eyes.

(spoken) In spite of ourselves

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

So yeah… Now you know a little more about me, and where me brain’s been.

Stay tuned if you dare for Part II, coming soon, wherein I will share with you music from my stash that I feel is not only creatively composed,but has been honestly impactful and instructive in my life.

Thank you for Listening.

POET… PEACENIK… PUGILIST?

PROLOGUE

I present for your consideration a strange and very unlikely (but true) scenario. (Perhaps you might want to imagine me as Rod Serling, introducing the upcoming episode of The Twilight Zone.)

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

It’s lunchtime, and you’re seated at a long table in the teachers’ lounge, surrounded by a handful of your colleagues. You’ve been employed as a high school English teacher for twenty years or so now, but have only been teaching at the Academy for the last twelve.

You’ve come to know your co-workers well, as they have gotten to know you. Well, with one exception that is, being this newcomer seated directly across the table from you.

She’s been here for two weeks, but you two haven’t crossed paths yet. So one of your colleagues takes it upon himself to introduce you to this new face in the crowd.

You learn her name; she learns yours. Turns out she’s a temporary ed tech who lives in, and commutes from, Belfast. OK, fine. But you’ve noticed that her eyes have remained fixed on you for a bit longer than feels necessary. She’s  studying  your face.  

“Your name is Tom Lyford,” she says finally.

“Yeah. That’s right. Pleased to meet you.”

She says, “And didn’t you used to work at Belfast Area High School, some twenty years ago?”

You say, “Guilty as charged. Worked there only for a year though. Why, have we met before?”

“No, but my boyfriend worked with you down there.  Back then.”

“Oh. Really? OK. And what’s his name?”

So she tells you and, yes, you do recognize the name. You remember him, if only vaguely. But she continues to creepily appraise you a moment or two longer. Then… “So,” she says, “you’re the boxer.”

Everyone stops talking among themselves, and puts their forks down. This is probably one of the most absurd statements you, or anyone in that room, could’ve imagined. All eyes are on her, then on you, then back on her, and then back to you again as, after you do your double take, you laugh an uncomfortable laugh and ask, “The what?

She says, “The boxer.”

“That’s what I thought you said. But… what? Boy, have you ever got the wrong guy. A boxer! Me? Hah! That’s a laugh and a half. I mean, I can’t believe you even said that. ‘Cause I was never…”

Jeez, the way your fellow teachers have their eyes locked on you now, it’s… embarrassing. All eyes roll back to her when she says, “Yes,” with conviction. “The name’s right. You both worked there twenty years ago.  And the two of you remember each other, so… gotta be you. And he clearly stated you were a fighter.

“No! Now, let’s put on the brakes for just a minute here, OK? This is a joke, right? ‘Cause… it is funny. Ridiculous but funny! OK so… somebody put you up to this, right? One of these jerks?”

She shakes her head, looking a little bruised. “Uh-UH. I’m serious. Look. I heard them say your name at morning assembly last week… when you made that presentation. And for some reason or other… I dunno…  it just sounded kinda familiar. And when I went home last weekend, my boyfriend, Steve, wanted to know all about how my first week went, and among other things I told him, I happened to mention your name. And he said, ‘Tom Lyford? Hey, I knew him!’

And then eventually he got his hands on the right old yearbook, and there you were. Looking a little different back then, without the beard, but it was obviously you. ‘An English teacher,’ he told me. ‘And he was a boxer.’”

“Well, that’s crazy. I was NEVER…!” But man, the way everybody’s silently keeping their eyes locked on you like you’re some TV star in a live sitcom or something, it’s become so unsettling you’re a little at a loss for words.  

And then one of the Phys. Ed. teachers/coaches leans forward and says to you with a twinkle in his eye, “So. You been holding out on us, eh, Tommy boy?” Which, jeez, puts an awful thought in your head: Gawd, are they all starting to wonder who the ACTUAL nut-job is here? The new stranger in town, or their self-proclaimed pacifist/poet/drama coach who, for all they know, might’ve been living among them all this time while secretly hiding out in the Witness Protection Program?

You remind myself to just say no to paranoia.

“Well, obviously, when you found me in that yearbook, it never said anything about me as a boxer, did it. No! It said English and speech, plus I was the drama coach, OK? C’mon now. it never said word-one about me being…”

Tom Lyford, Belfast Area High School Dramatics Coach, front row, far right–, NOT a boxer…

Omigod! A memory suddenly clicks on in your mind! “Oh SHIT! I know what this is about!

Everybody leans forward.  The gorilla football coach, sizing you up with a crocodile grin says, “So how ‘bout you and me, we have us a little sparring session out in the gym this afternoon? You could, you know, give me some pointers.”

With a futile shake of the head, you mutter, “For crying out loud, I can’t believe this is happening all over again!”

But it is.

So, PLEASE keep a sharp eye out for the second installment of POET… PEACENIK… PUGILIST?? coming out SOON!…

“If you could read my mind, Love…” Part 2

“If You Could Read My Mind, Love…” Part 1 ended with…

“At long last, he launches right into it. And all of us, the vast, entire WGUY radio listening audience everywhere, is finally given the lowdown.

“And the lowdown is… kind of incredible.”

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

Yes, I’m here to tell you that the “lowdown” (note the quotation marks here) was indeed a tad incredible. And I remind you that you were warned in Part 1 that the story, though true, was a rather silly story as well. So there’s that.

But OK. The voice that came on the air came across as dark, authoritative, and rather harrumphing, leaving all of us 17 year old “adults” and younger (we, the demographic majority of WGUY’S listenership) suspecting that the man might be the President or CEO of WGUY, if not of the American Broadcasting Association itself. And in the following not-verbatim-nutshell, here is what he “regretted having to impart”:

  • (stock photo– not Jack Dalton)
  • It had long been no secret that our DJ, Mr.  Jack Dalton, considers himself a champion of Democracy, and had long been feeling seriously distressed about the indefensible state of affairs in East and West Germany— namely the Berlin Wall.
  • Mr. Dalton, who was obviously feeling the frustration of his utter sense of powerlessness that many lone individuals feel in the face of his inability to take effective action when needed, decided to take it upon himself to perpetrate a one-man protest.
  • Consequently, and unfortunately, he arbitrarily chose our WGUY broadcast radio station to be the platform to rally the largest population possible into action.
  • In so doing, he impulsively locked himself inside the station’s sound studio, and refused to come out.
  • He then began the playing and replaying of that dreadful song that had become his personal anthem.
  • And finally, our listeners must rest assured in the confidence that any other such event such would never be allowed to re-occur at WGUY. Mr. Dalton had just had been summarily fired.  End of story.

Now, I think a lot of us 17 year old and younger “adults”felt that firing the poor man was excessively harsh. We were used to seeing our own age group getting summarily punished, for our own little crimes and misdemeanors, all the time, but never an adult. Especially not an adult that we looked up to and who, in our callow opinion, had done little wrong.

First of all, the incident had given us something that was mysteriously fun to speculate on throughout the day. Something that wasn’t boring for a change. Secondly, we all pretty much loved our Jack the DJ Dalton. His was the disembodied radio voice that woke us up practically every morning, that spoke to us every day— an adult who actually seemed to ‘get’ us, you know? Plus, our daily entertainer; he’d come out with the wildest and craziest funny things sometimes. It was easy to feel he was one of the few adults who seemed… on our side. In a way, he seemed one of us.

But more importantly, he was the bringer of our MUSIC, which was our daily bread.

And then, there was something else to consider. Just what, exactly, was his “crime?” Standing up for something he believed in? Being against the Berlin Wall? I mean, who wasn’t? What, were we kids the only ones willing to look at this and see The Big Picture? I mean, the boys in my circle were starting to take the man’s firing personally. It was an injury, an injustice that had been perpetrated on them, damnit! And for them, this was a cause worth fighting for. The hornets’ nest had been stirred up. Oh, my pals were talking it up, big time. Like something needed to be done.

Honestly? I felt somewhat that way myself, onlynot nearly so strongly. In my home and upbringing, the parents laid down the law, and the parents administered the justice, so to speak. The rules were (well, mostly) common sense rules and you just had to go with them, didn’t you. I mean even to me, the little delinquent of the family, that seemed fair. Hey, I was a real little sneak when it came to breaking some of the rules, but every time I got caught at it, like it or not (and oh, I never liked it), it always turned out it to have been my own stupid damn fault.

So I guess what I’m saying is, I‘d grown up feeling that in the long run you just had to accept the status quo. Didn’t seem to me like there was that much of a choice anyway. So… when this WGUY flap went down, I felt bad for the guy, sure. And yeah, I felt some of the emotional turmoil too. But in the long run like I said, I was like, he got fired, that’s too bad. Yeah, I liked his show and everything, but… oh well then. What can you do?  

Little did I know that an onslaught of angry phone calls were being made from all over the place. WGUY’s office phone was reportedly ringing off the hook. People didn’t like their DJ getting summarily fired, did they. They were angry. And they were busy making it clear to the fire-ers that they wanted their fire-ee summarily reinstated.  But me? I was out of the loop. I’d just gone home, watched a little TV, and then to bed. I never found out until the following afternoon when I went back in to work and got the new “lowdown” from some of my friends who popped into the garage to tell me the “great news.”

Huey Cole’s Esso, 20 years before I worked there…

What great news? The radio station had been amazingly overwhelmed with the hundreds of protests and the owners had finally caved in to the demands!

Wow. I was shocked. Now my pals (who, like me, lived thirty-five miles away from the GUY studios) had found all this out through the grapevine, second-hand. They themselves personally had nothing whatsoever to do with the outcome. Yet, by the way they were strutting around and claiming victory, you’d think they’d stormed the Bastille and chopped off Marie Antoinette’s head.

Teen-agers. You gotta love’em.

But anyway, it was all over. It had been a bloodless coup. Jack Dalton was right back on the air that evening and right back on the old payroll, like nothing whatsoever had ever happened. The proletariat had won the day over their capitalist oppressors. The world that was WGUYville was still a democracy. So. There would be Jack Dalton’s music. And all was well in the land.

And sure, I was happy for our DJ.

But… SPOILER ALERT: everything I’ve told you… you’ve gotten from the point of view of my 17 year old self. A kid’s point of view. A kid’s version of “the lowdown.” But as always, there were other points of view. More about this soon.

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

The brain is a frickin’ file cabinet, isn’t it. And this one little pretty-much-forgotten event has been occupying one or more of my brain cells for almost sixty years. And in all those sixty years, I can recall only one other time that this incident conjured itself right up out of my subconscious memory. That happened ten or twelve years ago at the library where I work.

Four or five of us on the staff were, for whatever reason, chatting about some of our favorite novelty songs. Doctor Demento’s name had come up, bringing along with it such crazy titles such as Steve Martin’s “King Tut,”  Tom T-Bone Stankus’ “Existential Blues,” Napoleon XIV’s  “They’re Coming to Take Me Away, Ha Ha”, and “Junk Food Junkie” by Larry Gross, to name a few. And suddenly, bing!, the “West of the Wall” thing had popped up unbidden in my mind, seemingly out of the blue since the song is not a novelty tune in and of itself.

“Do any of you remember a particular song called ‘West of the Wall?” I asked.

The question got me blank stares and the shaking of heads.

So OK, I launched into the strange saga of WGUY’s for-mememorable episode when, suddenly, one of our library clerks, Jeannie Tabor, joyfully interrupted saying, “Oh my god! I DO remember that happening! It was so… weird, wasn’t it!”

Actual X-ray of my brain…

So there were a pair of us then! Two of us each with a brain cell that had been harboring this identical data (no doubt in the form of ones and zeros), data that had been lying dormant all these years like a little time capsule waiting to be opened! So then, excitedly, we both went on, telling the story together, as each of us remembered it. What fun!

But it didn’t take long after that for our little time capsule excitement to subside, the fun little memory curling up again in our respective brain cells and going right back to sleep. In my case, never again to be awakened from its little vampire crypt until… one month ago, it just popped back up in my head (who knows why) and got me thinking of the incident as a possible topic for this blog. And the rest, as they say, is history.

But wait, there’s more! As I began to compose this post, I remembered how ridiculously surprised I’d been when Jeannie had confirmed my little story. And I started to wonder… who else, if anyone, might also remember it.

So what did I do? I fired up my laptop and did the standard twenty-first century thing. I went to Google. I figured there must be more people out there who remember it.

Well, even with Google, finding info on such obscure little happening wasn’t easy. For half a day, I worked my butt off like a private eye. And finally… I did manage to find a few conversational traces of a thread in the Facebook archives.

The following four quotations from old Facebook messages (once posted by a few now-disembodied texters) are all I was able to dig up from the some six decades of the digital graveyard:

  • “Kent Taylor Smith Hi Kent. Yup, I was listening that day and heard it. It was about the same time that I went into radio. BTW: Are you still with THE WAVE?”
  • “On August 13, 1961, East Berlin closed its border with West Berlin and erected a wall to stem the flow of Easterners to the West. This brought to mind a song, sung my Toni Fisher, titled “West of the Wall” which was released the following year, around June ’62. Well, one thought led to another and Bangor’s dawn to dusk radio station, WGUY, came to mind. They played all the “good stuff,” including “West of the Wall.” So, now I’m thinking did they really play “West of the Wall,” continuously, one day as a kind of protest, or is this just the confused memory of a 12 year-old adolescent? I don’t recall the names of the ‘jocks’ at WGUY who might be able to answer this torturous question. Is there anyone out there to help relieve this pressure? Perhaps the guys from Bangor, Maine – Radio & TV?”
  • “The event happened, it was so long ago nobody remembers it other than it happened. I first started working for WGUY in 2000 at the 102.1 incarnation. Nobody involved with the station then, or since, was involved. I even asked Bob Mooney about it once and he could barely remember it.”
  • “Your memory is very good, John. I remember that incident. Yes, a DJ on WGUY named Jack Dalton played “West Of the Wall” continuously for several hours. I don’t recall it being a “protest”, but rather a publicity stunt to draw attention to the station. My memory is a bit fuzzy on the aftermath, but if my memory is somewhat close, he was “fired” and then “rehired.” Someone else might have a clearer memory on that part. BTW, publicity stunts were quite common at that time. A DJ would “lock themselves” in the studio and play the same song multiple times, get “fired” and get “rehired” after listeners protested the firing. Side note: studio doors don’t have locks on them.”

So: there were some little data packets of the same ones and zeros lodged in the brains of these guys, just like they’re still lodged in Jeannie’s and my own. Cool.

 I’m always finding it very fascinating to be reminded that each of us has one of these biological, state-of-the-art, digital recorders installed right behind our eye sockets and that they’re on all the time,  picking up any and all of the vibrations of our five (known) senses and forever cataloging, collating, and cataloging them. I mean, jeez, who knows what all else is stored away in these things? Could be anything. Could be everything. Put’em all together and what’ve you got? Maybe only the entire history of the earth. One soul at a time.

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

So now, allow me to stop here and make this little shout-out to any of you (out there) who have happened by chance to stumble onto this particular post, right now… who were living here in the WGUY World greater area back in ’64, and who also have some first-hand knowledge of this event. If so, could you, would you (please, please, please) leave a comment or two about it in the comment field at the end of the post? Like, you know, what you were doing at the time, what you remember thinking about it at the time, etc. Who knows, maybe there’s a lot of us. Maybe we could start a club. Or a support group, lol.

But no, seriously, all kidding aside, I’d really appreciate you checking in if that’s the case.

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

Alright, I’m going to close here by swapping my 17 year old’s hat for my 77 year old’s one, and focusing us on the last few sentences of the fourth quotation from the Facebook thread I’d unearthed with Google’s help. This is what the gentleman said:

“My memory is a bit fuzzy on the aftermath, but if my memory is somewhat close, he was “fired” and then “rehired.” Someone else might have a clearer memory on that part. BTW, publicity stunts were quite common at that time. A DJ would “lock themselves” in the studio and play the same song multiple times, get “fired” and get “rehired” after listeners protested the firing. Side note: studio doors don’t have locks on them.”

Notice the use of all the quotation marks, where he says “fired” and “rehired”? That’s not the same thing as simply saying fired or rehired, is it. He has also called it what it actually was: a “publicity stunt.” And if you were an adult back then, you would have seen it for what it was too. But on the other hand, if you were a 17 year old or younger, all full of piss and vinegar, you’d probably see it as a call to arms, as many did.

It’s like the station put on a little play. And why?  To generate more interest in WGUY… that’s why To do something that would increase the numbers of their young listeners, something their sponsors would appreciate. And of course, that’s what it did. It worked. The adults back then did know. Of course they did. And it’s easy to imagine them rolling their eyes and getting quite a kick out of it. It’s easy to imagine them sighing, shaking their heads, and saying something like, “These crazy teen-agers. They’ll believe anything.”

But it’s the guy’s last sentence, his “Side note” that’s making me smile today.

“Studio doors don’t have locks on them.”

That’s right.

They don’t.

THE GIZMO CHRONICLES, 1989– bonus track

I’ve gotta admt, several times during my one-month gig as… my little brother’s keeper, this song kept playing in my mind. It was quite popular in 1959, and it had been very popular with me ever since. Even if you’re very young and don’t recognize the name of the band, The Coasters, you are very likely familiar with their signature song “Charlie Brown.”

Anyway, here it is: “Run Red Run.” Hope you enjoy it.

The Coasters are an American rhythm and blues/rock and roll vocal group who had a string of hits in the late 1950s. With hits including “Searchin’“, “Young Blood“, “Poison Ivy“, and “Yakety Yak“, their most memorable songs were written by the songwriting and producing team of Leiber and Stoller.[2] Although the Coasters originated outside of mainstream doo-wop, their records were so frequently imitated that they became an important part of the doo-wop legacy through the 1960s. In 1987, they were the first group inducted into the Rock and Roll Hall of Fame.

LITTLE BOY SAD

THE GIFT

As a child, I was so spoiled at Christmas time it was embarrassing. See, Mom had grown up in the abject poverty of The Depression. She hadn’t gotten doodly-squat at Christmas when she was a little girl. One of her personal legends was the Christmas when the lone present she received was a coat hanger personally decorated by her older sister. And damn… she’d loved it. Yes, I know. It kind of makes you want to cry, doesn’t it. And it sounds made up, like something right out of the musical, Annie. It wasn’t though, according to my dad who eventually rescued her with a wedding ring. Now, how’s that for a family legend? And he hadn’t had any picnic himself when he’d been a kid, either, but he’d fared a whole lot better than she had.

The sad thing is, she’d gotten somewhat psychologically bent by all that poverty. And as a result, beginning on New Year’s Day (if not earlier) when January had already begun chugging slowly toward the following December, she was once again the volunteer soldier in the lifelong war against poverty-stricken Christmases. Not only for us, her kids, but for all of her nieces and nephews, regardless of what faraway states they lived in, all of whom were living in some degree of poverty themselves. Meanwhile, at home, our Christmas trees were alwaysburied alive in bright holiday-wrapped presents, large and tiny.

So I was lucky, right? Honestly, in retrospect, a little bit too lucky. The bounty of our Christmases wasn’t all that great for my character development, if you must know. Not that I needed any help in that department with the bad genes I’d somehow inherited. I just became more and more all about the getting, getting, getting despite the fact that I was already getting,getting, getting. And I’d get such great gifts. We all did.


For instance, I got a beautiful Lionel train set. I’ll never forget that. It was a dream come true. You’d set it all up on the living room floor and then… you were the engineer. But, and here’s the rub, there were only enough tracks to for a tiny little oval. The beautiful engine and the realistic box cars would go whizzing round and round, over and over. Round and round. Over and over. And you know what? That gets old in a hurry. And why weren’t there more tracks, is what I wanted to know. I wanted a figure-eight railroad. (OK, I probably wanted enough tracks to lay down rails going from room to room all throughout the ground floor of our house.) And then, you had to keep taking it all apart and putting the pieces back in the box again, ‘cause you couldn’t just leave it on the living room floor forever, right? It was a small living room. So that quickly got old as well.

I suppose I should tell you about the cool Lone Ranger ring I got. It was silver and featured a small embossed rendering of the Lone Ranger astride the rearing stallion, Silver. Yes, the very ring under which I brainlessly jammed a pebble between it and my ring finger just above the knuckle, where it got stuck, causing my finger to swell all up. All I can remember now is the horrendous emergency car ride to some old guy’s house, a guy who had some kind of a power saw.

Most Christmas gifts were basically toys and clothing. They didn’t have Amazon gift cards back then. Clothes were just clothes. The toys were appreciated of course, if only for a little while. Why? Because they’re just…things, aren’t they. Days or months later you haul them out of the closet and look them over and you discover they’re the exact same old objects you tired of a long while back. Things. Things that you’d gotten oh so used to, ho-hum. And maybe you’d play with them one more time but…you’d find yourself just going through the motions somewhat.

And yes, I do realize now what a petulant, ungrateful little jerk I was.

As far as gifts go though, I hit the jackpot in 1956 on my tenth birthday. What I got wasn’t a thing. Well, of course it was a thing. It’s just that it was so much more than a thing. A gift that could, and did, keep on giving. Day after day, year after year. It was nothing expensive at all. Small, plain little box— perhaps 10 by 4 by 4 inches. A metallic blue. But I swear, it changed my life. Bent my life like a glass of water bends a ray of light passing through it. And I’m so gratified that it did. Even today.

I got a radio for Christmas that year.

Now when you hear the word radio, you have to keep these things in mind because this was the mid-1950s.

So first of all, to turn it on you first had to plug it into a wall-socket. It wasn’t portable.

Secondly, the broadcast voices and music received were amplified by 3, maybe 4, glass vacuum tubes. So when you turned your radio on, the vacuum tubes would first begin to glow, getting warm and then warmer, till they were radiating an orange glow (which you could never actually see without taking the back of the radio off). The innards of radios were like little ovens back then. Due to the fact that the tubes had to really get red hot in order to amplify the stations’ signals, you always had to wait almost a full minute before the thing would actually start working , unlike today where everything is instantaneous due to the invention of transistors.

Thirdly, almost all radios ran on AM back then, and mine was no exception. With FM, you can listen to your music clearly regardless of the weather; but with AM, any thunder storm 25 miles or so away would be breaking up your programs with unwanted static crashes that could drive you nuts.

And fourthly, with FM you could only pick up stations within about a 30-mile radius, all depending on the height of the stations’ antennae. With AM, especially at night, you can pick up stations thousands of miles away, but with one problem: stations with relatively weak signals would tend to fade in and out, which could also drive you nuts if you were trying to listen to a faraway baseball game.

We had a table-top radio in our kitchen. Mom usually kept that on throughout the day while doing her housework, and I listened too. WABI out of Bangor was always playing the top-40 hits of Johnny Cash, Ricky Nelson, Peggy Lee, The Big Bopper, Elvis Presley, and Buddy Holly. And man, didn’t I just think WABI’s top DJ, Jim Winters, was real-deal cool! He had such a deep voice and he knew everything about the artists. I was gonna grow up and be a DJ myself sometime, for sure. Along with a number of other things.

Funny thing about Jim Winters. He’d host the sock hops over at The Crystal Ballroom, the old renovated church out on South Street. The Crystal was off limits to me because “that’s where the high school crowd hung out.” So who knew what tings might be going on over there? Not me. I didn’t. Not my mom either, but… she could just imagine. But I’d watched a dozen high school rock and roll flicks at Center Theatre, and they were siren songs to me. So one Saturday night, my rug rat buddies and I pedaled our bikes over there and slipped in while Buddy Holly’s “Peggy Sue” was blaring from the loud speakers. So exciting! So forbidden fruit! I know my heart was pounding.

Well, the first thing I noticed was, wow, the great big crystal ball slowly revolving from the ceiling, lighting up the darkness with twirling fireflies of red, green, and blue swimming about the hall. I’d never seen anything like it!

The second thing that hit me was… oh my God, was that him? Yes it was! There he was himself! Jim, the DJ, Winters! But wait, it couldn’t be. What, this was the DJ I’d been putting up on a pedestal all this time??  Holy cow! He looked like some… creepy car salesman. And his head was way too big for his little shoulders. And partly bald? I was aghast.

Thirdly, something stated happening that made me nearly faint from a combination of forbidden-fruit ecstasy and fear. Winters was suddenly announcing over the loudspeaker, “At this time, all the young ladies who’ve signed up for “the Golden Garter Beauty Contest” should now approach the stage.” WHAT? WHAT WAS THAT? And before you could say Sodom and Gomorrah, a line of high school beauties had formed up there amid a raucous roar of hoots and catcalls and wolf-whistles. And holy-moly, didn’t my knees tremble as my eyes followed Young Lady #1 as she marched coyly up to the waiting chair, took a seat, hiked up the hemline of her skirt, and displayed for God and everybody to see… some frilly little lacy elastic encircling her thigh maybe 3 inches or more above her knee! I mean, What would her mother ever think!? And then I thought, Jeez, what would my mother ever think if she knew where I am and what was going on?! Here, a timid little Sunday school voice from my one of my shoulders gasped, “Tommy! You must run home now! This instant!” while the carnival barker voice that lived on my darker shoulder reasoned, “Oh come on, kid. What your mom doesn’t know won’t hurt her… right? No, Stick around. We’ll skedaddle soon, I promise.” Now, I’d heard the word “garter” before, but I had no clue what one actually was until that dizzy night at the Crystal Ballroom!

But I digress. We’re talking about, what… oh yeah, the radio I got as a gift. OK, back to that.

So I imagine you’re probably thinking, OK, you got yourself a radio. What’s the big deal? Because, like, getting a radio today is nothing. But hey, I’m here to tell you that for a ten-year-old in 1956, it was a very big deal. Especially since I was I was transitioning right then from the age of late prepubescence to the age of near puberty. And the songs I was getting interested in were about that mysterious world of guys and girls and… garters and stuff? And sure, we had the kitchen radio. I just couldn’t hear it so well from my bedroom for one thing.

So I plugged my new radio into the wall socket and tucked it away on the floor, right under the head of my bed in easy reach. That way I could just be lying there, reach down, and fiddle with the station dial to my heart’s delight, bringing in the music from the out-of-reach, nearby city stations. But when it got really dark, like when I was supposed to be sound asleep, I found myself reeling in DJs in Boston, New York, Philadelphia, and amazingly sometimes as far away as California. I’d never realized what a small-town redneck Jim Winters really was.

But… regardless of all that, I now had… a night life.

When Paul Anka was singing, “I’m Just a Lonely Boy,” then I was that lonely boy. When Elvis was “All Shook Up,” so was I. When the Everly Brothers were frantically trying to “Wake Up, Little Susie,” I was feeling frantic about what I was gonna hafta tell her old man, waiting on us at her front door. And I was getting hip to the ways in which “Love Is a Many Splendid Thing.” But itching to find out what was going on behind “The Green Door,” though I suspected it was probably more of the same (or worse) as what I’d witnessed going on over there at the Crystal Ballroom. And yes, I knew what it was like to be “The Great Pretender,” even though when I listened to Peggy Lee, there was no pretending that I was coming down with “Fever.” Face it, I was in the onset of going batshit girl crazy. But… “what a lovely way to burn…”

Of course the sad thing was, I didn’t have a girlfriend, nor did I have any real clue as to how to get one. I was the shortest kid in my class, after all. And I was deadly shy around girls. One girl I had a crush on stood a foot and a half taller than me. An amazon. So I was doomed. Doomed to be a listener. Just a dime a dozen listener of love songs. And in that capacity, what I did do is get myself a little notebook. Kept it under the bed right next to the radio. Then night after night after night, crawling slowly up and down the dial from 55 to 160 khz, I sampled all radios stations I could find, searching for just the right ones, finding any and all songs that would try to have their way with my bleeding, lonely heart. I’d enter the call signs of the best stations into my log, along with the frequency points on the dial so I could easily find them again, plus each DJ’s name, a listing of the song titles I’d heard and fancied, and the artists’ names. I was becoming quite the bookkeeper. My all-time favorite stations and DJs  were WMEX (AM) in Boston with Arnie “Woo Woo” Ginsberg at the helm, and “Cousin Brucie” of WINS (AM) New York.

I had a few cronies very much like myself in this regard, and we’d swap our gleaned info next day on the playground. I had it bad. We had it bad. And then, afternoons after school, my notebook and I would stroll down to the neighborhood convenience market where I’d stand in front of the magazine rack, surreptitiously (lest the proprietor catch me) lift one from the display, and hurriedly scrawl as much of the desired song lyrics as I could manage from the two or three pop song magazines that would publish them. I couldn’t afford to buy one on my allowance.

So yeah, I’d become a bookkeeper, a miserable scribe, a lonely hearts chronicler of heartfelt doo wop. A journey of a thousand miles begins with a single step and, sure enough, I was on my way to becoming the hopeless, lifelong romantic I am to this day.

I can clearly remember one particular night of listening when my ears particularly perked right up. The DJ du jour (no, make that DJ de nuit) announced that he was about to play a brand new song, that this would be the song’s exclusive debut, to be performed by a brand new, up and coming group calling themselves The Elegants! Desperately I clawed my little log out and pencil out from among the dust bunnies under the bed. I mean, it was well past midnight and the whole town I languished in was probably sound asleep, so it was like being Superman’s sidekick, Jimmy Olsen, getting a scoop for The Daily Globe! The song title was titled “Little Star,” and opened with the forlorn line, “Where are you, little star…?” It was such a sad song. Another song by some sad and lonely soul like myself. Where was my little star? Next day on the playground, all puffed up with self-importance, I (numero uno, the self-appointed president of our Lonely Hearts Club) altruistically enlightened my sad disciples with the new found data. As it turned out, “Little Star” did reach #1 on the Billboard Charts, stayed there for one week, and spent 19 weeks in the Hot 100. Unfortunately it was doomed to become just a one-hit wonder for The Elegants.

As it is with most people on the planet, I don’t believe I could feel whole without music. Music has become such a major part of my life. It soundtracks me every step of the way.  A sad example: when I was a sophomore in high school, my steady girlfriend (yes, it took me that long to finally acquire one of those) gave me my ring back and just flat out and out dumped me. She’d found somebody else, alas. I was devastated. So what did I do? Sat in my room all day pitying myself for a whole month, that’s what. All the while wallowing in my Johnny Cash 45 rpm record collection. There were so many songs to choose from. “Guess Things Happen That way.” “Home of the Blues.” “Cry, Cry, Cry.” “I Still Miss Someone.” “Thanks a Lot” “Walking the Blues.” I mean, oh what an epic pity party that was! But… Johnny helped me pull through, didn’t he. Yes, he did.

Now it’s odd, but in what I call my jukebox brain today, random lyrics get automatically triggered by almost anything anyone says. I don’t know if it’s a blessing or a curse, but I find it entertaining, personally. Often during conversation among friends, I find myself just coming right out singing a couple of triggered song lines. However I’ve had to learn over time that it’s usually a lot more polite to try to stuff these little outbursts down inside because, understandably, some people can find this Tourette’s-like and, well, just a tad annoying. Just ask my wife.

Now I made the claim earlier that the little radio gift I received bent my life, changed it, and in such a good way. Oh sure, I realize if I hadn’t received my little blue box right then, the music would still have found me, would still be a big part of my life. But it came at a good time. It was something I hadn’t known known I needed, but as soon as it arrived it immediately became an integral part of my emotional life. It definitely filled some gaps.

See, my bedroom was my little fort. Just as the bedrooms of teens today are their fortresses of privacy, their domains. But one of the biggest differences is that my fort didn’t have a smart phone in it. (Hell, it didn’t even a have a phone of any kind in it.) And before 1953 our family didn’t even have a television in the house, let alone one in my bedroom. So I didn’t have some screen to stare down into during every minute of my free time. Those distractions were totally non-existent. Our 1950s “social media” was a physical hang-out, the lunch counter at Lanpher’s Drug Store, right after school got out every afternoon. It was comprised of real face-to-face kids, nothing digital or virtual about it. And for a half hour to forty-five minutes, you’d load up on all the school drama gossip and then  head home. Where maybe you had some chores to do first, after which maybe you’d hang out on the family phone for a bit…but you weren’t allowed to live on it. You’d have dinner, maybe do some homework (maybe not, as was often the case with me), but eventually you’d retire to your room.

My bedroom was a quiet, peaceful sanctuary after 9:00 pm or so. I could be alone with my thoughts. Maybe I’d had a rough day and my thinking might’ve gotten hung up on dwelling on what’d happened, so I’d spend some time licking my emotional wounds. Maybe I’d spied some new girl in school that had caught my eye, and I could sorta daydream what she might be like, and what maybe she liked, and OK, wonder if I might ever be one of the things that she could possibly like as well (probably not.) Maybe I’d work on building my model airplanes, or dabble in trying to write out my feelings in a poem or two. But it was my time, me time. We kids had a lot of me time back in the fifties. It was built right in.

And then my radio showed up. AM. Mono, not stereo (stereo wouldn’t be available for a few years, so I didn’t know what I was missing). A plain, homely little thing. But it was a conduit. A conduit to worlds I hadn’t discovered yet. Emotional worlds. It was like a little ride on of the amusements at the carnival, me being the only kid there. I could just strap myself in, and ride any old time. It was a new adventure, one I would never tire of. Rock and roll. Then rock and roll turned to folk songs, which in turn became protest songs, and I was on my way.  All because of a little inexpensive AM radio my parents had given me as a gift.

Today, I have Sirius XM. It’s great, it really is. I can stream songs from just about any genre and any time period. So I’ve got it all now. But you know what? It’s great, yes, but it all seems so easy. Too easy. The truth? All these modern-day streaming abilities feel too convenient. It’s a convenience that, I dunno, sucks the serendipity right out of it.

Oh well…